Category Archives: Carlyle

Current Writing Projects

The Great Time Crunch continues to constrain me, cutting off much of what would otherwise be writing time. A number of projects are on hold. Nevertheless, writing continues. Here’s what’s still active.

Daddy-Daughter Day: My poetry book, finished (sort of) since 2006, is about to be published! Yes, I finally found an artist for the cover. She completed her work in late February, subject to a few tweaks. I formatted the book for print about a week ago. Right now I’m waiting on another man to create the font for the cover. He showed me a draft of that this morning, so I might have it tonight or tomorrow. I’m planning on taking the artwork, add the font to it, and creating both the e-book and print book covers using G.I.M.P. When formatted the book runs 75 pages, or 77 pages with a couple of blank sheets in the back. I knuckled down last week and completed one additional poem for it, one that had eluded me for several years. I don’t know how good it is, but it fits in. If I had to guess, right now, I’d say the book will be available for sale around March 20, just in time for Spring. And, those who have followed this blog or looked forward to this book, will recognize that I’ve changed the title, based on comments I solicited (and some I didn’t).

Seth Boynton Cheney: Mystery Man of the West: This is a labor-of-love kind of book. Seth Cheney was my wife’s paternal great-grandfather. Family lore says he went west as a teenager in the California Gold Rush, dropped out of sight for 30 years, and shows up in the Texas Panhandle and southwest Kansas, where he married and settled down and raised his family. Research has filled in a lot of those 30 years, and more discoveries are being made. In 2006 I put together this book and “published” it on the company printing equipment. Now, in preparation for a family reunion this summer, I’m hoping to expand the book and properly publish it. I have started on the task. Recent discoveries have resulted in the need for a new chapter, which I have begun writing in manuscript. I have also begun the difficult task of combining separate files into one, which will also involve extensive formatting. I hope to have this available at Amazon by July 1, but no promises.

The Gutter Chronicles, Volume 2: I have a fan at work who wants me to work on this. I’m about half-way through the fourth chapter of this, or almost 25% done with it. I haven’t worked on it since last July. I have most of the book planned out. Just last week this fan got after me for not working on it. I suppose I’ll begin using noon hours to get it done.

“Sierra Kilo Bravo”: This is the third short story in my series on Sharon Williams Fonseca, unconventional CIA agent. I began this in manuscript, probably 1,000 words so far, but nothing typed yet. I estimate it will be a 6,000 to 8,000 word story. My best guess is that I’ll get to this sometime during the summer.

That’s about it, except for some stories about my family, which I began working on in January and now stands at 1,537 words. I have no idea how long this will be or when, if ever, it will be finished. Two Thomas Carlyle projects remain on the shelf, as does the last short story in my Danny Tompkins series. All projects for another day.

Another Project Abandoned

As I work my way through the Time Crunch, which has turned out to be every bit as extensive as I expected, if not more so, I have slowly been taking time to evaluate various writing projects I’ve started and decide whether to just abandon them as opposed to put them on hold. For example, my book Documenting America: Civil War Edition, is on hold. I hope some day to get back to it. It may be more than a year from now, but some day.

One of my projects dealing with Thomas Carlyle is a bibliography of his writings. I believe I’ve written about that before on this blog. It’s not a true bibliography of the things he published, but rather a chronological listing of his writings. I’ve seen four full or partial bibliographies of his published works, from 1881, 1921, 1965, and 1988. None of them have a complete listing of what he wrote from earliest to latest.

Ah ha! I thought. That’s a hole in the published works about Carlyle that perhaps I could fill. So I began working on this in off hours, I’d guess close to a year ago. I played around with what form it would take, how comprehensive it would be, etc. I worked with the first 50 items, got them in the correct order (as I saw it; another researcher might differ with me on a few), and typed it all up. Here’s an example of what it looks like, one item snipped from it.

Chronological Bibliography [table form] a snippetThis looks at those other four bibliographies and compares them to each other and to mine.

During this Time Crunch I was still working on this project. Since looking at Carlyle’s letters was essential to this work, I was going through his letters one by one at the Carlyle Letters Online, finding references to different projects, and adding them to the manuscript of my chronological composition bibliography. A letter or two an evening and having my manuscript notebook handing to pencil in a few things seemed a good way to fill odd moments between major evening activities and bed time.

But, early this week, it all became too much for me. I decided the heck with it. The notebook, the two bound bibliographies, and whatever loose sheets are lying around for this project are all going on a shelf or in a drawer somewhere, perhaps never to be seen again this side of my eternity. The project is too big for completing in 20 minute time chunks.

