Category Archives: Doctor Luke’s Assistant

The Beginnings of “Doctor Luke’s Assistant”

When does a book begin? I thought I had written on the pages of this blog something about how I came to write Doctor Luke’s Assistant. I said so publicly the last couple of days. But earlier today I checked my posts, and discovered I didn’t. With this post now I begin the story.

I do this because I just finished a five-day free promotion of DLA, and on the day after the promotion it has been selling. After 5,039 free downloads, today (as of 9:30 p.m. Central Time) I sold 31 copies and had one borrowed. That’s a good number for one day, especially after selling a grand total of 1 copy in the 2 1/2 months previous. It’s not “quit yer day job” money, but I’m excited. Based on today’s sales it stands at #33 and #45 on its two genre Amazon bestseller lists.

But I prate. On with the story.

It must have been around 1998. I was engaged in some personal Bible study, reading through the gospels one after the other. I read Matthew and Mark and moved on to Luke. At some point I realized that Luke described something differently than M&M did. I think it was the triumphal entry of Jesus into Jerusalem. So I turned back to the other two gospels and did a close reading and comparison. Then I checked the gospel of John, which had yet some different information.

This was about the time in my life that I had become interested in creative writing. In my career as a civil engineer I had done a lot of writing: construction specifications, business letters, technical reports, construction site reports, marketing materials. All of it dry and monotonous. Well, maybe with the marketing stuff I had to get a little creative, but still on dry subject matters.

But I started writing some humorous work-place pieces, spoofing our company. I posted a couple of them anonymously on company bulletin boards, but I was exposed within a couple of days. Having the creative writing bug, I joined a writers critique group in the next town over, and began sharing pieces. But maybe I’m prating again.

Back to the gospels. Somewhere in mid-1998 I decided to write a harmony of the gospels. Not a parallel column type, but an integrated text type, where the information in all the gospels is woven into one seamless narrative. I’m not sure exactly when I started this because I didn’t date the papers, but the first sheet is my handwriting on the back of some scrap paper from my office, which has a date 6/28/98. That’s pretty close to when I started.

As you can imagine, that’s pretty big project. By the middle of 2000 I was well along. I’d filled a steno book with my handwritten text of notes and harmonies, sometimes working verse by verse with the four gospels side by side, all the time thinking about how these gospel writers wrote their books. Matthew and John were eyewitnesses, so I didn’t worry too much about them. Mark is thought to have recorded the teachings of Peter, who was an eyewitness. Assuming that was true and that Mark was a faithful witness of what Peter wrote, I figured Mark’s gospel was fairly close to an eyewitness account.

But Luke! He wasn’t an eyewitness. I began to wonder how he learned some of the stuff he learned. He must have found and interviewed people, I figured. During the second half of 2000 I thought about this more and more. When I encountered some piece of information in Luke’s gospel that wasn’t in Matthew, Mark, or John, I began to work scenes in my mind. I imagined Luke finding a witness, interviewing him, then going off to some lodging somewhere to write a fraction of the gospel, but having Mark’s and Matthew’s gospels as reference documents.

All this time my interest in creative writing was increasing. The workplace humor became a series called “The Gutter Chronicles: The Continuing Saga of Norman D. Gutter, E.I.T” (Engineer in Training, now changed to Engineer Intern). That’s a long story I won’t get into now, and I only mention it to demonstrate how my creative writing interest and, hopefully, skills were being honed.

Finally, somewhere around October 2000, I kept thinking over scenes, and it suddenly occurred to me: Why not write a novel about how Luke wrote his gospel? About the same time it occurred to me that Luke, being a Gentile, would have been severely hampered if he went to Israel in the First Century and tried to talk with Jews, let alone enter the temple. AGH—ain’t gonna happen. So I knew he would need a Jewish man to help him in the work. The general outline of the novel came together quickly.

I see, however, that this post is already long. I will end there, and continue in the next post. While I was writing this I had one more sale of DLA, and it went to #31 and #42 on its genre bestseller lists, and is now at #4787 on the overall Amazon paid Kindle store.

A Page Turner?

Perhaps the ultimate compliment a writer can have is when someone calls their book a page turner. “I stayed up all night reading that book, it was so interesting!”

