Category Archives: self-publishing

More on Learning G.I.M.P.

So I’m still working on learning G.I.M.P., and the whole process of creating book covers with graphics software of good quality, not with PowerPoint, which is borderline-suitable for e-book covers but not for print books. I downloaded the program, and at first sat there stunned at what I was looking at on the screen. Three windows, not touching each other, and no idea of what to do next.

As I’ve told people before, the only two things you really need to know about software is how to open the program and how to get help. I had the program open, and I had downloaded the user’s manual, so I opened that and started reading. The first twenty pages were about how the program came to be, who the creators were, and how to use it with various operating systems. Someone needs to know all that, I suppose; I just wanted to know how to create a book cover.

Eventually I came to some things I needed. How to create a new graphic image. How to manipulate the graphic once you had it open. I must confess to some impatience on my part. I didn’t read all that far into the manual before going back to the program and proceeding. I don’t know which way would have been faster for me. Normally I learn well from written instructions. The problem with these instructions, however, were they weren’t really explaining things. They assumed someone understood certain terms they were using. But I didn’t. So I decided to just dive in with the menu system and see what I could accomplish.

Slowly, mistake by mistake, my cover for the print version of Thomas Carlyle’s Edinburgh Encyclopedia Articles began to come together. Fortunately G.I.M.P. has very good “un-do” features (and re-do as well) that allow you to see exactly which step it was you did incorrectly and go back to how it was before that step. A lot of things I didn’t understand. Often I had to erase things I’d done and start over. Eventually I did ok, created the cover, submitted it, and CreateSpace said it met all specifications for a print cover. The first time! Yea!

Last night, with three-year-old grandson Ezra in the house (the third night now), I didn’t expect to get much done. But another cover I had to work on was for The Gutter Chronicles. Not a print cover right away, but an e-book cover. Smashwords didn’t like the one I had, and wouldn’t distribute the e-book to their premium catalog. Thus it won’t be for sale at places such as Barnes & Noble, Apple, Kobo, and others. The cover was this.

Gutter cover__2013-06-11

I had wanted to show a computer screen with a little bit of office showing around it, and the words of the book title and author name on the screen. I put the words on the screen, in the largest font possible, and took a couple of photos at high resolution. Unfortunately, the flash obscured the words on the screen. I should have figured on that. So I sweet-talked the Spiff Lady in the office to do that cover for me, and used it as a place-holder for a future cover. Since I’m learning G.I.M.P., the future is now. So last night, after Ezra went to bed, crying, I headed to The Dungeon and got to work. I had uploaded the photograph I wanted to use to Dropbox. My plan was to just paste the words I wanted over the computer screen, on a white background, to cover over the flash image and make it look like a computer screen. Of course, the screen was tilted backwards a little, and the camera was at a horizontal angle to the screen. This mean I’d have to put in something other than a rectangle, and that the words should also show this dual perspective.

That was both more difficult and easier than I expected. I thought I would have to jump through many hoops to make that happen, but a writer friend, Veronica Jones-Brown, who has created a couple of covers for me, said that this should be on the Transform menu, probably as “Perspective”. Sure enough it was. It took me a while to figure out how to use it, but I started to get the hang of it. I created the opaque white layer, sized it to match the computer monitor in the photo, dragged it to where it needed to be, and pulled two edges into the perspective needed. It wasn’t perfect, but it was close. Then I typed the words, in five separate text layers so that I could drag them where I needed them to be. Putting them in the same perspective as the monitor turned out to be difficult, and I don’t have it correct yet.

The other problem I had was that the monitor was too small, relative to the size of the full cover, to hold all the words and make them readable at small size. They would be okay at full size, but not in a thumbnail. So I decided to pull my name off the monitor, and create a black layer under the monitor to serve as a nameplate. I pulled it into perspective—not quite exact yet—and pasted my name in and pulled it to perspective as well. By this time I was a little handier with this perspective thing and the name looks good. I saved the graphic, and exported it also as PNG and JPEG files, saving them all to Dropbox. Showed it to the wife on my Nook, and she liked it.

