Category Archives: Fifty Thousand Screaming People

Three Publishing Items

That’s what I’m waiting on: three publishing items. The first two are within my control, once the proof books get here. Those are the print version of the home school edition of Documenting America, and the print version of The Candy Store Generation. I ordered the proofs Saturday, and they should be here today or tomorrow. Assuming they are good, I’ll pull the trigger right away and get them listed on CreateSpace. Not that hoards of anxious fans are waiting to buy them.

The next is In Front of Fifty Thousand Screaming People. This is only partly in my hands. Well, I could publish it as an e-book immediately. But my wife is proofreading it right now. Last night on the phone she reported she was well into the book, less than a quarter to go. Since she’s finding a few things that need correcting, I’ll wait on her to finish. At the same time I’m waiting on my son to tweak the e-book cover. I don’t know when that will happen. But the cover he sent me would be acceptable as is (though not optimum), and Lynda says the typos are minor, so I could really go ahead and publish immediately. I think, though, I’ll wait.

Oops, there’s actually a fourth item. My short story “Whiskey, Zebra, Tango” is actually ready to be published. I’m sure it can stand another reading or two, and maybe I’ll find a few things to correct or improve, but I think it’s ready to go. I’m waiting on a beta reader to give me her comments. She’s the person the heroine is patterned after—and I even use her name—so I’ll wait for her. But then there’s the issue of a cover. I want to do it myself. I know what I want, and have played around with some graphics software to create it, but so far I’m not happy with the results.

So there you have it. Four items, not three, already in or just about fixing to enter the publishing stage. Next post will be about my current work-in-progress, The Gutter Chronicles, which really is almost complete as a novella.

Stewardship of my writing time

Every now and then I make a post like this, so my loyal fan(s) will know that I’m not a slacker. Well, at least not a big slacker; maybe just a little slacker. Over the last month I have been much engaged in publishing tasks, less so in writing.

As I’ve reported previously, I’ve been working with the graphics in the print version of my book The Candy Store Generation. This took up a lot of my time over the last two weeks. That’s now behind me, however, as our company’s graphic arts gal, Lee Ann Gray, volunteered to do the work needed. I worked with her. She had them all done, until I realized I had given her the wrong size for the book. So she re-did them.

But when I uploaded them, I realized I still had them a half-inch narrower than they could be. I didn’t have the heart to ask her to do them over, so I left them like that. I inserted them in the Word document, uploaded it to CreateSpace, did all the formatting stuff including on-line proofing, and ordered the proof copy. A few graph that were website captures are still at a low resolution, but I don’t care. I just want to get it published.

I also ordered a copy of the home school edition of Documenting America. I actually finished the edits to this a couple of weeks ago, but hadn’t decided if I’d bother with another proof copy or not. This book has also been frustrating in that I can’t seem to contact any local home school people for marketing purposes. I go to the websites of the groups, get contact information, send out e-mails, and either get no response or an auto-response that the e-mail address is invalid. I have no sales of it in electronic format, so have few hopes I can sell it in paper format. Oh, well, it will be available should I ever figure out how to market it.

I had conversations with two different cover designers for In Front of Fifty Thousand Screaming People. My son had said he would do it, but his life as a young professional and new homeowner is incredibly busy. Thinking he wouldn’t come through, I contacted another man. I told my son about it, and he came through with a draft cover. It’s a good start, and actually good enough if I never got another one. But he’s going to tweak it some. So I’m getting very close to publishing this, at least in e-book formatting. I have one mini-scene to add to the text, which I’ll complete today.

I have done some writing this week, on two different thing. I wrote a short story titled “Whiskey, Zebra, Tango”. I began it last Monday and finished it yesterday at about 6,400 words (perhaps 25 printed pages). My intention is to publish this as an e-book only, and attempt to do a simple cover myself. I want to get FTSP out first, then this.

The other thing I worked on is my spoof of the civil engineering industry. Titled The Gutter Chronicles: The Continuing Saga of Norman D. Gutter, E.I., I use situations from my career and put them in the life of the unfortunate Mr. Gutter. I had 11 episodes (i.e. chapters) written as of a few years ago. I never planned on publishing it, but lately I’ve been circulating copies of it to a new batch of CEI employees. That made me realize I had a bunch of words written that could easily be transformed into an e-book. I’m adding four new chapters, one of which is done and another of which is 500 words from being done. The other two are outlined, so completion isn’t far away, maybe three weeks or so.