When I say the project is abandoned, does that mean I will never come back to it? That’s my intention, but never say never, as they say. Who knows what attitudes and time retirement will bring when at last it gets here? Maybe I’ll write again, and maybe I’ll pick up this project again. But here I state my claim that I have no intention of ever picking it up again.

There, that’s said and done. One less thing to worry about not getting done. Tonight, when those items go to their resting place out of sight and out of mind, I believe I’ll have a moment’s peace.

Stewardship of My Writing Time

I was supposed to post to this blog yesterday. But it was Election Day, and so I was tied up watching returns in the evening; and I had plenty to do and work to do during the day, and I didn’t get anything written and posted. Today I’ll rectify that with a day-late post.

It seems good for me to talk about how I’ve used my limited writing time of late. I’m still in the Time Crunch, and will be for several months. Rather than having big blocks of time, I have small chunks of time, perhaps a half hour in the evenings after finishing other obligations. Or maybe that much time before work or during the noon hour. They are small enough that I couldn’t take on a large project, but they are still snippets of time in which I can somehow further my writing career.

Over the last two weeks I’ve had two main projects for these snippets. One is to continue to skim/read the letters of Thomas Carlyle, looking for references to his written works. I’ve done that on a hit or miss basis before, looking for specific references to a specific work. This time, I’m going through the letters from beginning to end. My purpose for doing this is to support the composition chronology of his writings. I don’t know if I’ll ever publish that or not. Heck, I don’t know if I’ll ever finish it or not. For sure it would be a huge project, and the form of it would be tough to pull off in a standard size book (meaning height and width, not length). But for now I’m doing it, from beginning to end. I’m concentrating on his first 50 compositions (excepting letters). In fact, I’m almost done with that . I’ve gone through his letters that go up to the days of his 50th composition, and have entered the letter dates and recipients in the chronology. I think I have only three or four more compositions to do the typing on.

The other project is my poetry book, Father Daughter Day. As I’ve reported before, that book has been done for a long time. I’ve been stalled for years because I wanted to publish it as an illustrated book. I finally gave up on ever finding an illustrator willing to take it on spec, and so plan on publishing it soon. But, I need to have a cover made. I’ve been looking around for a photo to serve as a cover, but will still need an artist to add things to the cover.

This week I may have found the artist. I asked a man in my Life Group at church, who has done some sketches and posted them to Facebook of the type I’m interested in. He said he couldn’t do it, as the inspiration to draw has left him for a time. He said he would get one of his artist friends in touch with me. He was true to his word, and yesterday I had a conversation with that artist and shared my vision for the book and the cover. Today she reported to me that she had read the book, has ideas not only for the cover but also for some interior illustrations. And, she’s willing to do it on spec, rather than as up-front compensation. I need to e-mail her again today to further the process, and will do that as soon as I post this.

So, even though I’m in the Time Crunch, and writing of books and articles isn’t possible, I’m still at work with my flickering writing career. Perhaps I’ll have my poetry book out in January 2015. That would be a nice outcome.

Little Snippets

Clearly my world has changed in the last couple of days, and it’s fall. As I got ready for work this morning, I heard hard pinging on the skylight in the bathroom. At first I thought that strange, because we had no rain in the forecast. Then I realized it was acorns falling from the nearby oak tree. Not many branches extend as far as the skylight, but a couple do. However, this seemed to be too many pings relative to the probable supply of ready-to-fall acorns, and I realized it had to be wind pushing them from other branches onto the skylight.

Sure enough, when I went outside for my commute, a blustery wind greeted me; not strong enough to have been heard in the house, but strong enough to easily move leaves and push acorns. It’s definitely fall.

I got in my pickup and started it, and almost immediately lines for a haiku came to mind. This is my commuting writing endeavor. Either on the way to work or on the way home, though more often the former, a haiku will come to me while I’m driving. Typically the first line and perhaps the third line come right away. As I drive the 15.6 miles to my destination, I work on it in my mind. The second line will eventually come. By the time I get there, I have a completed haiku—subject to further revision, as always.

That’s if I don’t forget it between the time I park and get to a place where I can write it. So often the lines leave me, and another writing idea is lost. Today, however, the lines didn’t leave me. I had worked on them enough, especially massaging the second line, that by the time I got to my desk, then went and weighed and got coffee, came back to my desk, had my devotions, prayed, and woke up my computer, I pulled out one of the prior days from my desk calendar, and on the back of it wrote the haiku. I don’t know that it’s final, but it meets all the criteria I usually put into a haiku.

