Category Archives: Doctor Luke’s Assistant

Editorial Silence

In the seven (almost eight, actually) years I’ve been trying to be published, I think my biggest gripe against the publishing industry is what I call editorial silence. Let me think, though, if you include submittals to literary magazines I’ve actually been submitting for about ten years. There’s always a time lag between submittal and answer. Magazines, agents, and book acquisitions editors almost all state what their response time is: 6 weeks, 2 months, 3 months, 6 months, whatever. It’s a little different if you meet an agent or editor at a conference and they ask you to submit something. That’s a little less formal, though I suspect their posted response times could be considered to apply.

From my perspective, I don’t mind the slow response. What I mind is non-response, or responses so long after the stated response time that it might as well be a non-response. That’s the way this business works. A non-response most likely means a no. Most editors say to send them a reminder e-mail once you’re a little past their stated response time. When you do you’ll get a no.

Some examples. I met with an agent at a conference in Kansas City in November 2007. He asked me to send him the complete manuscript of Doctor Luke’s Assistant, as he was planning to represent more fiction in the coming years. I did so about a week later, and heard nothing. The following April I learned this same agent was going to be at a conference I was hoping to attend the next month in North Carolina. I thought we could meet then to discuss my manuscript, if warranted, so I e-mailed him, now five months after he requested the material, and asked for a status report. He said he couldn’t find my mss and would I send it again. I did, and talked to him briefly at the next conference. He said, “Your writing is strong, but I don’t know if I can sell it. I’m still reading it. Send me a reminder e-mail every week until I respond.”

That sounded strange, but I did as he asked. About two weeks later he passed on my book. Looking back, I now suspect he hadn’t even looked at the book when I saw him the second time, and he was just giving me “agent-speak”.

Another example. At that same North Carolina conference in May 2008, I met with another agent and pitched In Front of Fifty Thousand Screaming People. She asked me to send her a partial (30 or so pages) and a proposal. I did so promptly, and heard nothing for four months. I sent a reminder e-mail, and heard nothing for two months. I sent another reminder e-mail, and she responded, passing on my book because she already represented something similar.

How strange that these two agents, who I met with and who requested me to send them some material, should totally fail to respond. Add to that about thirty magazine submittals where I’ve either never heard back or heard back up to a year after submittal, and I’ve concluded that the submittal process is broken across the board. Some writers call it the “query-go-round”. Others have a less complimentary term for it.

It’s enough to drive an unpublished author to self-publishing. For now, I guess I’ll go do something that will make me some money.

Literary Villains: Is the Conventional Wisdom Right?

Attend any class on writing fiction and before long you will hear this mantra: Your heroes must have some faults and your villains must have some good traits. You can’t make your heroes so ooey-gooey nice and perfect that they are unbelievable. And you can’t make your villains so absolutely awful that there is nothing redeemable in them. Well, you can, but your novel will be the worse for your doing so.

This was news to me when I first heard this in a fiction writing class at a writers conference, but it kind of makes sense. Fictional characters ought to reflect real life to some extent. Few people in real life are totally good or totally bad. Actually, I don’t think it’s an exaggeration to say no one is totally good or totally bad. Even if a novel is fantasy, and doesn’t include humans at all, we human readers judge the novel by our human experience, and the non-human characters must be believable and real based on our human experiences.

But in literature, is this true? Do successful writers always give their heroes faults and their villains virtues? For heroes, I think this is probably true. A big part of any heroes’ quest is to overcome obstacles, both those that the world throws at them and those that are within them. But for villains, is this so?

I’m thinking of the Harry Potter series, and of Harry and Voldemort. Now, I must preface this by saying I’ve not read the books! I intend to, and will be doing so within a year, I think. I’m basing this on the movies. I’ve seen all seven, and those who have both read the books and seen the movies indicate the movies are fairly faithful to the books. Harry has his faults. We easily see this in his movie portrayal. But does Voldemort have any virtues?

I looked hard for Voldemort virtues in the movies, and haven’t found any. I suppose you might say he has a virtue of making an accurate assessment of his chances in a fight against Harry. He says he could not overcome Harry’s wand and that Harry has a type of wizardry, provided by Lily Potter, that he, Voldemort, needs something more to overcome. He doesn’t pump himself up by ascribing his failure to kill Harry to bad luck. But that’s a pretty small virtue, I think.

We might be able to have some sympathy for Voldemort based on the circumstances of his birth and parentage. But sympathy and virtue are not the same.

