Category Archives: book reviews

Book Review: DUNE

Dune by Frank Herbert, 1965, The Berkeley Publishing Group, Special markets Hardcover September 2005, ISBN 0-441-01405-4

How does one go about writing a review of Dune? It’s a massive job. I shall need three days to say most of what’s in my head. Imagine, therefore, how much more difficult it was to write the book in the first place. The achievement of Frank Herbert is immense. To create the planet Arrakis, with all its culture based on physical characteristics, and the worlds beyond Arrakis is a staggering work, easily rivaling the achievement of J.R.R. Tolkien.

I began reading Dune on June 15 this year, and finished July 19. As I said in previous posts (here and here), I found the beginning very hard reading. Herbert did not spoon-feed his readers. We have to figure it out from the barest of clues. On the first page I was confronted with the term Kwisatz Haderach, planets Caladan and Arrakis, the Atriedes family, and the curious term “suspensor lamp”. Strange words, strange concepts, hard going. I didn’t realize I had a “Terminology of the Imperium” section in the back. I assumed I had to figure these out from context or later illumination.

The second page presented the gom jabbar, Bene Gesserit, CHOAM, Landsraad, etc. The first five pages, even the first fifty pages, threw up one difficulty toward full understanding after another. I like to understand what I read. If I can’t figure out something from the context or internal explanation, I consult a dictionary, or even on occasion an encyclopedia. But where to go to understand Bene Gesserit? Nothing to do but read on and hope to figure it all out from accumulated context. I did, eventually, stumble on the glossary, and made frequent flips there. It wasn’t the most helpful, but consistent with Herbert’s aversion to spoon-feeding. I read fairly slowly, trying to maximize my understanding. Possibly the need to understand caused me not to focus on some plot elements, or the depth of character development.

Once I was past the first fifty pages, the extent of new terms diminished. Some others started to become familiar. I consulted the glossary less, and enjoyed the book more. The mind fog over Arrakis started to clear (and in so doing, I hope, provided something for the dew harvesters to collect), and the plot stood front and center. About the time Jessica and Paul had to escape from their Harkonnen captors (or were they Sardukuar?) was when I began to see the big picture.

On the next two days–I think; it could take longer–I’m going to cover what I liked and didn’t like about Dune. Today I’ll simply mention that I like the fact the book had no swearing, no overt sex scenes, and little violence. Oh, there were wars, battles, and knife fights, but the covering of this was superbly done by Herbert, such that you almost didn’t know it was a violent scene. The violence was not gratuitous, and the book did not rise or fall on the violence. This, I feel, is a mark of good writing.

So I conclude today by saying put me in the camp of fans of Dune. Some day I will re-read this, and I don’t re-read many books. Thanks to my son for this gift, which has enriched me. More later.

Book Review: The Dark Side of Camelot

I finished Dune yesterday, but I’ll need a few days to write my review; it will probably extend over two or three days. So today I will review a book I finished shortly before starting this blog: The Dark Side of Camelot by Seymour M. Hersh; 1997; Little, Brown and Company; ISBN 0316359556.

I have read much about the Kennedy family: the assassinations, the presidency, the ancestors, and the descendants. There is no shortage of books in this subject, for the Kennedy saga combines much of what made America great: immigration, entrepreneuism, politics. However, as Seymour Hersh reports, a dark side also existed. Past books have touched on this to varying degrees, and most people today who dig just a little bit into the Kennedy story know it is not always pretty.

Hersh set out to focus on John F. Kennedy’s run for the presidency and his time in that office. He begins with recounting events from November 22, 1963. He focuses on what Bobby Kennedy did, how he immediately moved to hide JFK’s private files, put them under lock and key. He hid the president’s medical records, to keep the world from learning just what a physical basket case JFK was. As he says, “But it was the man closest to John F. Kennedy who needed to put aside his grief and begin immediately to hide all evidence of Kennedy’s secret life from the nation–as well as from the new president….” And, “The brothers understood, as the public did not, that they were just one news story away from cataclysmic political scandal.”

