Christmas music has been filling the airwaves for a month now, though becoming progressively louder and more ubiquitous with each day. I enjoy it, both the sacred and the secular. The Christmas music we had growing up is still pleasant to me. We had the Gene Autry album, the Arthur Godfrey album, and a couple of others I sort of remember. We had primarily albums of secular holiday music. For Christmas hymns we went to church. I don’t believe there was any all-Christian radio in the 50s and 60s, so we didn’t get a steady diet of the songs of the season.

But this memory is about one particular song. I first heard it in 1964 at the Christmas program in our weekly assembly in junior high. I was in 7th grade then. At this assembly, Faith Farnum, a 9th-grader, sang “The Birthday of a King”. Faith was a wonderful singer and regularly sang at assemblies. It was the first time I had ever heard the song, and I’ve never forgotten it. It doesn’t get a lot of airtime at Christmas, and I don’t know why. In fact, I have never, in the 57 Christmases that have passed (including the one that is rapidly passing) since that first time, heard it sung live again.

As beautiful as the song is, and as simple yet rich as the lyrics are, I don’t understand how it remains so obscure. Whenever I mention it to someone, they have never heard it or heard of it. When I do a search for it, I find recordings of it by the Brooklyn Tabernacle Choir, Judy Garland, Kelli O’Hara, and a number of others. It was once in the Baptist hymnal and, for all I know, may still be.

“The Birthday Of A King” was written in 1918 by William Harold Neidlinger. His biography at hymnary.org is as follows.

William Harold Neidlinger USA 1863-1924. Born at New York, NY, he studied with organists Dudley Buck and C C Muller (1880-90) …. He played the organ at St Michael’s Church in New York City. He also conducted the Amphion Male Chorus and the Cecilia Women’s Chorus in Brooklyn, and the Treble Clef Club and Mannheim Glee Club in Philadelphia, PA. He taught in the music department of the Brooklyn Institute of Arts & Sciences. He went on to study with E Dannreuther in London (1896-98) then worked in Paris as a singing teacher until 1901. In 1897 he married Alice Adelaide Maxwell Sypher, and they had a son, Harold. Returning to American in 1901, he settled in Chicago, IL, where for several years he was one of the prominent singing teachers. He wrote music for a religious mass…published a comic opera…another opera…a cantata…two song books,..[etc.] …He became interested in child psychology and nearly abandoned music. He even established a school for handicapped children in East Orange, NJ, where he taught his theories of musical pedagogy and speech and vocal therapy. He wrote several secular songs and edited a number of vocal songbooks, especially for children. He was a theorist on musical methods and education. He died at Orange, NJ. He was an author, composer, and lyricist.

Quite impressive.

Once I learned that so much music was available on Youtube for just the cost of listening to a few ads, I went looking for this one Christmas, and every Christmas since. I haven’t so far this year but will do so today as I go about my work in The Dungeon. I’m anxious to once again hear that beautiful refrain:

Alleluia, O how the angels sang. Alleluia, how it rang. And the sky was bright with a holy light. ‘Twas the birthday of a King.

Here’s a link to the performance by the Brooklyn Tabernacle Choir. It’s a little different than the arrangement Faith sang to, but still good. Happy listening.