So, as I write my fiction and flesh out characters, I wonder just how much virtue I should add to the antagonists, the villains. What good characteristics should I give to Tony Mancuso, the Mafia Don who wants to prevent the success of phenom pitcher Ronny Thompson, the hero of my In Front of Fifty Thousand Screaming People? Should I add a couple of good characteristics to Claudius Aurelius, the corrupt government official who want to stop Luke from writing a biography of Jesus in Doctor Luke’s Assistant? I’ve worked hard to give these villains some redeeming qualities, but I’m wondering if it’s a waste of time. Perhaps readers like their villains to be really, really bad—to hate them thoroughly, not to feel a smidgen of sympathy for them. Certainly, if Voldemort’s abject villainy contributes to the success of the Harry Potter books, one would think that is the case.

What say you, my few readers? Do you want the villains in the novels you read to have a virtue or two? Do you want to feel some sympathy for the antagonist, and think, “Oh, if only his parents had treated him better he wouldn’t have turned out so bad.”? Or do you just want to hate the villain and love the hero?

An inquiring novelist wants to know.

The Kicking and Screaming Part

Yesterday I completed my first article for Suite101.com and posted it for editor’s review. Your first article after signing on must be approved by an editor before it is viewable on the site. After that you post directly and an editor reviews it after it “goes live”. This morning an e-mail was waiting for me, from the editor for this area of the site, saying some changes were recommended.

I checked in at the site and looked at the editor’s suggestions. Turns out it’s just to add some more white space by breaking things into smaller paragraphs, and maybe making a bulleted list of a couple of items. No change asked for in the text itself. After completing this post I’ll make those formatting changes, resubmit, and the article should go live today. I’ll come back either today or tomorrow and post a link.

Then I will have to go to PayPal and see if my long-dormant account is still there. That’s the only way Suite 101 pays. Not that I expect a windfall any time soon. I have about thirty days to give them payment provisions.

But as I said in my previous post, I’m doing this freelance thing kicking and screaming, holding on to my novels, Bible studies, poetry, and even non-fiction books dream. I’m afraid every writing hour for a while will be devoted to freelancing, both Suite101 and other markets. So I’ll have to carve out time for other writing. Doing it while driving doesn’t work. I’ve tried it and I can’t seem to concentrate, and I don’t really want the distraction. Better to spend driving multi-tasking time with the radio and either music or talk.

My walking time on the noon hour provides opportunites for poetry. I’m usually working on a haiku, or a cinquain, or something else short, something I can remember and write down when I get back in the office. Most of these are not good and I do nothing else with them. although I’ve got two from the last month that are on Post-it notes on my desk, waiting for me to decide whether they are good enough work on some more.

TV time obviously isn’t a good time. Although, I find I can write with the TV on whereas I can’t read. But this time is better for editing something rather than writing new stuff.

But the time that has seemed effective at pursuing my “dream” is when I go to bed and turn out the light. I generally fall asleep almost right away. But lately I’ve been fighting sleep to think through scenes in my novels. I have at most ten minutes before whatever substance my body makes in excess sends me into la la land. Lately I’ve visualized the last few scenes in Doctor Luke’s Assistant. I’ve played and re-played the scene of In Front of Fifty Thousand Screaming People where Ronny Thompson learns his girlfriend is a fraud and he hurls his cell phone off the Brooklyn Bridge into the East River. And I’ve ridden again on the Star Ferry across Hong Kong harbor, where the vanilla American family moves unbeknownst into an espionage adventure in China Tour.

Eventually I’ll move on to other scenes. And I won’t let this overcome me to the point where I can’t fall asleep easily. Perhaps these last thoughts will lead to dreams that will enhance these books, and perhaps I’ll begin remembering my dreams.

Fear Rises

Well, yesterday evening I heard back from the agent who has been considering Doctor Luke’s Assistant. As expected, he passed on it. I say “as expected” because I have learned the book is unpublishable for a first time novelist. It’s way too long by industry standards—forgivable for someone who already has a fan base, but not for a first timer. And, it’s Bible era fiction, which is a dead genre right now per the book buying public. So, I guess I chalk this up to writing practice, and move on. Hey, most authors don’t get their first book published. Why should I be different?

Last night I finished the final edits on the proposal for my study guide for The Screwtape Letters. Based on the meeting I had with the publisher in May, I have high hopes for the success of this book. Today I wrote the cover letter, tweaked the proposal slightly based on something I had previously missed on the publisher’s web site, copied the whole thing, went to the post office, and mailed it. I’m $1.68 poorer, plus mileage. I really had to make myself do those final steps, internally reminding myself, “The worst that can happen is they turn it down.” But fear rose up again, as I’ve written about before:

Fear of Failure : This isn’t a big deal. Rejection happens in the publishing business. You learn to live with it and get over it quickly or you go crazy.

Fear of Success : How would life change if this is successful? If they then want another one? If I have to go thither and yon to promote the book?