So, here it is.

TGC Vol 1 - Cover

It’s not finished yet. Tonight, or this weekend, as Ezra allows, I’ll have to tweak it in several areas. The white line along the right side isn’t supposed to be there, and I need to improve the perspective on most of the layers. But, at this stage of my cover creation “career,” I’m not unhappy with this.

One thing I decided to do, at the last minute, was add “P.E.” to my nameplate. Non-engineers won’t understand, but engineers will, and that’s a good chunk of my target audience.

Learning GIMP

PowerPoint works well enough for e-book covers, but not for print book. The reason is PowerPoint produces graphics that will print at 72 to 96 dpi (dots per inch), whereas a print cover should really print at 300 dpi. And it’s not a matter of creating the cover in PowerPoint, loading it into a good graphics editor, and printing it like that. The dpi won’t increase to print quality. At least that’s as I understand it.

So my choices with regard to a cover for my current book I want to get into print, Thomas Carlyle’s Edinburgh Encyclopedia Articles, were:

– Do it myself; or hire it done.

– If I do it myself, use Photoshop Elements, which I have on our laptop; or buy a full-fledged graphics editor; or download a free graphics editor, such as GIMP.

– If I do it myself, with any of those three choices, I’ll also have to learn how to use the program.

Since I need to know how to do covers, and since my wife often travels with the laptop, or is otherwise engaged with it, I decided to download GIMP and use that to produce print covers. I’ve heard nothing but good things about GIMP, that it’s more than adequate for cover productions, and that everyone who’s used it has been please with it. But before, when I downloaded GIMP, I was actually at a site masquerading as GIMP, and got a nasty virus from it. This time I asked out I.T. people for a link to the correct site (since they have GIMP on their work computers, I knew they knew the right one). I downloaded it late last week, and spent a lot of time on Friday and Saturday trying to figure it out. Then last night I knuckled down, using the small amount I learned, and created a cover. Here it is:

TCEEA print cover 01

I’m not saying it’s great art, or that it will win any self-published cover awards, or that it’s even the one I’ll use. I lost the “pedestal” from the e-book cover, as I don’t see how to do that in GIMP (something to learn at some point). But I think today I’ll create a PDF from it and upload it to CreateSpace and see if it passes muster. If it does, I’ll at least use it as the cover for the proof copy.

Book Sales in March 2014

Another month, another time to report book sales. I could go with the good news first.

The good news is that my book sales increased by 50 percent over February.

The bad news is that means they went from 2 sales to 3 sales. I was more aggressive in talking to people about my books, and as a consequence I sold one copy of Operation Lotus Sunday, to a woman in my writers group. I also availed myself of the $50 coupon Facebook gave me for running ads, and have put four ads up. So far I’ve spent a little more than half the budget, have had 43 clicks to one of the book websites, and have had one sale of the advertised books. Whether that sale came from the ad I have no idea.

So, here’s the two tables, the big one for easy viewing and a smaller one to link to in my self-publishing diary at Absolute Write.

2014-03 Book Sales Table

 

2014-03 Book Sales Table 455x163

My First Ad Campaign

Not too long ago, I decided to go through the motions of placing an ad for my books on Facebook. I went through the clicking process, saw what was involved, learned a little, then closed out of it. FB, of course, tracked my clicks. A couple of weeks later I received an e-mail from FB, saying it looked like I had tried to place an ad, and giving me a $50.00 coupon for an ad campaign, with a deadline of April 16.

I let this sit there a few days, not really believing it, and not having time to go back and figure the creating an ad process all over again. Finally, on Sunday afternoon, I put writing tasks aside and decided to get on with using the coupon. I clicked on the link provided in the e-mail, and an appropriate page came up.