I would not call Doctor Luke’s Assistant a page turner. At times I struggled to put a little action in it. After two or three chapters of Luke and Augustus interviewing people, I knew I had to mix things up or the book would get boring real fast. But having done that, I wouldn’t call it a page turner.

As part of the five-day free promotion at the Kindle Store, I posted notices about the promo to all the Facebook pages I’m a member of. One of those is for former and present Suite101.com writers. One woman in that group, a woman I’ve interacted with some, had downloaded the book. Today she posted this about it. 

I cannot put this book down. How you have managed to turn what is basically a fictionalized account of historiography into something that is keeping me up so late, I do not know, but I think you should put up the first few chapters (not the… whole book) on Kindle free — I’ll bet your conversion to sales rate would be HUGE. I am going to pass this book on to my former spouse, who is a historian who teaches historiography, because I think it really captures the nature of research and reportage so well in so many different subtle ways. And also to my best friend, who is an Episcopal priest. I’m sure a prime market for this is religious folks — so you might find it interesting that I’m not especially religious. I just think this is really well done — and fascinating. I can’t believe you’ve taken a plot that is basically “first we interviewed this guy, and here’s what he said, and then we wrote up a list of other people to ask, and no one knew anything, and then we ran into a dead end, and then we sat around talking about how to proceed” and turned it into something that is a real page turner.Bravo!

That’s the highest praise a novelist can receive. Hopefully she’s correct that sales will follow this promotional period.

A Five-day Give Away: Doctor Luke’s Assistant

When I first published Doctor Luke’s Assistant at Amazon Kindle, I enrolled it in the Kindle Select program. This means it is available electronically only at Kindle for a 90 day period. Kindle premium members can have it for free. And, for 5 days each month I can offer it for free to everyone, not just Kindle premium member.

So far I haven’t taken advantage of the free give away, and my 90 days are running out. So, beginning today, June 13, running through Sunday June 17 (father’s day), Doctor Luke’s Assistant is available as a free download to your Kindle, or to any device to which you can also download the Kindle app.

Maybe this will jump-start sales, or even spur sales of my other items.

First reviews of “Doctor Luke’s Assistant”

I may have only one sale of Doctor Luke’s Assistant, but it now has two reviews. These are from people at a Facebook page, Christian Author’s Book Marketing Strategies, to whom I gave advance reader copies. Well, I suppose they didn’t get them in advance of the book being published, but that’s the closest term I can think of.

I hope you’ll follow the link and check out the reviews.

Novel Published: “Doctor Luke’s Assistant”

Sunday I decided to put other work aside and complete the tasks needed to e-self-publish Doctor Luke’s Assistant. This is my fourth e-published item. I had completed all the text changes I wanted to make back in December last year, but knew I had a few formatting issues for Kindle and Smashwords. I also wanted to build an interactive Table of Contents.

I did all that on Sunday afternoon, after my simple lunch, a 40 minute walk, some pleasure reading (well, writing-related pleasure reading), and a short nap. I checked each chapter and paragraph for consistency of font and indent, and make sure I wasn’t indenting via tabs. I also had to take out one diagram, since it wouldn’t format correctly for an e-reader. This required a small text change. I had all that done by 5:00 PM.

I then began the Kindle uploading process. I hadn’t done that since December, and found I once again had to scale the learning curve. One thing I did differently. In the past I finalized the MS Word .doc file, then saved as a filtered web page, as per Kindle instructions. In the past I then uploaded that into MobiPocket creator and created a .prc file. That’s the file I then uploaded to Kindle. This time, I read the instructions and it said to upload the filtered web page file, so that’s what I did.

I’ve had the cover since early February, created my Jami Gardner Design. It’s not necessarily final, as Jami is working on an alternate I requested, and we may tweak this one. But I think it’s somewhat close to what the final will be, and it works for now, so I decided to use it for the moment.

I set the e-book price at $4.99. I did this because it’s a long novel (155,000 words, which works out to 500 print pages or so). This may be too high of a price to get any sales, but I’ll leave it there for a while.

You can buy it here at the Amazon Kindle store. I don’t know when I’ll get to the print edition, or the Smashwords edition. I’m thinking of trying it out on the Kindle Select program, which gives Kindle a 90 day exclusive on it.