Kennedy’s legacy is one of liberal strength, of diplomatic successes, of great speeches and hard work, etc. Hersh is able to pull the mask off the true JFK and unravel some of this unjustified legacy. Most people have heard about his womanizing, but the extent of moral depravity in our 35th president is astounding. After a late start in the Oval office most mornings, Kennedy would eat lunch there when Jacqui was away, then would go to the White House pool for a naked swimming party with some of his aids and White House secretaries. Hersh explain how when Kennedy was on the road, his aide David Powers was responsible for procuring the hookers who would fill the evening for JKF and others. As a consequence, JFK had round after round of venereal disease, and took massive doses of antibiotics, as well as steroids for other ailments.

Hersh does not confine himself to Kennedy’s personal life, however. Clearly documented are: the purchasing of the Democratic nomination in 1960 with the help of the Mafia and Daddy Kennedy’s money; the probable stealing of the election in November of that year; the bumbling approach to State issues, where every action was couched, not so much by what was best for America, but by what was politically expedient; the cavalier attitude to the Bay of Pigs invasion by Kennedy and those around him; the way they (JFK and RFK) almost threw away victory in the Cuban missile crisis; and Kennedy’s true plans for Vietnam. It is all an incredible revelation.

Hersh wrote his book at exactly the right time. The 1990s were thirty years removed from the presidency that the media called Camelot. Many of the people–the little people no one ever heard of, and the aides to aides–who played a part in the presidency were still alive, and enough years had passed that they were ready to talk. Secret service men spoke freely about how they felt about having to stand outside hotel suite doors while the president was consorting with prostitutes. Those involved in various diplomatic “successes” talked about the truth of the crisis and what the Kennedys knew.

The book has some flaws. It is not documented with rigorous footnotes to sources. The end of the book has “Chapter Notes”, wherein Hersh tells of his sources, who he talked with for each chapter, and the nature of what he learned. The way the book is written leads me to conclude it is accurate; I’d just wish he’d have done more footnotes. Then, there is Hersh’s habit of saying, “In an interview for this book in…”. After the first half dozen times we get the picture that he conducted extensive interviews. After 100 times it was annoying. After 500 times….

This is an excellent read. I encourage all to read it, especially if you still believe JFK was a great president.

20 More Pages in DUNE

I didn’t read any in Dune last night or the night before, but I did tonight, after returning home from writers critique group; twenty pages, bringing me up to page 316. My edition has 515 pages of book, plus about 30 of appendixes. Tonight I read when Paul and Jessica are accosted by a group of forty Fremen, but are able to work their way out of it and to gain the protection of this desert community. These were two nicely written chapters (found one typo; just a missing close quote). Paul quickly becomes enamored with a Fremen girl his age, and his mother seems to have an opening for a romantic relationship with the leader of this group.

In the next to last scene, Jessica takes advantage of the superstitions planted around the universe by the Bene Gessirit, and as a result we see a Fremen religious ceremony. I found this scene hard to follow. My mind drifted off twice, and I had to re-read to get it; even on the re-read I found it tough. I don’t know if that was the writing or just a normal (for me) aversion to pagan religious stuff.

Despite that one difficulty, the book continues enjoyable. Hopefully I can cover the remaining 200 pages in not more than 20 days, and come back to give a full report.

DUNE: the half-way report

Yesterday I reached, and today I passed, the halfway point in Dune, Frank Herbert’s 1965 science fiction novel. My son gave this to me for Christmas (or birthday; they’re pretty close together), and about three weeks ago it finally came to the top of the pile. My son gave it a good endorsement, saying it helped to define, or maybe it was change, the science fiction genre. I’m not much of a science fiction or fantasy person, but with that endorsement, and trying to please him, when it came to the top and it was time to read fiction, I plunged.

The first fifty pages were very hard reading. So many terms to learn, so many flips to the glossary. So much going back to re-read paragraphs that didn’t seem to make sense. Actually, this went on for closer to a hundred pages (my version is 540 pages, including appendixes). I found myself unable to read more than five to ten pages a day.

After a while, though, I fell into a rhythm, and began to find the work enjoyable. Some terms started to become familiar; others could be deciphered from context. The main plot line became clear, and the characters became real. The writing is stellar, and this book has one thing I really like in a book: omniscient narrator point of view. In all my writing instruction sources, they say omniscient is out of favor, and new writers should avoid it. As a reader, however, I prefer it, so why wouldn’t I write in it? Tonight I finished a chapter where Paul and his mother are the only characters in the scene. In one paragraph we are in Paul’s head; in the next one in Jessica’s. And I say, “Hallelujah!” What an exciting way to write. The caution against head hopping is, IMHO, way over stated.