A haiku isn’t much, but it’s writing. It’s creativity focused. I’ll take it, and be glad for it during the Time Crunch. Just as I’ll take the little bit of research I can do a few days a week, in the letters of Thomas Carlyle, which will work towards a couple of future (maybe) projects.

The Time Crunch will pass and I’ll dedicate more time to writing. Meanwhile, I’ll have to find joy in these small snippets.

Adjusting to the Time Crunch

So, as I said in my last post, the Time Crunch is here. Finding time to write will be difficult. Therefore, it’s time to make adjustments.

What I find so far in my new schedule is that I have snippets of time—a half hour here, forty-five minutes there—in which I can do something. That includes minor time at work, before and after being “on the clock,” but also some time in the evenings. I may have 30 minutes before we watch a webinar, or a similar amount of time after a conference call with our mentor. How do I fill that time?

To work on the formatting of Father Daughter Day I would have to go to The Dungeon and work on the computer there. That would be the same for the formatting of my next Thomas Carlyle book (which I’ve never posted about in detail; must put it on the schedule to do so). If I want to sit upstairs next to Lynda rather than abandon her, I need to find something to do with my Nook tablet, or even with paper books.

For the moment, I’ve found the solution. For my Carlyle book on his book Chartism, my intention is to add excerpts from some of his letters. In pursuit of that I’ve skimmed/half read his letters from 1838-1839 and a little into 1840, looking for those references. I could finish 1840. I’m writing notes on paper, and someday, after the Time Crunch, will be able to use those notes to go back to the right letters, pull the excerpts, and dump them into the Word document on the computer in The Dungeon. Or maybe, by that time, we’ll have a second laptop and I’ll be able to work upstairs.

But, I’m using Carlyle’s letters for a second project, a chronological bibliography of his works based on date of writing rather than date of publication. I can’t remember if I’ve ever written about this before on this blog. Two older bibliographies of his works are arrange based on publication date. Another partial bibliography of his early works is by date. It was published as a short magazine article, and doesn’t give much information as to why the writer places certain things where he does. Don’t get me wrong: it’s a great partial bibliography, and I’ll certainly incorporate his findings and conclusions in mine, but it’s somewhat short compared to what I’d like to see. And, of course, it’s only a partial.

I’d like to do a full one, with plenty of references. I’d like to include a list of Carlyle’s letters interspersed with the other works, to show researchers/scholars what exactly he was working on at different times. I started on this some years ago, long before I found the published bibliographies. This past spring I went back to it. I decided on a format, and spent some time placing Carlyle’s works in an order, starting at the beginning, coordinating the four published bibliographies (including the very incomplete earliest and the partial), and making some good progress.

It was a bigger job than I realized, but I was actually pleased with it when, sometime around March or April, I laid it aside in favor of other writing tasks. But during the Time Crunch, I realized I could easily access the Carlyle Letters Online in the snippets of time I had, skim them for references to his works, and write paper notes about what I find. Having a printout of the bibliography as it currently stands, I can handwrite edits. At work, where the electronic file resides at present, when not on the clock I can type the edits.

So, the last three or four evenings I’ve been doing just that. Actually, I started it last week. I’m making progress. I have several pages of notes about the letters and references therein to Carlyle’s writings, nicely organized to be savable, retrievable, and searchable. Right now I’m in 1822. Since he lived till 1881 I still have a long ways to go, but that’s okay. My immediate goal is to get through 1825, at the time when Carlyle began publishing book-length translations with commentary.  I’d like to settle on an order of writings, complete with all references, correct any formatting problems I may have, and come to a resting point.

The next segment after that will be 1826-1833, about the time Carlyle finished what may be his best-known work, Sartor Resartus. After that, we’ll see. Perhaps I’ll tire of this and be ready for other snippets of work. Perhaps the Time Crunch will be over by then, and I can resume a more normal mix of activities, a mix that includes more writing time.  That’s what I’m hoping for.

Work on my two Carlyle Projects

Saturday I woke up with my knee hurting more than it has been lately. Friday evening it felt good, and I wanted to walk to the highway and back, a 1.3 mile round trip. However, I was barely out of the driveway when the pain told me I wasn’t going that far. I walked a total of 15 minutes, more or less hobbling back.