That done, it’s on to finish The Candy Store Generation, do a few more edits of In Front of Fifty Thousand Screaming People, then maybe work on a couple of short things.

2012 Writing Plan: Fiction

Now, on Jan 4, 2012, looking ahead to what I plan to accomplish this year with my fiction, here’s what the year will look like.

  1. Publish my second short story, titled “Too Old To Play”. The story is written. I’ve  edited it for typos, plot, language usage, etc. It’s ready to publish, in my view. I e-mailed it to my critique group mailing list and to another trusted reviewer, so far with no response. I’m not really worried about  receiving critiques. If I get some, I’ll see what I need to do. If I don’t get any, I’ll publish as is. My schedule is to eSP this in January. Since it’s a sequel to my previously published short story, “Mom’s Letter”, I hope they will feed sales to each other. I’ve already “commissioned” creation of the cover.
  2. Publish my novel Doctor Luke’s Assistant. I finished what I consider the last round of edits a month or so ago. Publishers have told me it’s a good idea, but they won’t publish such a long work in a difficult genre from an unknown author. I figure it won’t have great sales, but what’s the downside in self-publishing it? Only the cost of a cover (already commissioned). If it doesn’t sell much, then the editors will be proved right in their judgment of it. If I make anything on it, that’s more than my prospects through commercial publishers. Right now I’m planning for an e-book. It’s so long I’m afraid a POD print book will be too expensive. I’m targeting this for February, which is very do-able
  3. Publish my novel In Front of Fifty Thousand Screaming People. The book is written, and partially edited. I sent it out to about twelve beta readers in October, and have heard back from three. The copy they read had many typos, as I had not proof-read it. I have a few plot issues to address, and must make a judgment on the amount of dialog vs. narrative. I think I can have all this done by the end of February, making production of an e-book in March fairly firm.
  4. Publish another short story in the Danny Tompkins series. I hadn’t thought of adding another story to this series until recently. Heck, the second one didn’t even come to me until three months ago. I haven’t seen myself as a short story writer. So I’m still testing the waters. A plot for another one (actually two) has run through my mind, so I might as well schedule it to be written and published. I’m guessing this will be somewhere around June, but I’m still in the early stages of this.
  5. Begin work on my third novel. I could go several ways with this. I could work on a sequel to In Front of Fifty Thousand Screaming People. I hadn’t planned on that, but my friend Gary pointed out to me how the things I left hanging at the end of the book could segue very well into a sequel. I’m thinking my espionage book, China Tour, is most likely to be next, since it has had the longest gestation period. But a series of cozy mysteries has been brewing, and the first of those might be next. Given the uncertainty of what I’ll be working on, I’d say completion of the next novel in 2012 is unlikely, and I’m not putting completion in my plan.

So, there are my fiction writing plans for 2012. In a vacuum (i.e. with no non-fiction), it would be an easy schedule. Covers may be the hold up for maintaining my publication schedule.

2011 Writing in Review: Fiction

In 2011 I spent a lot of time on my fiction. At the beginning of the year I polished and published a short story, “Mom’s Letter”. I wrote this somewhere around 2005-06, first for a contest and then expanded and reworked. I published that at Kindle in February, at Smashwords in July. Sales are brisk, with a total of 9 copies sold (No; that’s not a typo).

When I attended the Write-to-Publish Conference in June, I pitched my second novel, In Front of Fifty Thousand Screaming People, and an agent was interested. I hadn’t looked at it for a couple of years, and was surprised to see, when I prepared to submit the partial manuscript after the conference, that I had less than 15,000 words written. I thought I was over 20,000.

So I got busy. From mid-July to early October I completed the novel, ending at about 87,000 words. I sent it out to beta readers in October, and have received a trickle of comments back.

At that point in time, after a brief break, I read my first novel, Doctor Luke’s Assistant, which as been “in the drawer” for about three years, looking for “about 60 typos” a beta reader said I had but didn’t identify, and fixing a few minor plot problems or references. My goal is to e-self-publish it around February 2012. I made the typos and think it’s ready to go, cover permitting.

