Lately, on the writing blogs I read, a number of posts have dealt with the business side of writing. Literary agent Chip MacGregor has had several posts lately about treating writing as a business, and how to generate income streams. His focus so far (I don’t think he’s finished with the topic) has been on things other than books. He’s talked about how a writer can be proactive with seeking and even creating writing gigs that generate income with writing that is shorter than book length. He gives hints of how to beat the bushes and make a living off writing. In other words, he’s talking to someone who isn’t tied to a day job while chasing the writing dream.

Rachelle Gardner, also a literary agent, has addressed business issues of late. Both she and MacGregor are thinking of the author published with a “traditional publisher”, not self-publishing.

The Passive Guy, at his Passive Voice blog, frequently deals with writing business issues, especially from the legal sense. He’s normally more focused on independent authors, although yesterday he had a summary of a post on “The Daily Beast” blog post where author Jodi Picoult gave this advice to new authors: “Do not self-publish.”

Yesterday Dean Wesley Smith published a post on streams of writing income, but focused more . He divided the author’s outlook into short-term and long-term. In the latter he put many, many streams of income, thinking mostly of books. On the short-term chart he showed only three revenue streams, all related to e-book self-publishing.

So what’s writer to do? Those who are most invested in the traditional publishing industry say don’t self-publish. The long-term approach demands that you submit, submit, submit to traditional publishers, and gather a basketful of rejections. Picoult says she had over 100 on her first novel. Those who have turned away from traditional publishing say the long-term approach is to write, write, write. Forget about submitting (which takes a lot of time to research and do). Write as many works as you can as quickly as you can. Polish them to some minimum level of quality that a reader demands, and get them out there for purchase. Over the long-term these will generate income.

It seems that both of these camps are talking from a basis of success. Picoult has been on the bestseller lists for a long time, even hitting number 1. She graduated college in 1987, and her debut novel was published in 1992. That’s a relatively short time to accumulate over a hundred rejections, finally have an acceptance, and go through the year-long (or longer) process of manuscript submission, editing, line editing, typesetting, printing, warehousing, distributing, and the beginning of actual sales.

While I don’t fully discount Picoult’s advice, I take note that she broke into traditional publishing over 20 years ago (her acceptance must have been in 1990 or 1991). The industry has changes since then. Drastically changed. The barriers to entry are so much higher than when Picoult broke through. The gate keepers have increased in number, and the gates are smaller. The literary agents are mainly invested in the traditional publishing industry, which is where they make their money.

Smith and Joe Konrath push the long view of e-self-publishing. They are invested in that. They are also concerned with a writer making a decent wage from their words. They aren’t looking to coach a writer into producing the next bestseller. And they realize a significant amount of luck enters in, whether you self-publish or are traditionally published.

I’m comfortable in my decision to e-self-publish, and have book-length works also available in paper. Would I still consider a deal with a traditional publisher if one fell in my lap? Probably, but I’m not taking time away from writing to seek one.

Last night, after trying to balance the checkbook and finding it $52.13 off in an undiscoverable place, I went back to working on my income taxes. Most everything is calculated, with the help of spreadsheets, and I’m at the point of filling out forms. My writing business Schedule C is done, ready to print. On our stock trading business partnership return I had only depreciation to calc then I was ready to fill out the forms.

Last night I did the depreciation—really easy. I filled out most of the form 1065 (for partnerships), but came to a place in the form I’ve skipped over before, but which I decided this year I’d better read the instructions and see if I’m supposed to be filling it out. It has to do with capitalization and balance sheet sorts of things. Since this is just a partnership between me and the wife, I’ve never worried about that. I didn’t feel like reading the instructions last night, so decided to pull off of it, and hopefully do it tonight.

Looking for something to do, I started looking at my Yahoo inbox, and discovered I’d never listened to a webinar I signed up for. It was a free webinar back in January, an interview of Jerry B. Jenkins by Terry Whalin. I found that the links were still good, and since I signed up for it I had access. In less than a minute I had the speakers cranked up and was listening.

Most people know that Jerry Jenkins was author, along with Tim Lahaye, of the Left Behind series. Those books sold over 60 million copies (I think 14 books in the series). Jenkins has written many other books, and claims over 175 to his credit.

Part of the reason for the seminar, and its being free, was to promote Jenkins’ The Christian Writer’s Market Guide for 2012, which he took over from Sally Stuart. I’ve had a copy of this in the past, and it is an excellent resource. I’m not buying it anymore since I’m not submitting books to publishers or agents, and I’m not actively seeking freelance assignments in the Christian market, but anyone who is doing those things in an active way should probably buy a copy of the book.

About 25 percent of the 70 minutes was essentially ads for the book, though they weren’t distasteful. The rest of the time was responding to questions that readers had sent in. Whalin read the questions and Jenkins gave answers from his vast knowledge of writing and publishing. I’m not sure I learned anything new, but it was interesting to listen.

One problem was how Jenkins described the self-publishing business, or rather how he described the “traditional” publishing business, and the implication for what that meant for self-publishing. He encouraged writers to not rush to self-publish, but try long and hard to be published with “a legitimate publisher”.

The writing world has been in a bit of a struggle of what to call publishers who publish most of the books in this country, the kind that you have to submit to and hope they select your work. Some call them “royalty paying” publishers. But that doesn’t really work, because even self-publishing companies pay royalties. Some call them “traditional” publishers. But that doesn’t really work, because what is “traditional” now wasn’t many years ago. In the days of Wordsworth, Burns, Lamb, Irving, and even up to Mark Twain, most writers were self-publishers, paying for the publication through pre-sales as subscriptions. So what is traditional? It changes all the time.

Some have settled on the term “legacy” publishers, I suppose thinking that these companies help a writer to build a legacy. I don’t care for that much, but I suppose it’s not too bad. You could call them “advance-paying” publishers. But advances are starting to go away, so that might not work. You can’t call them “commercial” publishers, because self-publishing companies are also commercial publishers. So, the writing world has a terminology dilemma.

Jenkins called them “legitimate” publishers. Since he said that while trying to steer writers away from self-publishing, that means he must thing self-publishing is “illegitimate” publishing. That stuck in my craw. Jenkins is essentially saying that self-publishing is illegitimate. Maybe that’s not what he means, but that’s what he said.

I don’t view self-publishing as being illegitimate. Sure, for a long time I resisted self-publishing, but I think that was as much a cost thing as it was a stigma thing. Since so many self-published books are poorly written, un-edited, poorly designed, and badly assembled (in the print versions), many people shun self-published books. And rightly so. I’ve read some self-published books that were awful. The story-telling was good, but the writing craft lacked, and the printing quality was certainly sub-par. But I’ve read books published by “legitimate” publishers that had too many typos and had less than stellar story-telling.

I’m not sure where I’m going with this post, other than to tell what happened. Despite this unfortunate use of terms, Jenkins is obviously a successful writer, and to be that you have to be a good writer. Maybe with time he will come to see that self-publishing is not illegitimate. At the Between the Lines blog last week, when the self-publishing vs. whateveryouwantocallit publishing debate came up, one commenter said,

After sending a hundred queries and waiting for months to get back rejections of our work, self-publishing seems the last hope. We do it, not because our work was rejected, but because it was never looked at. A huge wall appears that says, “Keep Out! We have too many queries already!”

Self-publishing is a salvage mission for the disheartened looking for some tiny oasis of hope. Unfortunately, the oasis is most often a mud puddle on a drying sidewalk.

Unfortunately, to some extent I concur with those sentiments. Meanwhile, I’m going to try to think of a name for that other publishing path.