Fear of Error : This is the worst, I think. Who am I to claim to know enough to write a book on this Christian classic? I’m just a man who fell in love with it three decades ago, and who recently renewed that love affair, recently helped teach it to an adult life group, and found a lack of materials available to help teacher and student. But, what if I say something in the book that’s really stupid? That the publisher doesn’t catch, but that some theological sharp-shooters do? Oh, the scorn and derision I could direct on myself. Maybe it would be better to just not mail it and watch television every evening.

Fear of commitment did not enter into this. If the book is accepted, I will have to add to the four sample chapters written: a minimum of 28, and possibly as many as 30 additional chapters, probably in three months. That is a pace I believe I can do.

Let’s see, I think someone said that irrational fear is anxiety. Why borrow worries from tomorrow’s legitimate ones? Each day has enough worries of its own. First item of my July goals accomplished, within schedule.

Disagreeing with the Scholars

I just lost a long post, once again technologically challenged. All I was doing was copying text to save it to the clipboard to prevent losing it, and in that process I deleted it all. Madness, madness, all technology is madness. I’ll try again, but don’t know if I have the strength and time.

You know you’re in trouble, as a layman, when the books you are reading have heavy doses of words like docetism, ascetecism, gnosticism, redaction, etc. Recently I have been reading various scholarly books about the formation of the New Testament. I began doing this about three years ago as research for my book Doctor Luke’s Assistant. And, it proof of Frost’s contention that “way leads on to way,” I’ve gone way beyond that to looking at other books of the New Testament and the Apostolic Fathers, thinking of sequel upon sequel. But I digress.

As I read these scholarly works, I can’t get away from the feeling that the purpose of these scholars is to denigrate the New Testament and, by extension, Christianity. It seems like the scholarship is done with an end in mind, to prove something harmful to the acceptance of the book. For example, these scholars seem determined to prove that certain books could not have been written by the apostles to whom they were attributed. Why is that important? Because as the canon of the New Testament was being agreed to over a period of a few centuries, one criteria was that the books in the canon had to be written by an apostle or by one who knew Jesus or by one like Paul, to whom God spoke directly in the era of the apostles. So, if the scholars can prove the apostles didn’t write the books attributed to them, they prove the canon was criteria was not adhered to, the canon is thus flawed, the New Testament is flawed, and the foundation of Christianity is brought down a couple of notches. To me, the scholarship seems structured toward that specific conclusion, either purposely or as part of a mob mentality, a conclusion that will not help Christianity. I say this realizing I don’t have the credentials, have not read all the manuscript fragments, have not read many of the attestations of the early church writers. Possibly I’m discerning this in my spirit, or possibly it’s pseudo scholarship on my part. Nevertheless, this is my impression, so I’ll write about it. This will take me several posts to get through and, hopefully, make my point.

Case in point: The book I have at hand is The New Testament by Bart D. Ehrman, a professor at the University of North Carolina. Oops, if he’s a professor, I probably should call him Doctor Ehrman–although nowhere in the book is he called Doctor, so maybe not. Ehrman seems determined to bring down the New Testament. An example is how he treats Jesus’ use of “Son of Man”. Ehrman would ask, when Jesus said, “And then shall appear the sign of the Son of man in heaven,” to whom was he referring? Here’s a quote from the book.

“It appears that Jesus expected the kingdom to be brought by one whom he called the Son of Man. Scholars have engaged in long and acrimonious debates about how to understand this designation. Is it a title for a figure that Jews would generally understand…? Is it a general description of “a human-like being”? Is it a self-reference, a circumlocution for the pronoun “I”? Moreover, did Jesus actually use the term? Or did the Christians come up with it and attribute it to Jesus? If Jesus did use it, did he actually refer to himself as the Son of Man?”

I’m sorry the debate of the scholars has been so long and acrimonious. The laymen haven’t had any problem understanding that Jesus was talking about himself.

This is just an example. I have at least two others in mind to discuss. I’ll use Ehrman’s book, and perhaps a library book if I can get to the post before it’s due. I’ll probably make the scholars angry, but since they are not likely to be flocking to this blog, I don’t really care.

Stay tuned.

The Tentacles of Research

I find myself with more time on my hands while abstaining from computer games during Lent. Last night I used that time to return to research on Doctor Luke’s Assistant, things that have been nagging me and leaving me fearful that some things might not be historically accurate. So, using the miracle of search engines, I began this task.

In the book, I have the educated farmer, Jacob of Ain Karem, making ink from animal blood and keeping it in a container fashioned from a leg bone of an ox. Is this even possible? Would the blood congeal, even if mixed with something? Would it be absorbed into the bone? Or would it form a film, that maybe would prevent very much from absorbing? This may not be a major item, but I’d like to get it right.