I then decided to work on another short story, to help me get another book on my self-publishing bookshelf. So I dashed off a sequel to “Mom’s Letter”, titled “Too Old To Play”. I’ve distributed that by e-mail to my critique group, but so far have had no responses. In my mind it’s ready to upload to Kindle, though I’m open to edits.

Beyond this, I dreamed a lot. I know which novel I’ll work on after that. I have at three series identified and at least five novels in each (by title). I have only outlined, at least in part, one. So this is work for the rest of my life.

 

Stewardship of Writing Time

Thanksgiving week was not expected to be a time to get much writing done, and I didn’t for the first part. Our daughter and son-in-law came in with the two grandsons (3 and 1) on Sunday evening, then left the kids with us as they went on to Eureka Springs for a couple of days at a resort, courtesy of their church for pastor appreciation. Watching these two little boys didn’t lend itself to writing.

And actually, for the week before they came I didn’t write much, as the house needed a good release from clutter and dust and accumulation of months of having no visitors.

But the kids left Friday after Thanksgiving, my mother-in-law left on Saturday, so the house turned quiet real fast. With leftovers galore, even food preparation time was greatly reduced. So I did find some things to write, and ways to futher my writing “business”. Here’s my status right now.

  1. Last night I finished reading Doctor Luke’s Assistant, and have marked 60 or so typos and that many other places to make a few improvements. My goal is to e-self-publish this as soon as I can get the edits done, format it for e-books, and have a cover made. I suspect it will be ready in January some time.
  2. The print books of Documenting America arrived! Yesterday I found them at the office. They probably came in on Monday, but I never went to the mail area. I took some to Centerton yesterday when I went there and sold two. Sold one at the office also. I only ordered 20 copies to start with.
  3. I began writing my next short story, “Too Old To Play”. This is the next one in the Danny Tompkins short story series. The first one, “Mom’s Letter,” is available as an e-book. I hope to get this one available as an e-book as well. Again, having a cover made will be the hold-up.
  4. I’m reading a book titled Creating Unforgettable Characters, part of my continuing study of the writing craft. This is a little older, from the 1990s. It makes frequent references to characters in TV shows I never watched, such as Murphy Brown, and movies I never saw such as The Rain Man. But it’s pretty good. I’m gaining some new insights into fictional character development, even if I don’t fully understand the illustrations given.
  5. This morning (I’m home sick, the last stages of recovering from a stomach bug that hit me yesterday morning) I set up my writing business accounting spreadsheet. I entered the print book sales, entered the Suite101 income, and set up the expense tab of the spreadsheet. Maybe I’ll be ready to prepare my Schedule C when tax time comes.
  6. I wrote an article for Buildipedia.com and submitted it on the deadline, Nov 28. This is the first of a Q&A column on construction administration. It’s experimental for the on-line magazine. I have contracts for two columns, and I guess they’ll decide on more and the frequency when they see how these first ones are received. Let’s hope it works. I’ll be paid about 40 cents per word, which isn’t chicken feed.
  7. I completed an article for Decoded Science, another on-line source of potential writing income. I have not yet uploaded the article, as I have to first write short and long writer bios and upload a photo. Maybe I can do that today, and upload the article tomorrow.
  8. Attended a meeting of BNC Writers. We were a small group, but did some good critiquing and planning. We may have one more meeting on Dec 5, then wait till 2012 to resume.

That’s about it. I have much to do with writing over the next two weeks. Our Christmas letter, edits on In Front of Fifty Thousand Screaming People, the second Buildipedia column, finishing the new short story, planning for marketing Documenting America. Enough to keep me busy.

Conference Assimilation: The Appointments

One reason writers go to conferences is appointments with editors, agents, successful authors, and other faculty. WTP is no exception. The conference did not begin with an introduction of the faculty and staff. You had to have done some homework and figured out from their websites what each faculty member was there for, and which ones were editors or agents.

Based on this homework, I decided to try to schedule 15 minute appointments with two editors. Full-conference registrants were allowed two appointments. More could be scheduled at certain times on succeeding days provided the time slots were not filled. At 8:00 AM on Wednesday morning was a conference ritual I call “crashing the boards”, as we gathered where schedules were posted on the wall, and reached and stretched to write our names on the preferred agent, editor, or writer schedule. I got appointments with my two targets, for Friday afternoon.