Back to Dune, I can’t imagine how much time it took Herbert to create this. It seems more fantasy to me than science fiction. Possibly these two genres frequently merge when the science fiction is so far out there to make Earth invisible. His creation of the desert situations–the sand worms and the Fremen and stillsuits and the whole concept about water conservation is outstanding. The empire, with the tripartite arrangement between the royal house and the guild and the leading families, which has barely come out, is an interesting foundation of the plot. Back story is worked in expertly by Herbert.

I’m on a roll now, reading twenty pages a day or a few more. I’m anxious to learn how Paul and Jessica return to civilization; how Thufir Hawat learns who the real traitor is; what the emperor’s gambit is; etc. A few things I question, but imagine they will be explained later. For example, the last chapter I read this evening told of the death of Kynes, the Fremen planetologist who served as the judge of the change. Given that he died, and will have no more part in the story (unless he really didn’t die; we don’t have a corpus delecti yet, and I always maintain until you have the corpus delecti you don’t have a death), why did Herbert spend so much time on the death? Was it just to work in some of Arrakis’ physical characteristics, which Paul will pick up on later in this (or a subsequent) volume? The weeks ahead will tell.

More Thoughts on "Lost Letters of Pergamum"

Yesterday I posted a review of Lost Letters of Pergamum by Bruce W. Longenecker. I feel that I left some things out of that post, or rather, that I did not develop my thoughts adequately and give examples.

After posting yesterday, I decided to begin reading it again, since I read only limited segments of it before my review, and those for a different purpose than for review. I read 57 pages last night (lots of white space in this book, though), and found some examples of the points I made yesterday.

I said sometimes Longenecker seems to throw in some statements presumably made by the 1st century writer that seem designed to inform the 21st century reader, and thus did not seem natural in the letter. Here’s an example:

“But after a two week hiatus, Rufinus and I met outside the city walls in the temple of Isis, the mistress of Pergamum, to continue….”
Sixth Letter Series, letter from Antipas to Luke, pages 61-64, quote from page 62.

I doubt a first century writer would have added “the mistress of Pergamum”, as this would have been common knowledge to educated people in the province of Asia at that time. Another example is the discussion on page 63, in the same letter, where Antipas describes the leading cities of Galilee, for the purpose of contrasting them with the low status of Nazareth. After several he says “built [or re-built] by Herod Antipas“. This seems unnatural. Perhaps this statement is justified in that, later in the letter, Antipas remarks on how John the Baptist was critical of Herod Antipas, and thus Antipas wanted to build Herod up by highlighting his pubic building projects. Possibly, but it still has an unnatural feel.

On the other hand, the same letter shows what appears to be Longenecker’s faithfulness to the Roman culture. In the discussion of the lowly position of Nazareth, Antipas says “If the goal of your narrative is to demonstrate Jesus’ claim to honor, it will have a lot of ground to cover.” Thus, the honor of the man is linked to the honor of the town. All I have read confirms this as a dominant thought in the Roman-dominated Mediterranean region. So Longenecker’s having Antipas make this statement adds believability to the book.

He (Antipas) also has this to say about John : “…the John who baptizes…certainly seemed a troubled soul…those priests would not have appreciated John either.” Thus, Antipas seems to be echoing the general thought of the day, that heroes must be perfect. Longenecker shows how this would have been a stumbling block to an educated Roman or Greek who considered Judaism or Christianity. After all, their founder was a liar who wouldn’t protect his wife. The most famous king was an adulterer and a murderer. Their military champions were often nobodies, or corrupt nobodies. Their prophets at times refused to prophesy and, when they did and the people repented, they sulked instead of rejoiced.

I don’t want to make too much of this point. In Greek and Roman mythology, their gods were far from moral. It seems, though, that their human heroes were pretty close to perfect. Been a while since I read Homer, however.

I repeat what I said yesterday: it’s an excellent read, just not a page turner. I suppose that’s why the publisher was Baker Academic.