I decided to advertise Operation Lotus Sunday, it being my latest and probably my best novel. I also planned to use some of the coupon to advertise Doctor Luke’s Assistant and The Candy Store Generation. I did OLS first. A few clicks, with the budget set at $20.00, and I had my ad for OLS. Then I saw I could have multiple images for it. So I started adding images to the ad. I went up to five, but did something wrong with three of them, and so had only two. That was fine with me. I had the front cover and the photo of the Stone Forest from the back cover. So I clicked to place the ad, had to wait a few minutes while FB approved it, then went to see what I had done.

Then I realized I had actually created two ads! Oh no, I thought, what have I done? Moreover, what have I done to my budget, which was $20 out of the $50 coupon? I couldn’t really tell. Since I had to enter credit card information, even though I was using a coupon, I figured the worst that would happen was I might use up $40 on OLS instead of $20. Again, no problem. So I went ahead to create an ad for DLA, using the other $10. It was fairly easy. I entered links and words, and clicked to go to the next page, which would be the budget information. Except, it didn’t go to the next page; instead it brought up the page that said thank you for placing the ad, it would be reviewed by FB within so many minutes. After those minutes the ad showed up with a budget of $20.

I thought “Now what have I done?” I figured the worst that could happen was I would be billed $10 over and above the coupon. So I decided to place the ad for OLS, and did so going through the same procedure. Again it didn’t ask me to set a budget, and the ad went live with a budget of $20.00. So was I potentially going to be out $30?

I went to the ad analytics page, and learned a few things. FB took the budget as an ad campaign budget, not for a single ad. And the two different images on the OLS ad were indeed considered two different ads. So in fact my budget was too low. I quickly changed my budget to $50 for the campaign.

So, my campaign is off, now in its third day. FB gives quite a few analytics to look through. So far I’ve spent $6.11, based on the number of clicks on the ad and click-through rate to the book pages at Amazon. At that rate my ads should run for eight or nine days. But I’m going to make a couple of changes. On the second OLS ad I’ll change the image from the Stone Forest photo to the entire book cover, front and back. And I’m going to add an ad for Documenting America. Might as well.

Alas, as of an hour ago the ads had resulted in no sales reported by Amazon. I sure hope something sells in the next eight or nine days.

Acquiring an Editor’s Eye

MEditing Illustration 03y time in the poetry wars, as I call the days I spent at Poem Kingdom, was my first time to begin to acquire what I recently termed an “editor’s eye”. At that site I critiqued hundreds of poems, first as a participant, later as a moderator and still later as an administrator. That actually wasn’t my first time and place to do that. I had already been critiquing at Sonnet Central for a few months, and had been in a writing critique group for a couple of years.

After Poem Kingdom there was Poem Train (with it’s critique forum Café Poetica), Poem 911 (which died in the whole EZ Boards hacking fiasco), and Absolute Write’s Poetry Critique Forum. In all of these I’d estimate that I critiqued somewhere around 1,000 poems. No, I don’t think I’m exaggerating. I copied off a bunch of them, but not all I’m sure, and have them in notebooks, preserved for posterity and research, should I become a famous author who someone ever wants to research.

Editing Illustration 02A thousand critiques at an average of perhaps 300 words each is 300,000 words. If anything I’m probably short with that. That’s a lot of time and effort given to critiquing. What I did was analyze the poem as a work-in-progress. Literary criticism—whatever that is exactly—was not the goal, but rather helping the poet bring the poem to a state of completion as the best poem possible for the subject matter and desires of the poet. In short, it was to be an editor. Not a cheerleader. Not a critic. But an editor.

During the years, ever since around 1998, I’ve also been in writers critique groups in real life, and one time on-line. It was the same thing: look at works in progress and consider how they might be made better in the writer’s quest for publication. These weren’t written, or at least not type-written and posted for all the world to see. A handful of us sat around a table and marked manuscripts in pen/pencil and gave oral crits. Still, it was the same type of editing, it seems to me. Sometimes I was most concerned with what is essentially proofreading. At other times it was line edits: looking at grammar and sentence structure to see how the writer’s intent can be better communicated. Still other times it was structural edits. I remember critiquing one piece at an e-mail critique group where the woman described a character as timid. Then she had the girl go up to a fellow student she knew of but didn’t know and offer help to her. It was completely out of character. I pointed that out; I’d call it a structural edit. Still other times I’d do a big picture edit, such as is the plot interesting? Are there holes or conflicts in the plot? Those kinds of things. Different types of edits as the situation arose.

