Category Archives: Daddy Daughter Day

I Have an Illustrator

Yes, the contact I mentioned in my last post has worked out. A local woman, a resident of the same city I live in, Bella Vista, will provide the artwork for the cover of Father Daughter Day. And, she says she doesn’t want to be compensated for it, except for receiving a copy of the book. She has a few things on her plate, but says she will most likely start on it next week, in an art class.

She also said that, as she read the book, ideas came to her for interior illustrations. That would be nice. At one time I had hoped for quite a few illustrations in the book. Then, as finding an illustrator became more and more difficult, I decided I’d settle for a few nicely done illustrations.  Then, as more time passed with no illustrator, I decided on worrying about the cover only. I soon determined I couldn’t do it on my own. If we can go from that lowly position back to having a few nice illustrations inside the book, as well as a nice cover, that will be a step up in the world.

So things are rolling. I don’t really know how long any of this will take. Formatting the book itself for print should only take an hour or so. For e-book, because of the need to make every line text-wrap in the right way, it should take longer, perhaps half a day or maybe less using Word’s styles feature. Could it all happen before the end of the year? Maybe, but right now I’d say more likely in early 2015.

Stewardship of My Writing Time

I was supposed to post to this blog yesterday. But it was Election Day, and so I was tied up watching returns in the evening; and I had plenty to do and work to do during the day, and I didn’t get anything written and posted. Today I’ll rectify that with a day-late post.

It seems good for me to talk about how I’ve used my limited writing time of late. I’m still in the Time Crunch, and will be for several months. Rather than having big blocks of time, I have small chunks of time, perhaps a half hour in the evenings after finishing other obligations. Or maybe that much time before work or during the noon hour. They are small enough that I couldn’t take on a large project, but they are still snippets of time in which I can somehow further my writing career.

Over the last two weeks I’ve had two main projects for these snippets. One is to continue to skim/read the letters of Thomas Carlyle, looking for references to his written works. I’ve done that on a hit or miss basis before, looking for specific references to a specific work. This time, I’m going through the letters from beginning to end. My purpose for doing this is to support the composition chronology of his writings. I don’t know if I’ll ever publish that or not. Heck, I don’t know if I’ll ever finish it or not. For sure it would be a huge project, and the form of it would be tough to pull off in a standard size book (meaning height and width, not length). But for now I’m doing it, from beginning to end. I’m concentrating on his first 50 compositions (excepting letters). In fact, I’m almost done with that . I’ve gone through his letters that go up to the days of his 50th composition, and have entered the letter dates and recipients in the chronology. I think I have only three or four more compositions to do the typing on.

The other project is my poetry book, Father Daughter Day. As I’ve reported before, that book has been done for a long time. I’ve been stalled for years because I wanted to publish it as an illustrated book. I finally gave up on ever finding an illustrator willing to take it on spec, and so plan on publishing it soon. But, I need to have a cover made. I’ve been looking around for a photo to serve as a cover, but will still need an artist to add things to the cover.

This week I may have found the artist. I asked a man in my Life Group at church, who has done some sketches and posted them to Facebook of the type I’m interested in. He said he couldn’t do it, as the inspiration to draw has left him for a time. He said he would get one of his artist friends in touch with me. He was true to his word, and yesterday I had a conversation with that artist and shared my vision for the book and the cover. Today she reported to me that she had read the book, has ideas not only for the cover but also for some interior illustrations. And, she’s willing to do it on spec, rather than as up-front compensation. I need to e-mail her again today to further the process, and will do that as soon as I post this.

So, even though I’m in the Time Crunch, and writing of books and articles isn’t possible, I’m still at work with my flickering writing career. Perhaps I’ll have my poetry book out in January 2015. That would be a nice outcome.

Going with Where Inspiration Leads Me

Last night I went home after two days of intense training (as facilitator, not trainer or trainee) and urgent work. I was bushed. Yet, my mind remained somewhat active. Right after eating supper I couldn’t get on the Internet on my Nook. So I went to look for something printed on paper to read, and pulled out a literary magazine special issue about Thomas Carlyle.

Now, except for occasionally reading a little in the Carlyle Letters Online, I haven’t thought much about him since some time in April. But reading this caused me to think about my two unfinished Carlyle projects: the book about his book Chartism; and the composition bibliography. I spent a little time in both last evening.

Now, today, my mind won’t leave the composition biography. I’ve been fixated on it all day, to the detriment of it getting in the way of thinking about my day job. Oh, I’ve done my work, but with half my mind elsewhere. Fortunately I didn’t have any tasks requiring major concentration laid on for today.