Book Review: Lost Letters of Pergamum

I first read the Lost Letters of Pergamum (Bruce W. Longenecker, 2003, Baker Academic) a couple of years ago, at the recommendation of my son-in-law and with his copy of the book. He knew that I love reading letters as literature, as regular readers of this blog will know. My collection of books of letters–some read, some in the queue–include Charles Lamb, Emerson with Carlyle, George H.W. Bush, John Wesley, Cicero, Pliney the Younger, Dylan Thomas, Teddy Roosevelt, Charles Darwin, and a few others. Some of these I accessed on-line and formatted for ease of printing/reading, and printed them.

He also knew I was working on a book about the writing of the gospel of Luke (Doctor Luke’s Assistant), and so recommended this since it deals much with Luke’s gospel. These letters are fiction, created by Longenecker to represent the typical letters of the era, and show how the gospel of Luke might have been viewed/interpreted/accepted by the educated, wealthy class of the time. The protagonist is Antipas, son of Philip, a wealthy merchant/landowner, late of Tyre and now of Pergamum. He writes to Calpurnius, son of Theophilus, of the city of Ephesus. This eventually turns into a series of letters between Antipas and Luke, who lives in Ephesus and is a friend of Calpurnius, the letters being about his gospel (called his “nomograph” by the correspondents). Slowly, Antipas is drawn into the faith. By the end of the book he is a Christian, and dies a martyr to save the life of Simon, of the common people. The relations of the rich to the common is one of the minor themes of the book.

Longenecker makes this Antipas the same person mentioned in Revelation, the the letter to the church at Pergamum: “Antipas, my faithful witness,…was put to death in your city [Pergamum]–where Satan lives.” This is a reasonable basis for the main character. He is further made to have been named in honor of Herod Antipas. The book includes three appendices, which include maps and the characters. The third appendix is the author’s notes of what he feels like is true in the letters, i.e. what can be defended historically, what is speculative but which he feels is probably true, and what is fiction. This is an important addition to the book.

If this book has a fault, it is that the letters sometimes include information that a letter writer would not really include, which appears added only to educate/inform the 21st century reader. Some is tolerable, such as in the first letter to someone who is a stranger. But I think Longenecker gives us a bit too much of this. Certainly, these items help us to better understand the correspondence and times, but make the letters a little less realistic.

I recently reviewed some of these letters to get Longenecker’s take on some of the historical facts. As I read through them for making this post, I was again struck by their excellence, and may keep them a while longer and read them once more before returning them. I highly recommend this book for any who are curious about the early days of Christianity, and how the growing faith was viewed by the educated people of the Roman world. The book has no three-act structure, no conflict, no real angst. No thrilling plot. It’s just great writing in its style.

Please see also the next post on this blog, More Thoughts on “Lost Letters of Pergamum”.

Book Review: Elijah

About the time I was to begin teaching my lesson series on Elijah and Elisha to our adult Sunday School class, I came across, in our boxed away books, Elijah by William H. Stephens, (1976, Living Books, an imprint of Tyndale House, paperback ISBN 0-8423-4023-8). I began reading it in March, and finished in late May.

Stephen’s purpose, as stated in the Preface, was “Elijah’s story needs to be told today. The parallels between ninth-century B.C. Israel and twentieth-century A.D. America are striking. The current emphasis on economic power by large corporations and wealthy men, along with the sex orietation that runs throughout our society from advertising to side street pornography, together call for Elijah’s story to be told. Perhaps we can learn from his, and from Israel’s, experience.”

Stephens says he has been true to the biblical record. I find that to be so, with one exception. He fleshes out the biblical narrative found in 1st Kings and 2nd Kings with cultural items, between scene details, travelogue type narrative, and dialogue. Where the writer of Kings gave us the much abridged version due to the expense of paper, ink, copying, and distribution, Stephens tries to give us what might have been written had publishing been as inexpensive then as it is today. How exactly was Elijah fed by ravens? What exactly did he experience on Mount Horeb? How did the mantle ceremony with Elisha progress? What was it like in the midst of the whirlwind near the chariot of fire?

Stephens adds a few supporting characters, of course: a corrupt priest of Yahweh who becomes involved in Baal prostitutes; a greedy business man/farmer; people who sell themselves into slavery; other friends of Elijah. Journeys are described in considerable detail: what route did people take? What was the terrain like? How long did it take them? How did they find provisions and lodging along the way. These are the sorts of things an author might include today, but were left out in the Bible.