Now I’m editing my next publishing project, a book titled Thomas Carlyle’s Edinburgh Encyclopedia Articles. These are public domain articles that I found in five different places, plus a few notes that others have written about them (explanatory notes, not critique). I know I’ve written about this project before. These twenty-one articles have never been gathered before, so I decided to do so and add it to the Carlyle bibliography. I pulled the publisher’s note and editor’s introduction from the 1897 re-printing of sixteen of them, and pulled some references to them that Carlyle made in his own letters. But I knew I needed to write an introduction of my own. So I did. Last night I sent the much-critiqued Intro to my critique group, which meets next Tuesday. We’ll see what they say.

Editing Illustration 01But I’ve had other things to do as well, things that an editor would do. Such trivial things as deciding how much info to give about each article. How the text should appear on the page. Whether to break up long paragraphs (I didn’t), whether to modernize archaic punctuation techniques (I did). How to make lists and tables work best in modern typesetting and e-book formats. I suppose some of this is book production, but it feels like editing to me.

So through all of this I’ve been acquiring my editor’s eye. They (that is, various experts and claimed-to-be experts) advise that one who self publishes should hire an editor before ever publishing their works. I think that’s good advice, in general, but a very expensive practice. Simple line editing for an average length probably costs $300 dollars. Add proofreading, structural edit, and big picture edit, and you will have a large editing bill. I don’t know about others, but I don’t have $500 or $1000 to pay for editing. Therefore I just have to do the best job of producing the book with the skills I have.

So maybe all my editing work through the years, even that from before I realized I was editing, is helping me with my self publishing. I’d like to think so.

Book Sales, Jan-Feb 2014

I didn’t report my book sales in January. There wasn’t much to report. Nor is there much more to report in February. But I don’t want to hide this information, so here I’ll post it, and comment after.

2014-02 Book Sales Table 989x368

 

Yes, that’s right. Two sales in January and another two sales in February, four all together. The best news is they are of four different books. One was a print book, the other three e-books.

I still don’t do much by way of marketing. Occasionally I make a post on FB, or tell someone individually (online or in real life) that I have books for sale. At some point, perhaps next year, I’ll have to quite taking all of my writing life time for writing and instead use some of it for marketing.

Below is a smaller size of the table, for linking to from the Absolute Write forums.

2014-02 Book Sales Table 396x147

 

 

3 Years of Self-Publishing

Today is the third anniversary of when I put my first self-published item up for people to buy. It’s been a wild ride. Not exactly successful, nor can I say, I suppose, unsuccessful. I have another year to go on this experiment before I make some hard decisions.

Also, I’m going to insert here a small image of the draft cover of my Thomas Carlyle book, so that I can link it at the Absolute Write forums and get some critique on it.

 

Why go on writing?

They say never to compare yourself to someone else, but it’s difficult not to. Consider the following excerpt from a post to a blog made in the last couple of days.

With only 3 indie titles in the last 2 years, I’ve been able to leave my day job and support my family with my writing income—as our sole provider.

I have put up thirteen items in the last three years, and have had 257 sales and am so far away from doing anything except buy a cup of coffee now and then that I struggle to decide why to go on. I’m not quitting, not yet, just venting frustrations. Short of sinking a bunch of money in advertising, I really don’t know what to do.

In January 2014, so far I’ve had one sale, a paperback copy of the homeschool edition of Documenting America. Not one e-book sale. But let me go check. Maybe I’ve had one since I last looked five hours ago…nope, no sales. In most of 2013 I thought five sales a month was a low number. At this point that seems positively high compared to Nov-Dec-Jan.

I’m forging ahead. I recently completed a one-off short story and decided to submit it to a magazine before self-publishing it. I’m 3/8 through Headshots, and will continue with that through finishing and publication. I’ll work through other things on my 2014 publishing plan, all of which (well, almost all) are follow-ups to things already published.