So that’s where I stand. I hope the next four weeks can be as productive as the last four. If they are, my list of titles for sale will climb from six to nine.

Mixing Publishing and Writing

Three days and no blog post. Experts in the publishing industry suggest keeping a blog updated more frequently than that. I’ve been very busy, mostly with publishing activities. The graphics for The Candy Store Generation continue to haunt me, sapping my time and energy. I can’t remember specifics of all I’ve written here, so I won’t say much; just that in the attempt to improve the graphics myself, I clicked on a disguised link and downloaded a particularly nasty virus. I think that is now all behind, and the computer restored with the help of on-line technicians.

But the bad graphics are still with me. Over the last couple of days a woman in my office is helping me. She’s our graphic arts person, the one who does the detailed work on our marketing materials. I had thought about asking her, but that would have meant asking her to use company computers and software for personal use. I can do that myself within corporate guidelines for that behavior, but didn’t want to ask another to do that.

She took my Excel graphs and went through the process: create the PDF at 300 dpi or better; load it in Photoshop to crop, resize, and save as a jpeg (rather than as a TIFF); shoot it back to me to insert in the drawings. Except when I printed them at book size, in both black & white and color, the grid lines of the graph had disappeared.

She and I looked at it and decided I needed to thicken the grid lines in Excel. They could be thickened in Photoshop, but that would put the work on her, not me. So I did that to one graph, send it to her, and in less than three minutes she sent me the jpeg, but without the resizing. It’s critical to do the resizing in the graphic arts program because any resizing in Word destroys the dpi settings.

So today I’ll have her resize that one graph and print it. If it seems to be okay, I’ll fix the grid lines in the other graphs on my noon hour and get them to her. By the end of the day I’ll have those nine or so graphics at print quality. Three are already there. That will leave the things I received from CBO or captured from websites. I think only two or three of those are what I would consider poor quality. I’ll have to make a decision at that point.

In all of this I haven’t really felt like writing—until last night. I find the tasks of writing and publishing don’t mix well for me. Kind of like when I was doing construction observation half-days. I found I couldn’t concentrate on office things the other parts of the day; my work suffered. I’ve found the same is true with writing and publishing.

But last night I put all publishing tasks aside and decided just to write. I went back to the short story I started a few weeks ago, left hanging at 1,050 words, at the end of the first scene. I re-read that and made some good corrections. Then I tackled the next scene. In not too much more than an hour of writing, that was done and the story stands at 1,950 words. I may re-read it tonight and think it’s junk, but I’m pleased with that.

Tonight I may switch back to some publishing things. Or maybe I’ll add one small scene to In Front of Fifty Thousand Screaming People. Either way, I feel much, much better about my writing life after the last two days. Maybe I’ll make it.

 

Status of Writing Projects

As of last Thursday or Friday, I finished the bulk of the text on my non-fiction book, The Candy Store Generation. I still have three chapters to tweak a little, where I’ve thought of something to add but haven’t done it yet. I started on one of those places yesterday. These will be enhancements or completion of thoughts I left hanging. After that, it’s print and re-read. My main fear is I have repeated myself extensively, and a 40,500 word book only needs to be 35,000. It will take several nights reading almost continuously to know that.

At that point I hope to improve some of the graphics. Several are copied from Congressional Budget Office reports available on-line. Most of them turned out well, but a couple are blurry because they are of poor quality in the original. I contacted CBO last week about getting some clearer copies. Six days later and no word yet. If I don’t get better graphs, I can go with those I have. And, I can always contact my congressman. His local office is only three or four miles from my office.

Yesterday I sent the manuscript for TCSG to a book designer, to let him assess whether the graphics will give problems for an e-book, as well as to give me a cost for the internal design/formatting. I formatted the four items myself that I currently have listed, but don’t think I want to tackle this one. I have the e-book cover in-hand, but not the print book cover yet.