How long will this sojourn with the sage of Chelsea last? I don’t know. I don’t want to leave my Civil War book for long, nor abandon Father Daughter Day. But, for a day or too, or even a weekend, this is a good, intellectual pursuit that should stimulate some atrophying gray cells.

Do I Write? Do I Publish? Do I Market?

For the last week I’ve done no writing. Not a word. For more than a week, actually. Nor have I done anything about marketing my writing. Instead, I’ve read; I’ve rested; I’ve watched television; I’ve worked a little on genealogy. Oh, and this past weekend I spent a few hours filing and culling my writing papers.

So when do I start writing again? I’m not sure I’m ready yet. I’m still reeling from the lack of sales. Sales looked so promising in April through July. After months of selling two or three copies a month, I was up to 10 to 12 copies per month. Then Amazon started the Kindle Unlimited book borrowing service in July. None of my books are in that. Coincidentally, about that time, my book sales dried up to nothing. I went from July 30 to August 28 selling not one book on Kindle. On August 28 I dropped the price of my first baseball/Mafia novel to $0.99, and sold seven copies in two days. I hoped this would spur sales of the sequel, but unfortunately it did not. I sold one copy of that.

In the face of those sales results, it’s difficult to carry on. I don’t know that Kindle Unlimited caused people to quit buying my books because they can borrow books less expensively elsewhere. I don’t particularly want to pull my books from all other sales channels so that they can be exclusive to Amazon and thus in KU. But the timing of my sales drop and the launch of KU are, if not effect and cause, quite coincidental. This past weekend I had my first two sales in September, on back-to-back days. It’s a welcome development, which I hope will continue. Alas, my pessimistic side says it won’t.

So, I need to decide what to do. Do I write? Do I promote and see what happens? Do I publish what I have ready? Do I finish what’s in the pipeline and publish those? All of those things require work and sacrifice. Publishing means creating covers, the thought of which makes me ill. I either need to buck up and do it or hire it done with money I don’t have. I could also opt for ugly, generic covers that don’t attract readers. Since my fancier covers aren’t attracting readers, maybe it won’t make a difference.

The book that’s closest to being done and ready to publish is my poetry book, Father Daughter Day. It’s done, just needing e-book and print book formatting and a cover. I say it’s done. I had hoped to add one more poem to it. I’ve worked on that poem, but nothing has come to me that seems good. The book could go out without it. Maybe this week I’ll take the drafts of the poem and work on it, see if I can finish it. Then next week I could do the formatting. As for a cover, I have an idea of exactly what I want, but I can’t produce it. It would take an artist, or at least a graphic artist to combine elements into an attractive cover.

I’m mainly thinking out loud here. Possibly finishing FDD is the way I’ll go, though maybe not. Stay tuned.

Upcoming Publishing Schedule

My decision to self-publish Father Daughter Day as a non-illustrated book, in paperback only (because poetry doesn’t work all that well with e-books) has caused me to think about my publishing schedule and all the tasks related to that. Here’s what I’ve come up with—subject, as always, to finding time to accomplish everything and sudden inspiration that causes me to change or reshuffle.

  • complete the writing of Headshots, my novel-in-progress. I think I have a couple of weeks left in the writing, after which I will let it sit and simmer a couple of weeks before going on with editing and publication steps.
  • publish my short story “It Happened At The Burger Joint”. This will require creation of a cover. I have an idea and have located a graphic I’d like to use, but have yet to contact the one I need to for permission to use it. This will be an e-book only, so the cover and formatting should go quickly, just a day or two.
  • create and publish the print book for In Front of Fifty Thousand Screaming People. This requires that I wait on a certain photo that a certain person has promised to take and let me use for the back cover. This should only take a few days to do, though waiting on proof copies will occupy some time, which I will fill with:
  • create and publish the print book for The Gutter Chronicles. My novella has actually picked up some sales recently. I know a few people who want it who don’t own e-readers. I’ve decided on the back cover image, so I just need to format the book for print and put the cover together. I think a week or so.
  • by that time I’ll be done editing Headshots and be ready to do the publication tasks: e-book formatting, e-book cover, print book formatting, print-book cover, upload to three places. At this time I don’t think I’m going to do a launch team. It didn’t work out so well with my last novel, so I’ll just publish and hope for the best.
  • write and publish another short story in the Danny Tompkins series, dealing with teenage grief at the loss of a parent. I’ve had the next story rolling around in my mind for some time, at least the start of it and subject matter. After Headshots is done I’ll be ready for something short. Since this involves new writing I’m not really sure how long it will take. That will give me four Danny Tompkins stories, which might be enough to put together in a short collection as an e-book.
  • Publish Father Daughter Day. The toughest part of this will be the cover, for which I’ll be doing my own “artwork”. I have a comic-like font in mind for the words, a font I’ve already been drawing out for practice. I have a scene in mind I’d like to use for the front cover, though finding a photo for it might be difficult, and drawing it will be impossible. So, I’m a little up in the air about it; also about what to use for a back cover. That may be easy, though, as I could use a synopsis of the book on a uniform or textured color. I think the internal formatting will be fairly easy. The hardest part will be figuring out appropriate page breaks. Poetry books tend to have lots of white space, and you want to end the poems at a place that makes sense.