The one place where Stephens seems to stray from the biblical record is in the area of Elijah’s first recorded servant. On Mount Carmel, after the fire from heaven scene, Elijah had a servant that the Bible does not name. Elijah left this servant at Beersheba when he went to Mount Horeb over forty days. Stephens names this servant: Elisha. Yes, he makes the assumption that Elisha was a servant of Elijah before the mantle ceremony, but went back to farming when Elijah disappeared into the desert until Elijah designated him his successor. I find this improbable, for I would think the Bible would indicate if Elisha was the first servant, since he later becomes the prophet-designate. I could be wrong, but then again Stephens could be wrong.

This is not a page turner, but the writing is good, the characters and dialogue believable, and the read enjoyable. If anyone can find this older book, it is worth the read.

Book Review: Coaching the Artist Within

A few months ago a co-worker loaned me Coaching the Artist Within, by Eric Maisel 2005 New World Library. I read it sporadically for a couple of months, then mid-May I attacked it with purpose and completed it.

Eric Maisel is a creativity coach. This is a relatively new profession (see the appendix in the book), but it has educational and qualification standards. Eric works with artists of many mediums–painters, writers, actors, musicians–to help them reach their potential in creative endeavors.

The book is built around twelve skills the artist (this word used to mean anyone in the creative arts) can learn to coach themselves, to become more creative more consistently. These skills are:

Becoming a self-coach
Passionately making meaning
Getting a grip on your mind
Eliminating dualistic thinking
Generating mental energy
Creating in the middle of things
Achieving a centered presence
Committing to goal-oriented process
Becoming an anxiety expert
Planning and doing
Upholding dreams and testing reality
Maintaining a creative life

For each of these skills, Maisel presents two exercises. He also offers personal experience he has had where he worked with a client-artist to show them how to use either the skill or one of the exercises to improve their creativity. The book includes a list of references and an index.

This book helped me. I bogged down in the first chapter, as the suggested exercises seemed hokey to me (talk to yourself, moving between two facing chairs to let your creative and non-creative sides have it out). The second chapter was better, but I still wondered at that point if I should finish the book. By the end of the third chapter, however, I was rolling and learning much. I was especially helped by Chapter 6 Creating in the Middle of Things, Chapter 7 Achieving a Centered Presence, and Chapter 9 Becoming an Anxiety Expert. This last one helped me the most, I think. The difficulty of the writing process gets me down, perhaps to the point of depression. This chapter explained how that is really anxiety, and gave help to overcome that.

After completing the book, I went back and re-read the first chapter. I still found that exercise hokey, but I did get more out of it. I recommend the book for anyone who wants to create, but finds it difficult to do so on a regular basis. Eric, if you should stop by, I’m sorry my having borrowed this book didn’t add to your royalties, but perhaps this post might help.

Book Review: THE SCREWTAPE LETTERS

I first read The Screwtape Letters by C.S. Lewis in 1975, and kept the small paperback copy I had of it until my daughter ran off with it (since returned). As a young man just starting my Christian walk, this book had a profound effect on me. Still, the years gave no opportunity for me to read it again until recently. I suggested to the co-teacher of our adult Sunday School class that this would be a good book to study. I found a study guide from Progeny Press, and we began the study last October, finishing up just today. While C.S. Lewis is sometimes very dense in his writing, everyone today said they were glad we did the study, that they got much out of it.

Now, much further into my Christian life, The Screwtape Letters has once again had a profound effect on me. I love the way Lewis puts himself into the voice of one of Satan’s helpers, the senior demon Screwtape, who is corresponding with his nephew Wormword. Wormwood is just beginning his career as a tempter, and has been assigned to a young man in England, about the time that World War 2 is beginning. We never do learn who Wormwood is tempting; his is simply identified as “the Patient”. But we learn much about him, as early in the book he becomes an adult convert to Christianity (reported by Wormwood and commented on by Screwtape in Letter 2). Screwtape tells Wormwood, “There is no need to despair; hundreds of these adult converts have been reclaimed after a brief sojourn in the Enemy’s [meaning God] camp and are not with us.”