In Front of Fifty Thousand Screaming People is done, and is with an editor right now. Today is day fourteen of the wait. Although this micro-press is considering it, I’m assuming I’ll end up self-publishing it (my inner pessimist being what he is). If so, I’ll do one more read-through, then all I’ll need is the covers for e-book and print book. I’ll wait until about July 1 for the editor, then forge ahead.

My regular column for Buildipedia.com is being cut from twice a month to once a month beginning in July. Bummer. I’ve been enjoying the money from it. I’m actually thinking of pulling some of those thoughts together and writing a construction administration book, maybe in 2013 or 2014. The columns I did are considered work-for-hire, so I can’t use them verbatim.

And, I prepared and uploaded my first article for Decoded Science, a re-work of an article I did for Suite101.com. But the DecSci policy has changed since I was approved to write there, and they no longer accept previously published articles. So, back to the drawing board—or the writing board I should say. I have an idea for a short series of articles there. I wasn’t planning on doing the research and writing quite so soon as this, but will think about it.

With my two main projects coming to an end, I’ll soon be moving on to the next one. More on that in the next post.

So It’s a Waiting Game

Tuesday I submitted the manuscript for In Front of Fifty Thousand Screaming People via e-mail to the publisher. Now it’s a waiting game. The editor had sent the sample chapters to “readers,” not saying how many or who they were. I assume he read the synopsis, and had favorable reports from his readers.

Since his response at the OWFI writers conference had been a little tepid, I really wasn’t expecting this. But of course I’m thrilled that an editor asked for the full manuscript after assessing a few chapters. That says I’m doing something right with the book.

I now have a couple of things to do with FTSP, or rather with this situation. One is to spend a little more time with the manuscript. After my last read-through I typed those edits, then started over again, intending to re-read just the first three chapters. I found just a few too many things in there I wanted to change, so I think I’ll try to find the time to re-read the entire manuscript and see what else needs to be done. By that time I’ll be so sick of reading it I won’t care how good or bad it is; I’ll just want the thing published.

The other thing I need to do is check out the publishing company. It is Old American Publishing, based in Tahlequah Oklahoma, about 70 miles from here. It’s supposed to be a picturesque town, but we’ve never taken that drive. I made a post about them to the Bewares forum of Absolute Write. The consensus seems to be they are a small press, or perhaps better termed a micro-press, but legitimate, not a scam company. Their web site doesn’t give a lot of information, and only lists a few titles published. I assume they have more, but are just showing the most recent ones.

So now I wait. And work on other projects. And consider what I’ll do if OAP comes back with an offer to publish FTSP. Will I accept it? I have been reconciled to self-publishing it, even somewhat excited about it. Will a micro-press be able to do anything more for me marketing the book than I’ll be able to do for myself? And what will it cost in terms of delay in publishing and smaller royalties? And how long shall I wait for an answer? The publisher didn’t give me any kind of timeframe in which he’d make his decision, just “I will get back to you as soon as I can.”

But that’s borrowing trouble from tomorrow, or next week. This week I’ve been able to edit six chapters in The Candy Store Generation and prepare the student section of the home schooling edition of Documenting America. I’ll continue with those toward my publication schedule, and let FTSP worry about itself for a few weeks.

My Upcoming Writing Schedule

Saturday afternoon I finished reading through In Front of Fifty Thousand Screaming People, marking locations to improve the text. Most of the edits were for typos, improving odd sentence structure, and fixing name problems. By that I mean where I used people’s names too much in dialogue. Also, I found one embarrassing error in a name, where I changed it very early on in the writing but somehow missed one place. The MS Word search and replace feature tells me that was the only straggler.

I finished typing the edits yesterday afternoon. I’ll print it today and set it aside for a couple of weeks. Actually, I’m not sure how long that will be. The editor I e-mailed three chapters and a synopsis to said he was sending the chapters to “readers,” and they would “get back to me in a few weeks.” While I’m reconciled that I will probably self-publish this, I’m willing to delay a little to let that run its course.

Meanwhile, I have to be writing. So yesterday I switched back to my non-fiction work-in-progress, The Candy Store Generation”. I added 400 words to it last night, coming close to finishing Chapter 5, Boomer Corporations. I still have research to do on that, to plug a hole reserved for it about 1/4 of the way into the chapter. But the words are almost done.