After that, I’ll have a whole host of projects to chose between. Most likely a sequel to Doctor Luke’s Assistant? Possibly a Civil War edition of Documenting America (for which research has already started)? Start getting serious about another volume of The Gutter Chronicles? Perhaps another Sharon Williams short story, probably titled “Sierra Kilo Bravo”? Or perhaps work on another Thomas Carlyle project? Time will tell.

New direction for “Father Daughter Day”

In terms of completed books, my first was Doctor Luke’s Assistant, and my second was Father Daughter Day. I haven’t talked about this for a while. It’s a story, told in a series of poems, about a weekend day a dad has promised to spend with his daughter. He at first doesn’t want to fulfill his commitment, but does, and winds up more blessed than she was.

This has been finished since 2006, though I’ve tweaked a few of the poems in the years since then. My original plans were to seek a trade publisher for this. Alas, I quickly saw that wasn’t going to happen. It was too Christian for the general market, not Christian enough for the Christian market. And who reads poetry anyway? I didn’t submit it to many places, but I discussed it with some editors and agents, and let’s just say I wasn’t encouraged to continue to seek trade publication.

I haven’t self-published it because I felt that it would be better as an illustrated book. I mean a richly illustrated book, with a black and white sketch-type illustration on each page, tied in to the text on the page. Nothing fancy, simple sketches. Yet, when you figure the book would run 75 pages when formatted as poetry books usually are, and maybe 150 pages with room for illustrations, meant perhaps as many as 150 of these sketches/illustrations. How could I get that done?

My first thought was to have an art class do it as a kind of practicum course. I checked with two local high schools. One principal didn’t get back with me. When I saw him six months later and asked about it, he said, “We’re just not big enough to handle that kind of project.” I resisted the urge to reply, “That information would have been quite helpful six months ago.” A teacher at the other high school gave me the name of the art teacher. I contacted her, and she seemed genuinely interested. She said she would contact her principal about it. That was the last I heard from her. Four years later I’m still waiting (not really; gave up a long time ago).

I also contacted the art departments of two Christian colleges, via e-mail. In one case I had a recommendation via a writing professor at that college. In both of these cases, I never received a reply to my e-mail. It was kind of like submitting an unsolicited query to a Christian literary agent. The submittal/request/query goes off into the ether, never to be seen or heard from again.

Moving on to Plan B, I started talking with some artists. I discovered a cousin’s wife was an artist. She seemed interested, but declined, the birth of their first child being an obviously greater priority. One woman I met at a writers conference was interested, but was far to busy in her studies to take on a project of this size. Other leads of artists came up. I discussed it with them, and either none were particularly interested or the project was too big for them. I can understand that. Up to 150 illustrations that fit the context of the story, even if they are simple, is a big project, especially if a few of them are made more artistic for use as covers or full page inserts. I have no money to pay someone, so they would have to take the work on for a share of the royalties, which are a very uncertain remuneration. So I’m stuck.

A couple of nights ago I decided to just go ahead and self-publish the book as an un-illustrated paperback. I have one more poem I’d like to add to it, one that I’ve started on a few times but could never get it to where I liked it. I have a few conceptual sketches for the cover (or at least the title), which I’ll do myself. The interior formatting won’t be a very difficult thing.

So, before the end of the year, Father Daughter Day will be one of my publications. In a follow-up post I’ll re-set my publishing schedule.

Progress on two books

As reported in other posts, my main writing work at present is China Tour, a novel of events in Communist China in 1983. I had planned for this to be about 75,000 words. However, as I worked through it, it seemed to be running shorter than that. After a week adding 10,000 words, the book is at 53,600 words. At this point I think it will be completed at between 60,000 and 65,000 words.