Friends tell me my writing is good and my books and stories deserve to be read. Here’s hoping the world discovers that some time before I assume room temperature.

How Hugh Howey would change publishing

An interesting discussion is taking place at the Absolute Write forums about recent comments by Hugh Howey, author of Wool. Hugh is fairly confrontational and controversial. He’s said some things in the past concerning women that were vulgar. Because of that, some people won’t listen to a word he says. The discussion is here: http://www.absolutewrite.com/forums/showthread.php?t=283374. But see his point 13:

What Hugh Howey wrote:
13. Monthly payments and speedy sales data. Authors enjoy money and they enjoy metrics, and right now they have to wait too long for both. At New Harper Collins, we pay royalties every 30 days. And whatever sales data we have, you have. Simple as that. If self-published authors can have this, then our authors should have this. No more waiting six months to pay people. That’s history. No more wondering how your book is doing; you have access to all the data we can cull. Share your results in the Harper Collins Author forums.

One of the moderators at AW, Medievalist, responded to Howey’s point 13 as follows:

13. This one is really silly. Bookstores order books but don’t pay for them until they sell them. This is, if you think about, fair. It’s not their fault if a book doesn’t sell. Bookselling is a business run on credit, and it’s not likely to change any time soon.

Libraries generally have 90 days, though some distributors and publishers allow less. Publishers aren’t sitting on piles of money, hoarding royalties. There’s a reason they pay an advance you know, an advance that the author keeps even if the book doesn’t do well. Mind, the P & L from an experienced publisher is generally fairly solid, so that the publisher isn’t losing money on a book, but the idea is to make money for the publisher and the author. That way the author will do another book with the publisher, and that one too will make money, and increase the sales of the first book.

I don’t think I’ll respond again at Absolute Write [Edit: They have now locked that thread there], but will instead do so here, and provide a little context for discussion of this point 13.

I must respectfully disagree with you, Medievalist. Surely publishers and booksellers work on an accrual accounting basis, not cash. Revenue and profits are “booked” the moment an item is shipped or an invoice sent, not when payment is made. That’s the same as our engineering business. We send out an invoice for October’s work on Nov 10. The client doesn’t pay us for seventy-two days (the industry average), which will be January 22. But that invoice accrues as income, and the profits represented in that invoice accrue as profits, from the invoice date. So we pay taxes on that profit (it’s still assumed profit, not realized) in the current year when we send in quarterly taxes on Jan 15 even though the cash doesn’t get to us till a week later. If it turns out the client stiffs us the invoice, we delete it in two stages from the next year’s accruals.

Sales accrued and royalties paid based on accruals can be taken away and deducted from future royalties. That happened to me recently when B&N over-reported sales on one day, a day I sold three copies of one e-book and accrued $6.00 of royalties. B&N later corrected the over-reporting and deducted $4.00 from my accrued revenue. That’s the equivalent of a return. And I’ve had e-books returned at Amazon after the close of the month in which it was bought. The royalty on the return is easily deducted. It’s all a software thing, very easy to accomplish.

But even if it were as you say, and trade publishers are so unsophisticated with accounting in this modern era that they can’t provide monthly sales statements.

In January:
We shipped X books to Bookseller A
We shipped Y books to Bookseller B
We shipped Z books to Bookseller C
We had W returns from prior shipments.

To fail to do even this small gesture, which will allow writers to judge the effectiveness of whatever promotion they might be involved in, is inexcusable. Yes, perhaps publishers aren’t set up to do that right now, but they surely have computerized records of what’s been shipped. If it’s been shipped it’s been billed. If it’s been billed then royalties are accrued. If you want to delay royalties until you’re certain of the returns situation, I could buy that. But give writers all the data you have. It’s their book. It’s not a trade secret.

So, that’s the end of my rant. Time to get back to work.