I haven’t been thinking of TCSG for over a month, and I’ve actually forgotten where I was in it. I know I’m shooting for 40,000 words, and that I’m at 32,800 now, implying another 7,200 to go. But that word count is a target only. I’m thinking the book may fall short of that and be at a logical concluding point.

I’d really like to get this done and published in time to perhaps ride the coattails of the current election cycle. Not that I think it will be a huge seller or have an impact on the election, but while people’s attention is on politics, it probably has a better chance at success.

Depending on how the research goes, I should be able to have it done in a month or less. I can then take up to a month to edit it, and try to have it published by mid-July. That’s later than I hoped, but it’s doable. I would then try to have FTSP out a couple of weeks later, still well within baseball season.

My plans are then to work on two short stories. One will be in my Danny Tompkins series, on teenage grief. It will probably be the last one. The other will be the first of what could become a series, but which might be a singleton. It will be an espionage story set in Cranston, RI (my hometown), with the heroine having the name of a classmate of mine, with her permission. I’ve written the first two paragraphs of this, and have been plotting it in my mind.

I don’t know where this will lead. If I like the way it turns out, I could turn it into a series, having this female CIA operative go to various places I have been overseas. That would be a way to use these experiences in my writing, something I’ve been wondering how to do.

After that, assuming I’m not brain-dead, I have a choice between three or four projects. I had been thinking about working on another novel, an espionage one, tentatively titled China Tour. I also see a possibility of working on more volumes in the Documenting America brand. I started a little research on what could be a Civil War edition of that. Given that we are at the sesquicentennial of that conflict, the timing is good.

However, I may just go ahead and write a sequel to FTSP. My friend Gary, who was a beta reader, said, “The ending says a lot but leaves much unsaid as well.  That’s a perfect setup for a sequel.” As I wrote in the past, I hadn’t really thought about that, and didn’t consciously write the end to launch a sequel. But I’ve looked at it, and he’s right. When I wrote out, in manuscript, all the loose ends, I came up with more than enough to make a similar length novel. The penultimate scene near the end has come to mine—indeed, I’ve had trouble getting it out of my mind. Even a potential title has reared up.

So that’s where I may be going. No shortage of work. And to think, back in 2000, I just wanted to tell a single story. Now it’s a snowball running downhill.

Tedious Editing Almost Complete

Since about April 18 I have been editing In Front of Fifty Thousand Screaming People. My time goals for this were: 1) to have the manuscript complete so that I can pitch it to an editor at a writers conference in Oklahoma City on Friday, May 4; and 2) to be ready to self-publish it almost immediately thereafter assuming no one would be interested in the book.

The editing has been tedious. I was trying to improve the timeline. After covering a partial season that the hero spends with the Chicago Cubs, the book traces the events in a complete season. The last time I looked at the book, I felt that I had end-loaded the season—that is, too many event were crowded too late in the season. I also had him not connecting with a girlfriend until some time in late June. I decided that was too late, and many other events were too late, and so I’d better move them earlier in the season.

At the same time, I wanted to be sure that the pitching record of Robo Ronny Thompson made sense relative to where the book was in the season. So if I said, “On June 1, Ronny’s record was 13-1,” I wanted to make sure that was a doable record for a great pitcher.

To accomplish these edits, I first created a Cubs’ season schedule. I took their schedule for this year, 2012, and made a slight adjustment in starting date and in days of the week. I wanted the season to end at a certain date, but the 2012 schedule didn’t end then. So I changed the starting date, and deleted one or two off days to make the schedule work. Then, I created first a spreadsheet table that I later dumped into Word, listing dates and games, including home and away status, and identified when Ronny would pitch.

To this schedule I added all the events in the book, first where I had them, then moving them to the earlier dates to spread things out. I compared the Cubs’ games on the critical days, and discovered sometimes they were playing out of town when they needed to be in Chicago, or vice versa. This required me to either adjust the date or adjust the schedule to make them align. After all these changes, I added the dates from the schedule to the beginning of each scene in the manuscript. This is a temporary thing, and will come out before I either publish or submit the manuscript.