Why did I chose to meet with agents when I’ve decided to self-publish? I guess I still hold out some hope that I can get a contract with a legacy publisher, and so am willing to give it another couple of tries. But, as for other appointments, if I could get them, who to try for?

The panels helped. On Wednesday a panel of magazine editors discussed what they wanted to publish, why they were there. I had not planned on pitching to magazine editors, but three on the panel had things I could pitch to them. When the time came on Thursday when we could sign up for extra appointments, I signed up for two. Then the book editor panel on Friday showed me I should try to get one more appointment, with a certain editor. Again I pounced on the boards, and got the fifth appointment.

As I mentioned in a previous post, on Friday I hung out in the appointments auditorium rather than attend electives. By doing this I was able to have an unscheduled appointment with an agent who had a hole in his schedule—not to pitch to him, but to get his advice on what to do with Father Daughter Day. That made six appointments in all.

Here’s who I met with.

– Rowena Kuo, publisher of a relatively new publisher of magazines and books. I pitched a short story and a series of magazine articles to her.

– Craig Bubeck, of Wesleyan Publishing House. I pitched my Wesley writings project to him.

– Sarah McClellan, literary agent. I pitched Doctor Luke’s Assistant and Father Daughter Day to her.

– Mary Keeley, literary agent. I pitched Doctor Luke’s Assistant and Father Daughter Day to her.

– Ramona Tucker, of OakTara Publishers. I pitched Doctor Luke’s Assistant and Father Daughter Day to her, along with Documenting America

Terry Burns, literary agent. I spoke with him for only five or ten minutes, and only about Father Daughter Day.

So, that is my stewardship record of appointments at the WTP Conference. I believe I did well, in timing when I crashed the board and in those I was able to meet. I’ll have more specifics in a future post.

Editorial Silence

In the seven (almost eight, actually) years I’ve been trying to be published, I think my biggest gripe against the publishing industry is what I call editorial silence. Let me think, though, if you include submittals to literary magazines I’ve actually been submitting for about ten years. There’s always a time lag between submittal and answer. Magazines, agents, and book acquisitions editors almost all state what their response time is: 6 weeks, 2 months, 3 months, 6 months, whatever. It’s a little different if you meet an agent or editor at a conference and they ask you to submit something. That’s a little less formal, though I suspect their posted response times could be considered to apply.

From my perspective, I don’t mind the slow response. What I mind is non-response, or responses so long after the stated response time that it might as well be a non-response. That’s the way this business works. A non-response most likely means a no. Most editors say to send them a reminder e-mail once you’re a little past their stated response time. When you do you’ll get a no.

Some examples. I met with an agent at a conference in Kansas City in November 2007. He asked me to send him the complete manuscript of Doctor Luke’s Assistant, as he was planning to represent more fiction in the coming years. I did so about a week later, and heard nothing. The following April I learned this same agent was going to be at a conference I was hoping to attend the next month in North Carolina. I thought we could meet then to discuss my manuscript, if warranted, so I e-mailed him, now five months after he requested the material, and asked for a status report. He said he couldn’t find my mss and would I send it again. I did, and talked to him briefly at the next conference. He said, “Your writing is strong, but I don’t know if I can sell it. I’m still reading it. Send me a reminder e-mail every week until I respond.”

That sounded strange, but I did as he asked. About two weeks later he passed on my book. Looking back, I now suspect he hadn’t even looked at the book when I saw him the second time, and he was just giving me “agent-speak”.

Another example. At that same North Carolina conference in May 2008, I met with another agent and pitched In Front of Fifty Thousand Screaming People. She asked me to send her a partial (30 or so pages) and a proposal. I did so promptly, and heard nothing for four months. I sent a reminder e-mail, and heard nothing for two months. I sent another reminder e-mail, and she responded, passing on my book because she already represented something similar.

How strange that these two agents, who I met with and who requested me to send them some material, should totally fail to respond. Add to that about thirty magazine submittals where I’ve either never heard back or heard back up to a year after submittal, and I’ve concluded that the submittal process is broken across the board. Some writers call it the “query-go-round”. Others have a less complimentary term for it.

It’s enough to drive an unpublished author to self-publishing. For now, I guess I’ll go do something that will make me some money.