Yet, Saturday morning I was determined to work in the yard rather than baby my knee. So I went outside early and began sawing logs, along with bringing a large tree cutting up from halfway down the yard. I cut for over an hour, adding about 25 logs to the pile. I didn’t finish the big one, but I made a start on it, cutting two or three logs off of it. After that I raked for a while, then went up to the front of the house and swept and did other minor work. I had hoped to go for two hours, but after an hour and forty-five minutes I was done, heading back inside for some rest. In fact, I laid on the couch and slept for an hour or two. My knee hurt, but probably no worse than Friday evening.

Later in the day I vacuumed the basement, including The Dungeon portion of it; changed batteries in a couple of key technology pieces; washed out the furnace screens; put the recyclables into the van for delivery on Sunday; and made the weekly Wal-Mart grocery run. All in all, it was a busy and active day. I didn’t try walking in the evening.

What does that have to do with writing, you ask, which is, after all, the supposed subject of this blog? The activity, the busyness of the day, left my brain in no condition to work on my writing. I had two chapters to read to prepare to teach Life Group on Sunday, and barely had the brainpower to read them and prepare. In an unheard of event for a weekend night, we were in bed by 10:30 p.m.

Sunday afternoon found me ready for a nap, but I think I only slept 30 minutes at most, and was at my computer. Logic told me I should work on my Civil War book, still standing at 40 or so percent complete. Instead, still being somewhat below par in brainpower, I decided to format my book on Carlyle’s Chartism. I haven’t worked on this since March or April, when I downloaded most of the source documents into it and planned the purpose, contents, and order of the book. I decided to work on the formatting. I had pulled in things from at least 15 different websites, and had over 50 different text styles, all of which needed to be regularized.

I worked on this for about an hour and a half (after writing and posting at my other blog). I’m a long, long way from finishing the formatting, but it’s certainly in much better shape. I need to do some more searching for related out-of-copyright documents: contemporaneous reviews, historical reviews, and even some predecessor documents. I’ve also identified three copyrighted reviews from 1990 onwards that I’d like to include in it. I contacted one copyright holder about a different matter, so know where and how to reach them. I need to determine the other two copyright holders and contact all three to see if I can get permission to republish their articles.

So, I made progress on Sunday. It’s nothing that I can say, “Oh, three more hours and I’ll be done with that.” I don’t know how long the formatting will take me. If I were forced to guess, I’d say two more days like Sunday and the formatting of what I have in hand would be done. I need to find other documents and include them. And I need to write my own essay, or perhaps a couple, about Carlyle’s Chartism, but those are down the line. I think, if I concentrated on this only, I’d be a year or so away from having it done.

In my next post, possibly I’ll explain exactly what this book is, and its purpose.

Going with Where Inspiration Leads Me

Last night I went home after two days of intense training (as facilitator, not trainer or trainee) and urgent work. I was bushed. Yet, my mind remained somewhat active. Right after eating supper I couldn’t get on the Internet on my Nook. So I went to look for something printed on paper to read, and pulled out a literary magazine special issue about Thomas Carlyle.

Now, except for occasionally reading a little in the Carlyle Letters Online, I haven’t thought much about him since some time in April. But reading this caused me to think about my two unfinished Carlyle projects: the book about his book Chartism; and the composition bibliography. I spent a little time in both last evening.

Now, today, my mind won’t leave the composition biography. I’ve been fixated on it all day, to the detriment of it getting in the way of thinking about my day job. Oh, I’ve done my work, but with half my mind elsewhere. Fortunately I didn’t have any tasks requiring major concentration laid on for today.

How long will this sojourn with the sage of Chelsea last? I don’t know. I don’t want to leave my Civil War book for long, nor abandon Father Daughter Day. But, for a day or too, or even a weekend, this is a good, intellectual pursuit that should stimulate some atrophying gray cells.

Typos are Killing Me

I consider myself a good typist and good proofreader. But, as the experts say, it’s difficult to proofread your own work. This has certainly come home to me lately.

First, in March I published the e-book version of Thomas Carlyle’s Edinburgh Encyclopedia Articles. I did much proofreading of the text, especially in the two longest articles, which were from optical scans and had all the usually scanning errors in abundance.  In April I was putting the print book together, which included my first print cover creation using the graphic arts program G.I.M.P. I posted the cover to my self-publishing diary at the Absolute Write forums, and a person pointed out a typo: Enclyclopedia instead of Encyclopedia. It wasn’t published as a print book yet, which made it easy to change. I clicked the “publish” button in April.

After I did, I had an odd feeling that I didn’t remember the contents of one article. I was pretty sure I had proofread all the articles twice, and the two difficult ones three times. I pulled out the print book and read that article. Sure enough, somehow I had skipped that in the proofreading. I then went through it, and found one optical scanning error. Not awful, but something I shouldn’t have let slipped through. I haven’t yet corrected it and uploaded revised versions for print and e-book.