As I said, I found this tedious. Sometimes, when the schedule and events didn’t mesh, I felt that my head was ready to explode, so I shelled out and played mindless computer games when I knew I should be sticking to business. Eventually I came back to the work and figured the schedule out. Now I believe, subject to one more careful reading, that the schedule and the events dovetail perfectly. I cut back on the number of wins Ronny gets during the season, based on my friend Gary’s review (thought not as far back as he suggested). I added quite a bit to the motivation of other characters, hoping they are a little more fleshed-out.

Now I’m down to one slow and careful reading. I plan to do that beginning tonight. I suspect I’ll find a few typos that have escaped my previous readings. I’ll probably find some awkward phrasing that I’ll improve. Possibly I’ll find that the timeline doesn’t work quite as good as I’d like. Possibly I’ll need to change the days of games during the playoffs—oops, spoiler alert. If all goes well, by this time next week I’ll have the final edits on paper and begin typing them. I’ll know whether or not to bother any more with trying to shop it to an editor or agent. And I’ll be a week away from self-publishing it, cover permitting.

Calico Joe, Move Over

I mentioned that John Grisham’s newest book, Calico Joe, is a baseball novel. Some people say it’s so short that it borders between being a novel and a novella. I looked at it at Barnes & Noble last Friday, and it appeared a normal length book. Perhaps it had big font, big margins, and thick paper.

Since I was about to shift back to working on my baseball novel, In Front of Fifty Thousand Screaming People, I’m interested in Grisham’s book. I read the first paragraph, but haven’t bought it yet. I read a bunch of reviews on Amazon.com and Goodreads, including the spoilers, so I have a pretty good idea of the plot. What is uncanny is how similar our two books are. Here are some points of similarity.

  • In CJ, Joe Castle is a rookie who breaks into the Big Leagues with the Chicago Cubs, does great things his rookie year, and leads the Cubs on a quest for elusive greatness. In FTSP, Ronny Thompson is a rookie who breaks into the Big Leagues with the Chicago Cubs, does great things his rookie year, and leads the Cubs on a quest for elusive greatness.
  • Joe Castle is from small-town, rural Arkansas. Ronny Thompson is from small-town, rural Kansas.
  • Another CJ baseball character, Warren Tracy, has a non-baseball son with whom he is estranged. Ronny Thompson is estranged from his non-baseball father.
  • CJ is as much about off-the-field action as it is on-the-field. Same is true for FTSP.
  • In CJ the main team against the Chicago Cubs is the New York Mets. In FTSP the main team against the Cubs is the New York Yankees.
  • Reviewers say there’s enough baseball action in CJ to satisfy baseball fans but not so much as to totally turn non-fans off, although that is far from a universal review. In FTSP I’m hoping I’ve struck the right balance of baseball talk with non-baseball talk to keep both groups happy. So far my beta readers seem to agree.

All of which tells me I’ve got to get this novel finished and get it out there, see if I can piggyback on Grisham. More about that in the next post.

Again, the best laid plans…

…have gone astray. I have neglected my two blogs. Well, I suppose a Friday to Monday gap is not actually ignoring, but it’s now what I intended. Life got in the way.

Last week I received a subpoena to give a deposition this Wednesday in a lawsuit. I’ve spent most of my working time since in preparation for that, including two hours today with our attorney. We—that is, my employer, CEI Engineering—are not a party to the lawsuit. It stems from a disagreement between a rival engineering company and their client, who also is our client on certain projects and on this particular project after that client fired that engineer. Complicating this is I functioned as city engineer for the project, and everyone who worked on it for us for the developer has moved on. So I have to give testimony for it all.

I’m not worried about it. I’ve given depositions six or eight times and testified in trials at least five times. But it’s an emotionally draining activity. I was exhausted Tuesday and Wednesday, and was able to add little to my work-in-progress despite having an empty, quiet house.

Wednesday evening I learned that John Grisham’s latest book is a baseball novel, titled Calico Joe. My other work-in-progress is my baseball novel, In Front of Fifty Thousand Screaming People. It was on the shelf, waiting on me to finish my non-fiction work-in-progress and get back to it for the last round of edits before making a decision on self-publishing or submitting it to agents/editors. More on that decision another time.

This caused me to immediately speculate if it wasn’t time to get back on FTSP and get it done. Maybe, just maybe, I could piggyback on Grisham. If people like his baseball novel (which they surely will, and buy it in droves), and if they then go looking around for another baseball novel, perhaps I could pick up some sales if I self publish it as quickly as possible. Or, if I decide to submit it to agents or editors, perhaps they will see that this could piggyback on Grisham and thus be more likely to take it on. Either way, I had to get the edits done ASAP.

