All posts by David Todd

Excuses: Fear of Failure

Tonight I have an excuse for not doing anything on my writing: my third cold of this winter season. I came home early from work yesterday with it, and would have stayed out today except for a few things I had to get done. So I went in and did those things, then came home about 1 PM. My head is full of congestion, my chest full of coughing, various parts are hurting, and my thinking is fuzzy. Writing is impossible, so we watched a DVD and migrated to the computer for games.

But even when I don’t have this excuse, I still put off writing, especially following through on Documenting America, and the marketing needed for it. Why is this? Is it fear, and if so what kind of fear. I think I’ll take a few days to work through issues of fear. Maybe this will help me to overcome those fears.

The first, of course, is fear of failure. I’m not sure this is my problem, but maybe it is. If I send out 40 query letters, and get all rejections, how will I feel? But this is a stupid kind of fear. All that would show is that the column is less viable than I hoped, or not of interest to as wide an audience as I thought. Or it could mean my marketing approach is not right. Or it could mean I need to cast a wider marketing net. Or it could mean I should begin the column as a local newspaper column, not as self-syndicated. But the fact is failure should be no problem. It would mean I either hone the concept into something more marketable, or concentrate on other types of writing. Either way, failure with Documenting America is not an end, merely a transisiton.

Fear of failure? I don’t really think that’s my problem.

Back Story

I like the way National Treasure handled back story. This has implications for me, as a writer of fiction, for the movie is really an illustrated novel. In fact, it probably was a novel before it was a movie.

The prologue of young Ben Gates learning about the treasure and how his family became involved with it is essential to understanding the story. It did not have be a prologue, obviously, but I think the prologue works better, rather than working this in as remembrances by Ben during the story. In just a couple of minutes, the stage is set for the rest of the story, including the estangement of Ben and his dad. Very well done, IMHO.

The movie then cuts to the scene in the Arctic, many years later, with Ben and companions on the quest for the Charlotte. No information is given as to how Ben learned: that Charlotte was a ship, not a person; which Charlotte among other ships; learning its itinerary; and figuring out its final resting place. All this is for the viewer to imagine. Even during the balance of the movie, almost no hints are given about the missing years. The only ones I can think of are when the FBI folks are digging into his background. So we don’t know what Ben did to get to the Arctic.

But, we don’t really need to know. An intelligent viewer can figure out in broad concepts what he did. He spent his entire life after the attic scene looking for the treasure. He obtained education in fields that helped his search. He dug around archives for a person named Charlotte who was connected with Charles Carroll or other signers of the Declaration of Independence. He figured out that Charlotte in the clue was a ship, not a woman. Etc. Etc. He traces the ship to an Artic voyage of no return, and somehow figures out where the ship ended its fateful last voyage. All of this comes to the viewer in an instant, in the cut from the attic to the Arctic. Well done.

Also well done is the lack of back story about the relationships: Gates with Ian, Gates with Riley, and others. The story is not harmed by lack of knowledge about these, even with only limited back story supplied during the movie (poker buddies, windowless cubicle). Sufficient for the viewer’s enjoyment is that these people did meet, form relationships, and start working together. The specifics are not important.

May my handling of back story in the fiction I write be as good as in this movie.

A Good Story

We decided to go to the movie National Treasure: Book of Secrets recently. However, before we went we discovered this is not the first National Treasure. I guess I should have known that, since the NT ads were some time ago (was it really 2004?), but I tune out TV ads very well, and I forgot. Not knowing if this was a sequel that required the first to appreciate the second, we decided to rent and watch the first NT (thanks to our son for the Christmas gift that allows us to watch movies on a 21st century medium instead of the 1980s medium we were limited to).

We did so Tuesday night. I thoroughly enjoyed this movie. No swearing, no sex scenes, no real blood and guts, limited violence. An excellent plot. Like most movies, much of it has no basis in reality, but rather is based on plausability. It seems like it could be true. Like The DaVinci Code, enough nuggest of truth are spread throughout that you realize it’s possible it could be true, and every now and then you have to shake your head and say, “That just couldn’t be true.”

While the movie production was excellent, the plot is what most engaged me. Whoever came up with this plot knew how to write a good story, with many things going on: The Gates family history and legend, leading to estrangement of dad Patrick and son Benjamin. The status of the Gates family in the world of legitimate antiquities, requiring unconventional methods. The obsession of Ben Gates resulting in losses in personal life (which leads to the attraction between Gates and Dr. Chase). The converging yet diverging interests and methods of Gates and Ian Howe. The importance of documents and codes, a popular theme right now in books and movies. And more that I could comment on.

In fiction, it seems that good plot trumps good writing for reaching success. I’m not saying good writing isn’t important, or that a writer should not strive for good writing, but so many books are well-written, yet don’t achieve commercial successes. Why do some, and not others? I think it’s plot. So, to reach success as a novelist, I really need to work on my abilities to weave a plot.