As I say, that’s shorter than I thought it would be. Is it too short for a spy novel? A typical romance is around 50,000 words; a general novel might be 75,000 words. A sci-fi or fantasy is typically 90,000. An epic is 125,000 or much more. So I’m not sure what I have here. I do not that there’s no point in “padding” the novel with useless stuff that doesn’t advance the story or enlighten the reader concerning the characters.

If I’m right, then I’m near the end of the novel. Next I have what I call the temptation scenes. After that it’s the culmination of the book as the CIA operation takes place in Beijing. Then will be the denouement chapter to close out. I see all of this as being about 10,000 words, unless the operation itself takes more than that.

So I’m on the downhill part of the novel. My experience with my first two novels is that the writing goes faster at this point. Maybe that’s because the motivation is there to stick to business and get it done. Maybe it’s because the story is so familiar at this point, as are the characters, that writing scenes is easier at this point.

Whatever the reason, I may be a week away from finishing. That’s exciting. I would like to finish it before February 7, when Lynda and I take off for a road trip. I’d like to have it with me and use some evenings on that trip for editing. That seems like a better vacation/business trip activity than new writing.

The news on another book is also exciting. This isn’t even on my list of publication goals for the year. It’s my poetry book, Father Daughter Day. This has been essentially done since 2006. I’ve made minor tweaks in the years since. The delay in publishing it has been illustrations. I don’t think the book will sell as well if it’s text only as it will if it is generously illustrated.

But how to get an illustrator when you have no money to pay one and when hopes of sales are just that: hopes? I tried to get some art teachers at the high school and university level interested as a practicum project for their class, to no avail. I checked with a couple of amateur artists I know, and couldn’t get them to do it. So I let it sit. I should also say that I never made finding an illustrator a priority. When I had a free moment and this book came to mind, I did something about an illustrator. Otherwise the book sat dormant. I have one more poem I’d like to add to it, but it’s not essential.

So back in October 2012 one of those times came, when thinking of the book and having the name of an artist I know both came together at the same time. I asked her about it and she sounded interested. Then I didn’t hear anything, leading me to believe she wasn’t interested.

Then yesterday she contacted me. She had computer troubles as well as family and life issues. Yes, she said, she was interested, and was anxious to get started. So I recent the book and some sample illustrations. She’s going over it now. We will have to have a conversation about deadlines, speculative compensation, etc. Depending on her schedule we might not be able to get it done this year. Then again, if she works fast and we keep most of the illustrations simple, it may be done this year.

This also is exciting. I’m trying not to get too excited, actually, in case it falls through. China Tour will be published, probably before April 1. I’d love to have Father Daughter Day available on Amazon before Fathers’ Day, though that’s probably not possible. All in all, however, I see my publishing much farther down the road now than it seemed to be a week ago.

Conference Assimilation: The Appointments

One reason writers go to conferences is appointments with editors, agents, successful authors, and other faculty. WTP is no exception. The conference did not begin with an introduction of the faculty and staff. You had to have done some homework and figured out from their websites what each faculty member was there for, and which ones were editors or agents.

Based on this homework, I decided to try to schedule 15 minute appointments with two editors. Full-conference registrants were allowed two appointments. More could be scheduled at certain times on succeeding days provided the time slots were not filled. At 8:00 AM on Wednesday morning was a conference ritual I call “crashing the boards”, as we gathered where schedules were posted on the wall, and reached and stretched to write our names on the preferred agent, editor, or writer schedule. I got appointments with my two targets, for Friday afternoon.

Why did I chose to meet with agents when I’ve decided to self-publish? I guess I still hold out some hope that I can get a contract with a legacy publisher, and so am willing to give it another couple of tries. But, as for other appointments, if I could get them, who to try for?

The panels helped. On Wednesday a panel of magazine editors discussed what they wanted to publish, why they were there. I had not planned on pitching to magazine editors, but three on the panel had things I could pitch to them. When the time came on Thursday when we could sign up for extra appointments, I signed up for two. Then the book editor panel on Friday showed me I should try to get one more appointment, with a certain editor. Again I pounced on the boards, and got the fifth appointment.

As I mentioned in a previous post, on Friday I hung out in the appointments auditorium rather than attend electives. By doing this I was able to have an unscheduled appointment with an agent who had a hole in his schedule—not to pitch to him, but to get his advice on what to do with Father Daughter Day. That made six appointments in all.