2014 Writing and Publishing Plan

I’m a day late posting a writing/publishing plan for 2014. Actually, I’m a day late thinking about it. I started off yesterday in Oklahoma City with our daughter’s family. I had a chore to do, which kept my mind well engaged from 10:00 a.m. to 2:30 p.m. Packed the van at that point, said goodbye to everyone, including E1, E2, and E3, our grandkids, put my sick wife in the van, and headed east.

You’d think with my wife sleeping and the van quiet and it being New Year’s Day I would think about what my writing career would look like in 2014. But I didn’t. I vegged, listened to the radio, and thought about other things. Even after arriving at home, and having the house to myself while the wife slept, the Fiesta Bowl seemed a better way to feed my mind than writing plans.

But today I’m finally focused. Beginning with the things left hanging from 2013, and looking ahead to what is occupying my mind now, even when I try to push my mind to think about other things, I came up with these as elements of my writing/publishing plan.

– Decide on what to do with “It Happened At The Burger Joint”, the short story that occupied so much of my mind for so many months I had to write it in December. It’s polished and probably one edit/read-through away from being ready to submit to a magazine or self-publish. I don’t really know what to do with it. I suspect this will take a week or two to finalize and decide.

– Fix the e-book cover for The Gutter Chronicles, Volume 1, so that it can be added to the Smashwords premium catalog. I want to achieve this in January if at all possible.

– Prepare and publish The Gutter Chronicles, Volume 1, as a print book. I have a number of people at work and in the industry who want this as a print book but not as an e-book. I’d like to complete this in January. Of course, this will mean a major step up in my cover creation skills, or perhaps hiring it done. Which brings me to….

– Figure out how to use the “lite” version of Photoshop that resides on my laptop. I believe this will do all that I need for covers. I even have access to a training video on it. I believe I will make this a priority in January. I don’t know that I’ll be able to learn this program, or, if I am able, to must sufficient artistic talent to make my own covers at the quality needed, but I have to try. I can’t keep begging covers, and my earnings haven’t been enough to justify paying for covers.

– Finish and publish the book on Thomas Carlyle. This is tentatively titled Thomas Carlyle’s Articles in the Edinburg Encyclopedia. It’s all public domain material that has never been aggregated in one book. The text is done, except maybe for an introduction. I actually have the e-book cover done on this as well. The print book cover will have to wait on my Photoshop activities. I’d like to complete this in the first quarter.

– Finish Headshots, the sequel to In Front of Fifty Thousand Screaming People. This book is moving along, slowly. I’m at 21,000 words, heading towards 80,000. I was hoping to have this ready for baseball season. It’s possible, but not probable at this time unless I delay some other things.

– Write and publish Preserve the Revelation, which will be the second book in my church history series. This will be after all the above activities are completed.

– Work on The Gutter Chronicles, Volume 2. I have started this, still working on the first chapter. I have most of the fifteen chapters identified as to subject, and have brainstormed them a little. Depending on how I spend my early morning time at work and my noon hours, this should be doable to publish it in 2014.

– Write and publish one or two Danny Tompkin short stories. The next one is started in manuscript, and the plot is occupying gray cell capacity, so this may be a first quarter item.

– Write and publish one or two Sharon Williams short stories. Again, the plot for one has formed, and this could be a first half of the year thing.

– Work on Documenting America – Civil War Edition. This has long been planned. With everything else I want to do I think publishing it in 2014 is extremely remote, but getting on with the research would be nice.

– I have one other short story that is, unfortunately, refusing to release it’s hold on some of my brain. I suppose I will have to write it. I’m not sure right now when, or if, and if and when then whether to publish or not.

– And last, I would really like to start a writer’s newsletter this year, a way to build a readership and reach them. I’ve thought about this often in the past, but the time commitment has always dissuaded me. Still thinking about it.

This list has two big absences. It does not include my poetry book, Father Daughter Day, which is ready to be published except for illustrating. I don’t plan on doing anything with it right now. And it does not include any work on Bible studies or my long-planned Wesley books. I’d like to get back to those, but I have only so many hours in the day and days in the week.

Alas, retirement is still 3 years, 11 months, and 29 days away.