Marketing DOCUMENTING AMERICA

Well, two posts ago I said my next post would be about marketing efforts for Documenting America. Events of the weekend caused me to alter that, and I’m tempted to alter it again. Last night we were in a string of strong thunder storms that spawned a number of tornados, strong straight-line winds, and much rain. That caused us to move to the basement twice, and keep our eyes glued to television to watch the progress of the storms. But, thunder storms are common here (not in January), so it almost isn’t newsworthy.

My thoughts for marketing Documenting America are to simultaneously send forty query letters, ten to newspapers in each of the four states closest to me: Arkansas, Oklahoma, Kansas, and Missouri. While not really an idealogical column, I’m sure DA will reflect my conservative politics without my even trying. These four states are all conservative, and should be good targets. I plan to query smaller papers in smaller towns and cities, both weeklies and dailies. I will query based on not marketing to competing newspapers.

Why not just target one of my local papers? Or the larger papers in these states? I will include two of the newspapers in the area that are non-competing, including the one that published the four trial ones. Obviously, I’m a no-name, and the larger papers may be unwilling to take on a columnist with almost no publishing track record. Smaller papers, I hope, will be more willing to do so. And, if I go with the larger papers, with their larger distribution, staying with only non-competing papers will reduce the number of potential papers. The fewer I can market to, the fewer I’m likely to be accepted in. So, if I market the column to the Arkansas Democrat-Gazette, since it has state-wide distribution, I could not market it to anyone else till I heard back from them. I don’t want my options tied up like that.

What is the likelihood of success? I’d tell you my dreams for this, but you’d laugh at me. Let me simply say I believe the column idea is unique, the writing is good, the length is right, the frequency is right, and the country is ripe for this kind of column. A few beta readers, from diverse backgrounds, and all found it worthwhile and something they would read. For all these reasons, I believe I’ll be accepted at more than one newspaper.

Getting Things Done

For some time now I have thought that a wonderful name for a magazine column would be “The Wonderful Feeling Of…”. The continuation would be different for each column, things such as:

– Telling the Truth
– Saving Money
– Helping Another
– Meeting Old Friends
– Getting Things Done
– Saying a Prayer
etc.

These would be uplifting columns that explain how these things serve to enhance one’s life.

For this weekend, Getting Things Done is definitely the correct column. I did nothing on my own writing, but when I dropped into bed Sunday night I had the feeling that I had indeed accomplished much. Taking down the outside Christmas lights, undecorating and storing the Christmas tree, boxing minor Christmas decorations, sharing Sunday lunch with good friends, balancing the checkbook (done on Friday, I think), completing 2007 budget tracking (somewhat depressing) and setting up 2008 spreadsheet, taking 2-year old children’s church on Sunday–with 11 of the little darlings present and mostly accounted for, resting Sunday afternoon, and even getting to read a little. All of this was good stuff, and very fulfilling.

The main writing work I did was completing the critique of a chapter of another writer’s book. I met Jon at the HACWN conference in Kansas City in November, and we discovered our main works-in-progress were both in the same historical era, though in different parts of the Roman world. We have stayed in contact, and swapped chapters for reading, with the openess to critique. Well, I dug into the critique part. Saturday evening I pulled up the Word file, and using some handy macros I’ve written, did a lot of double strike-through and redlines, all with explanatory notes. Jon may not have bargained for this, but I did not cut down his story. I mainly showed him some places where a reader might have some problems with the setting, and where clarification was in order.

This was very fulfilling work. I think I learn more about my own writing when I critique others. I see things they do that I’m not looking for in my own work. The mere act of critiquing causes me to think about word use, grammar, clarity of descriptions, use of modifiers, consistency and immediacy of voice, etc. I find no better way to spend two or three hours improving my writing than to critique the work of another. I have one more critique to do, for another writer I met on line, then I’ll be ready to work on marketing Documenting America.

Took a Day Off

Yes, yesterday I took a day off from writing. Having finished this round of edits of Doctor Luke’s Assistant, and with the television coverage of the Iowa caucuses, I decided to spend the evening in a combination of relaxing, balancing the checkbook, and filing family financial papers. I’m not saying DLA is done, for I’m always open to improvement, but I will not re-read it or do any more edits except in response to comments from others, be they beta readers, editors, agents, whoever.

For the next few days, I will have about four writing-related tasks. First, file the mark-ups for DLA. I have a bunch of them, not just from this round, but from the previous as well. Second, print a copy for file and beta readers. Third, critique two different bits of writing from two authors I’ve met either on-line or at conferences. One of these I have already made extensive mark-ups for, and just need to type them in a Word file and mail them. I have found that critiquing the work of others is one of the best ways of improving my craft. Fourth, begin (again) marketing research for Documenting America. That will be the subject of my next post.

At last, Doctor Luke’s Assistant is…

…finished!