Here’s who I met with.

– Rowena Kuo, publisher of a relatively new publisher of magazines and books. I pitched a short story and a series of magazine articles to her.

– Craig Bubeck, of Wesleyan Publishing House. I pitched my Wesley writings project to him.

– Sarah McClellan, literary agent. I pitched Doctor Luke’s Assistant and Father Daughter Day to her.

– Mary Keeley, literary agent. I pitched Doctor Luke’s Assistant and Father Daughter Day to her.

– Ramona Tucker, of OakTara Publishers. I pitched Doctor Luke’s Assistant and Father Daughter Day to her, along with Documenting America

Terry Burns, literary agent. I spoke with him for only five or ten minutes, and only about Father Daughter Day.

So, that is my stewardship record of appointments at the WTP Conference. I believe I did well, in timing when I crashed the board and in those I was able to meet. I’ll have more specifics in a future post.

What to write?

This question is not about this blog, but about writing in general. At present, I have only two writing projects in progress:

1. Type the harmony of the gospels I did off and on over a three year period ending in 2005, then go through it to look for gaps, redundancies, potential changes in order, etc. After the typing and editing is done, type explanatory notes for the harmony, only some of which are written in manuscript form. This is likely to take all year.

2. Work on my “Life On A Yo Yo” Bible study, of the life of Peter the apostle. This is planned, and I begin teaching it on Sunday Jan 4, 2009. This is more of a teaching project than a writing project, but I figure that every such project might become a writing project given the right amount of time and energy.

But what to do about a writing career? As I’ve reported before, it seems that life will never give me, short of my retirement planned for 8 years and 2 days from now, enough time to do all that writing demands: write, edit, improve my craft, research the market, research agents, pour time into submittals/proposals/query letters/etc., follow-up on those, and prepare for the marketing work I would have to do should I become published. All this makes a writing career a pipe dream for now.

So I have an unfinished second novel, In Front Of Fifty Thousand Screaming People, that must remain unfinished. I have a completed first novel, Doctor Luke’s Assistant, which, having earned about ten rejections, must remain in the reject pile for the moment. I have my completed poetry book, Father Daughter Day, which, defying all rules of genre and degree of religiosity, sits in exile upon a closet shelf. My non-fiction book Screwtape’s Good Advice, has only one rejection, but finding time to tailor the proposal to new editors or agents seems, in light of the current state of publishing, an effort in futility. My newspaper column, Documenting America, being a good but unique work The long list of other novels, other non-fiction books, magazine articles, etc. will just have to remain in the ideas notebook for now.

What will the next twelve months hold as far as writing goes? Stay tuned.

Father Daughter Day

My other work in progress that is actually finished and in search of a publisher is Father Daughter Day. This is the story of how a dad kept his promise–reluctantly at first–to spend a Saturday with his daughter. He struggles with this as they hike in a State park, eat fast food, drive in the car, and mow the lawn. He prays often during the day. The daughter seems unaware of his misgivings, and thoroughly enjoys herself. She even turns down a chance to play with some girlfriends who drop by, because she has promised to spend the day with her daddy and wants to help him mow the lawn. By the time evening comes, he is enjoying himself, and by nightfall is more blessed than his daughter.

The unique thing about this book is that the story is told in poetry. Thirty-seven poems, in a variety of styles and lengths, more formal than non-formal. Each poem is intended to both stand on its own and form a seemless part of the story. Included are three sonnets, one sonnet sequence, a villanelle, a long ballad, a long mixed-verse story, a number of cinquains, a number of haiku, and some free form poems (not to be confused with free verse).

Some of the poems are specific to what the dad and daughter are doing. Others are more generic about the activities they are engaged in: about rising for the day, about eating breakfast, about reading, about hiking, etc. If you pull these short, generic poems out, the remaining “story” poems still make sense, though perhaps with more gaps. Three of the poems are “children’s books” that the daughter brings along to read in the car.

I finished the last of these poems in June 2006. Actually, my original plan called for three other poems. Unfortunately the inspiration for these has not yet come, and, as I read the book as it is, it seems to read as a complete story. So if I never get those three written, I think I’ll be okay. Of course, even for completed poems, I’m always open to further tweaking and improvement.

I submitted this to two different Christian publishers, one unsolicited and one after a conference. Both said no. I’ve been slowly researching, hoping to find another publisher, but no viable candidates have surfaced. This may be one may have to be self-published.