Throughout the rest of the book, Screwtape coaches Wormwood in the art of temptation, while Wormwood, in letters that we don’t see, reports to Screwtape about what he is doing to tempt the patient and what the result is. The result is a wonderful insight into human nature, our relationship with God, and what temptation and sin are all about. When the patient’s rocky relationship with his mother does not improve after his conversion, Screwtape tells Wormwood, “It is…impossible to prevent his praying for his mother, but we have means of rendering the prayers innocuous. Make sure that they are always “spiritual,” that he is always concerned with the state of her soul and never with her rheumatism.” When the patient acquires a new set of friends, Screwtape says they “are just the sort of people we want him to know–rich, smart, superficially intellectual, and brightly sceptical about everything in the world.” When the patient meets and falls in love with a Christian woman who would be a perfect helpmate to him, Screwtape says of her, “a two-faced little cheat…who looks as if she’d faint at the sight of blood, and then dies with a smile…filthy, insipid little prude…she makes me want to vomit!”

With many such statements, Lewis keeps us entertained, while at the same time helping us to understand ourselves. In Letter 25 he talked about similarity and change, and has Screwtape tell how the world below has caused human (“two-legged vermin”) to have a horror of “the same old thing”. Humans want change, and the tempters should give it to them. But Screwtape warns Wormwood how God provides for change in a positive way. “The horror of the Same Old Thing is one of the most valuable passions we have produced in the human heart–an endless source of heresies in religion, folly in counsel, infidelity in marriage, and inconsistency in friendship…The humans…need change, [so] the Enenmy…has made change pleasurable to them….He has balanced the love of change in them by a love of permanence. He has contrived to gratify both tastes together in the very world He has made, by that union of change and permanence which we call Rhythm.” Wonder, wonderful stuff.

The main theme which seemed to stand out to me, in a way it didn’t 33 years ago, was that Screwtape advised Wormwood to direct the man into a state of confusion. Confusion is what drives people to Satan. Unsaid was that order drives people to God: orderly habits, orderly thinking, orderly praying, etc.

If you haven’t read The Screwtape Letters, I urge you to do so. Don’t just read it: study it, meditate on it, reflection on Lewis’s genius, and grow because of it.

Book Review: NELSON’S TRAFALGAR

With Christmas money I purchased Nelson’s Trafalgar by Roy Adkins, First American Edition, Viking. I began reading it a little over week ago, and finished it Saturday night–all except for the credits and bibliography; those came last night.

This is an excellent book, and I highly recommend it for anyone interested in naval issues (especially war), the British/French war brought about by Napolean, sailing ships, or history in general. Before reading this book, I really knew little about the Battle of Trafalgar. Oh, I knew it was an important sea battle won by the British in the early 1800s, but I didn’t really know where it was fought or who they beat. I knew Admiral Horatio Nelson was the British victor and hero, but I knew little about his career, nor that he died during the battle. So for sheer transfer of facts and increase in my knowledge base, this was a great read.

Adkins used a good mixture of his own narrative and contemporary reports about the battle. He did not focus only on the victors, but talked considerably about the combined French-Spanish fleet. He talked about the life of the sailors in the navy, and about the officers. He took several occasions to explain subjects about life at sea and how the battle was waged. Consider this segment about on-board surgeons.

It was during battle that surgeons were most effective, even though they were working in appalling conditions. For much of their time on board ship, they were involved not with battle injuries, but with the daily hazards of disease and accidental injury….As soon as a ship was under fire, a steady stream of casualties arrived on the orlop deck. In most ships the crew were taught the use of tourniquets, to reduce blood loss, and also elementary bandaging, but in the heat of battle such first aid was usually inadequate…While waiting their turn to see the surgeon, some men bled to death whose wounds were otherwise not serious or complicated…putting [surgeons] under pressure to work as fast as possible….In a matter of seconds, he had to decide whether the injuries were fatal, could be dealt with by stiching and dressing, whether amputation was necessary….Usually this was all decided in one hurried glance, in poor lighting, as the surgeon tried to stand steady on a deck juddering from the countershocks of outgoing and incoming broadsides, as well as the normal roll and pitch of the ship.

This type of information is reapeated over and over in the book, for different jobs, such as the powder monkeys or the gun crews. Even with the large amount of information given, the book is an easy read, striking a good balance of popular readability and academic information. Anyone at all interested in these subjects should read this book.