That is, tonight I finished reading the last to chapters and marking tweak-like edits, typing the edits in the last four chapters, and merging all the files into one file, and formatting that. Thus my fourth round of edits is over, and the manuscript is ready to submit in full, should anyone be interested. I still have a few formatting issues, such as adjusting some paragraph indents, but it is presentable as it is now.

Of course, I don’t rule out another round of edits, should I feel led to do so or should it be needed to make it acceptable for publication, but now I can put this aside, and concentrate on other things while the agent is considering it. I don’t think I’ll do any research into other agents right now.

Father Daughter Day

My other work in progress that is actually finished and in search of a publisher is Father Daughter Day. This is the story of how a dad kept his promise–reluctantly at first–to spend a Saturday with his daughter. He struggles with this as they hike in a State park, eat fast food, drive in the car, and mow the lawn. He prays often during the day. The daughter seems unaware of his misgivings, and thoroughly enjoys herself. She even turns down a chance to play with some girlfriends who drop by, because she has promised to spend the day with her daddy and wants to help him mow the lawn. By the time evening comes, he is enjoying himself, and by nightfall is more blessed than his daughter.

The unique thing about this book is that the story is told in poetry. Thirty-seven poems, in a variety of styles and lengths, more formal than non-formal. Each poem is intended to both stand on its own and form a seemless part of the story. Included are three sonnets, one sonnet sequence, a villanelle, a long ballad, a long mixed-verse story, a number of cinquains, a number of haiku, and some free form poems (not to be confused with free verse).

Some of the poems are specific to what the dad and daughter are doing. Others are more generic about the activities they are engaged in: about rising for the day, about eating breakfast, about reading, about hiking, etc. If you pull these short, generic poems out, the remaining “story” poems still make sense, though perhaps with more gaps. Three of the poems are “children’s books” that the daughter brings along to read in the car.

I finished the last of these poems in June 2006. Actually, my original plan called for three other poems. Unfortunately the inspiration for these has not yet come, and, as I read the book as it is, it seems to read as a complete story. So if I never get those three written, I think I’ll be okay. Of course, even for completed poems, I’m always open to further tweaking and improvement.

I submitted this to two different Christian publishers, one unsolicited and one after a conference. Both said no. I’ve been slowly researching, hoping to find another publisher, but no viable candidates have surfaced. This may be one may have to be self-published.

Doctor Luke’s Assistant, Writing and Status

The idea for Doctor Luke’s Assistance came to me in the late 1990s, based on my study of the scriptures, and harmonizing the gospels. I thought through a plot for a couple of years, but hesitated writing it. To think I had the ability or stamina enough to write a novel seemed self-aggrandizing.

I began writing Doctor Luke’s Assistant in late fall 2000. I had a basic idea of what I wanted to accomplish, including major and sub-plot lines. I completed 15,000 words, then put it away as life got busy. I picked it up again in late 2001, and worked mostly steady through 2002, completing it on January 8, 2003.

I’ve since been through it three complete times. The first time through was for consistency of plot, and adding descriptions where needed. The second time through was for adding a plot line and to make the story consistent throughout. The third time through was for improvement in language: eliminating passive voice, making the dialog more natural, and the language more concise.

I am now in my fourth round of edits, reading each chapter slowly, looking for anything odd or out of place, for a wrong word, a missing quotation mark, an excess modifier. I have done this through chapter 32; only 33 through 36 remain. At that time, for the moment I will consider the book complete, and will cease editing.

I have submitted Doctor Luke’s Assistant to all the CBA publishers that don’t require agented submittals, and all turned it down. Now I’m submitting it to agents. Well, actually I met with an agent at a conference this past November, and he like the pitch enough to ask me for a partial submittal. I haven’t heard anything. My plan is to finish the edits, then wait and see what the agent says. At that point I will shift gears to Documenting America, or possibly to a second novel.

More about Doctor Luke’s Assistant

Augustus struggles with Christianity. Although not a religious Jew, he resisted giving Christianity an honest consideration, even though he found much attractive in Luke, the church, and Jesus. The resurrection was the main problem he could not accept.

A young woman in the church, Keziah, caught Augustus’ eye, and he fell in love with her. To improve his chances with her, he bribed a government official to obtain the release of her father from false imprisonment over a tax issue. This, when discovered by the government, almost brought the entire research and writing project to a stop when Luke is accused of planning the crime Augustus committed.

Claudius Aurelius has Luke confined to Jerusalem, until a new governor comes to Israel and Aurelius makes a trip to Rome. Luke and Augustus go to Galilee for an intensive seven months research before Aurelius returns.

As the work progresses, the political situation in Jerusalem grows worse. At the end of three years, the massive biography is done. The first events of the Jewish revolution causes Claudius Aurelius to make one last attempt to destroy Luke’s work. In the end, Luke must rely on God, with many praying for him, to not lose everything he worked for.

The next post will tell the status of the book.