Then, earlier this month I published my short story “It Happened At The Burger Joint“. Shortly after I did I posted about it on my Facebook personal page and author page. A FB friend pointed out to me a typo on the description. I think it’s a “the” that should be “they”. Since I was waiting on the Smashwords premium catalog approval, I decided to wait to fix the typo until I had that. That approval has come through, but busyness has prevented me from fixing the typo.

And last, in October 2012 I published the e-book version of The Gutter Chronicles, Volume 1. It’s a novella, not a full length novel. I’ve had only eight e-book sales of it. Finally last month and this I worked on completing the print version and getting it up for sale. I did that, ordered the proof copy, and did some spot reading. Found two typos, not awful ones. I decided to go ahead and publish it with the typos and fix them with a revised version ASAP. It went on sale around June 8.

My wife hasn’t read it, so last Saturday we read it aloud to each other, each taking a chapter or two and switching off. As we were reading, here and there we found a typo. At a few other places I noted where I could have worded something better. We marked those as I went along. Last Sunday I made the changes in the print book and uploaded the new version. It went live Monday (yesterday) evening. Error free? I hope so, but make no such claim. Since then I’ve typed the corrections in the Kindle version and uploaded them. The revised version went live sometime during the evening. Tonight I hope to make the corrections to the Smashwords edition.

These are way too many typos. I realize that even books by trade publishers have typos, that proofreaders are fallible people who don’t catch every error. But doggone it, I have to do a better job than that.

More On Creating Book Covers

I now know enough about using G.I.M.P. to create book covers to be considered dangerous. Last night, on coming home from the office, since the wife was resting and there was no immediate need on either of our parts for supper, I went straight to The Dungeon and began tweaking my two latest book covers. The one for Thomas Carlyle’s Edinburgh Encyclopedia Articles about killed me to have to do, since it had been accepted on first submission. But the glaring typo right on the front cover had to be fixed. I also decided to add some quotation marks to the back cover.

I made the tweaks, saved it in three different file formats, and resubmitted it to CreateSpace. At the same time I resubmitted the interior of the book, which needed two typos corrected and a minor tweak to the margins. So here’s the final cover for TCEEA.

TCEEA print cover 01

After that, I went back to the cover for The Gutter Chronicles. Even though it’s an e-book cover (at this point, at least) and thus should be easier than a print book cover, I’m finding it harder. The problem is the text I’m pasting over the photo of the computer monitor needs to be put in a double perspective view. It’s tilted back from bottom to top and from right to left. This looks like it should be easy with G.I.M.P. You just select the text layer, call for Transform Tools > Perspective from the menu, grab the four corners of the layers one at time, layer by layer, and click Transform.

The problem is, my text is in several layers. This is because the normal spacing between lines of text in a word processor (and the G.I.M.P. text entering window is a simple word processor) is too great for them to look good. Printers call this “leading,” and so I put each major line of text into separate layers (text boxes) and move them closer together than a word processor will allow. But then, in doing the double perspective work, I need to do that with each layer of text.

That wouldn’t be a problem, I imagine, if I understood what I’m doing. when I grab the corners and move them, a table of six numbers changes, the numbers going from zeroes to other numbers, some positive, some negative. The numbers are to five significant digits, and control of the mouse is such that getting the edges of the text in the right place is difficult. Fortunately you can undo and re-do to your heart’s content.

Of the five text layers, only one seems to be in exactly the right spot. So I wrote down the six numbers for that one, and went to work on the others, but the mouse control to get the numbers on those other layers to be perfect is impossible. And you can’t just click on the table and enter the perspective numbers you want. Thus, I have five layers of text, one at a perfect perspective and four at odd perspectives. Here’s where the cover stands now.

TGC-Vol 1 Cover

You can see how the lines of text aren’t all at the right perspective. My name on the “nameplate” is good, but the others are all askew. I’m sure G.I.M.P. has a way to handle that. There are Path commands, which perhaps allows one layer to have the same attributes of another layer. Maybe there’s a way to get into that table of perspective numbers and enter them, and—poof—the layer will go to exactly the right perspective. I’m still learning, and have much, much more to learn.

But, for now, this is the cover. And, I just sold a copy! I posted the new cover and link to the Kindle version on Facebook, and one of the women in our Accounting Department bought one. We’ll see where it goes from here. I must get back to doing some writing, and set covers aside for a while, but more work in G.I.M.P. is not far away.