It occurred to me that the final edits on FTSP would take less mental energy than adding the final 8,000 words to The Candy Store Generation, so on Thursday I made the switch. I spent that day re-reading some of the book and highlighting places I knew needed to be checked.

My main concern now is that the exploits of the protagonist make sense relative to a true baseball season. So I took the Cubs schedule this year and entered it into a spreadsheet. I then went through the portions of the book that take place during that season (about 130 pages) and entered them in the spreadsheet.

As expected, I discovered I had several events happening too late in the season. I had a lot of stuff bunched up in August and September and almost nothing in June and July. Maybe readers wouldn’t notice that, but maybe some would. I want to have it accurate, and reasonable for what can be done with wins and losses at every point in a season.

On Saturday I went through about 60 percent of the pages, finishing the other 40 percent on Sunday. I entered the critical items on the spreadsheet, found them bunched, and on Sunday moved the events to earlier in the season to spread them out. I also marked the manuscript printout with the areas I need to fix, as well as with a number of other changes that I see as improvements.

Now, tonight, I type the changes already marked and begin the process of fixing the places that need fixing. I suspect this will take three or four days. That then gives me a week before the writers conference in Oklahoma City and the opportunity to pitch it to agents and editors before pulling the self-publishing trigger. As I say, I’ll write more about that in another post.

And, someday I’ll get back to the chapter descriptions of FTSP.

Advantages of Mixed-up Genres

As I reported in my last post, I had trouble writing this week. Receiving the subpoena to give a deposition in a lawsuit (our company is involved only as witnesses at this point, and all the attorneys believe it will stay that way) resulted in my spending a lot of energy in preparation. Reading through the correspondence on the project made me sad, as I saw things go downhill through the material in my files.

Then there was the problem of the Ford dealership not getting my pick-up repaired. I brought it in for a tune-up last Tuesday, April 10. I didn’t get it back till yesterday, April 19. I covered that long story in a metaphors of life post at my other blog, An Arrow Through the Air.

So I arrived home each night mentally spent and, to a lesser extent, physically exhausted. After simple meals (Lynda is away), went to The Dungeon, in the quiet house, determined to write a thousand or more words. I managed to do that pre-subpoena, but not after.

The Candy Store Generation stared at me from the computer, a mere 4,000 to 10,000 words away from being finished. But I was lucky if I could add 100 words. The mental energy needed to add any significant amount to it just wasn’t there. I was at the point where I need a little more research to flesh out two chapters, and a part of another. With that research in hand I think I can knock out the chapters, but there’s writing to be done on them even without the research; I couldn’t do it.

It wasn’t writer’s block, it was just mental distraction. And tiredness. I spent some time playing mindless computer games, trying to concentrate on reading writing/publishing blogs, but making little progress. Then I remembered: I have another book to work on: In Front of Fifty Thousand Screaming People. I had a review from a beta reader, who made some good suggestions, especially about when I called the protagonist by what name: first only, first diminutive, first nickname, first and last, last only.

That solved my dilemma. Wednesday night I began working through that, and got a little more than half through the book. Thursday night I picked it up again, and finished it, making a few other small edits along the way. I now think I’m consistent with using his name, and have all characters call him by what they would in a real life situations. I had some professional situations where he was called by his first name, when the speaker really would have said his last name.

The book now stands ready for a final read-through—or almost so. I still need to coordinate the hero’s won-loss record as a pitcher, and make sure I have the right number of wins for the time of year. I also have to dial back his number of wins a little, to something that’s extraordinary but still believable. What I had was over the top for the modern baseball era.

Tonight I’ll start the read-through, but will mainly work on the baseball season consistency issues. I expect that to take most of the weekend, including marking whatever edits are needed. That I think my brain can handle, and save the other book until after the deposition.

The experts in the industry say you should stick to one genre, not spread yourself around several. That’s because your “fans”—one you have fans—will be expecting you to produce another book just like the one they already liked. I know I should do that, but in this case I’m glad I had something different to work on, and keep some production going during a difficult time.