So I searched for “ancient documents” and “ink”, and had the usual large number of hits, many of which were not germane. One, however, was to the book Forty Centuries Of Ink, by David N. Carvalho. Who knew such a book existing, or that it was on-line at http://www.worldwideschool.org/library/books/tech/printing/fortycenturiesofink/toc.html . I haven’t yet found the answer to my question, but I have much more of this to read, and other links to pursue.

Then, since I’m preparing the correspondence of Augustus ben Adam, assistant to Doctor Luke, I wanted to research some expert references regarding ancient letters for form and content. I’ve done some of this already, but not as extensive as I’d like. So I searched for “ancient letters” and had thousands of returns, some amazing documents, either books or articles on-line, or blogs, or professors’ web sites. And these sites have hundreds of references to original sources they used. It’s a veritable treasure trove of information. When I am at home tonight, I will edit in some of the names of the originally found document and some of the references of interest. How I would love to access and read it all!

But, maybe I don’t need to go that far. While perhaps one article or book cannot be considered definitive, maybe two is enough for the purpose at hand. The derivative research, which would be more pleasure than research, will have to wait.

Waiting, Waiting

Three months and three days. That’s how long it’s been since I sent a partial manuscrpt of Doctor Luke’s Assistant to an agent I met at a conference. The agent requested the partial, and I complied a couple of days later. No word since them. This is about at the time when, if you listen to on-line writer groups, I should be thinking about a refresher contact to the agent. I think I’ll wait another couple of months, however. It seems the waiting is getting harder on this one the longer it goes on.

Four months. That’s how long it’s been since I sent four items out for consideration by four different periodicals. Three were poems; one was a literary essay. I heard back from two of them over the next two months–two rejections. The other two, nothing. These are not ones I’m sweating over, as I don’t think much payment, if any, is involved, and not a lot of noteriety. Still, knowing would be better than not knowing.

One day. That’s how long it will be before they announce the results of the Valentine’s Day love sonnet contest at Absolute Write. I entered an older one titled “Motif No. 1”, a take-off of the famous fishing hut in Rockport, Massachusetts. One of forty-five entries with five prizes being awarded, I think I have a decent chance to get something. But I’ve been disappointed before, so my hopes aren’t really up.

Waiting is part of the writing industry, with most waits ending in the disappointment of rejection. We’ll see what these four unresolved submittals hold.

Getting Things Done

For some time now I have thought that a wonderful name for a magazine column would be “The Wonderful Feeling Of…”. The continuation would be different for each column, things such as:

– Telling the Truth
– Saving Money
– Helping Another
– Meeting Old Friends
– Getting Things Done
– Saying a Prayer
etc.

These would be uplifting columns that explain how these things serve to enhance one’s life.

For this weekend, Getting Things Done is definitely the correct column. I did nothing on my own writing, but when I dropped into bed Sunday night I had the feeling that I had indeed accomplished much. Taking down the outside Christmas lights, undecorating and storing the Christmas tree, boxing minor Christmas decorations, sharing Sunday lunch with good friends, balancing the checkbook (done on Friday, I think), completing 2007 budget tracking (somewhat depressing) and setting up 2008 spreadsheet, taking 2-year old children’s church on Sunday–with 11 of the little darlings present and mostly accounted for, resting Sunday afternoon, and even getting to read a little. All of this was good stuff, and very fulfilling.

The main writing work I did was completing the critique of a chapter of another writer’s book. I met Jon at the HACWN conference in Kansas City in November, and we discovered our main works-in-progress were both in the same historical era, though in different parts of the Roman world. We have stayed in contact, and swapped chapters for reading, with the openess to critique. Well, I dug into the critique part. Saturday evening I pulled up the Word file, and using some handy macros I’ve written, did a lot of double strike-through and redlines, all with explanatory notes. Jon may not have bargained for this, but I did not cut down his story. I mainly showed him some places where a reader might have some problems with the setting, and where clarification was in order.

This was very fulfilling work. I think I learn more about my own writing when I critique others. I see things they do that I’m not looking for in my own work. The mere act of critiquing causes me to think about word use, grammar, clarity of descriptions, use of modifiers, consistency and immediacy of voice, etc. I find no better way to spend two or three hours improving my writing than to critique the work of another. I have one more critique to do, for another writer I met on line, then I’ll be ready to work on marketing Documenting America.

Took a Day Off

Yes, yesterday I took a day off from writing. Having finished this round of edits of Doctor Luke’s Assistant, and with the television coverage of the Iowa caucuses, I decided to spend the evening in a combination of relaxing, balancing the checkbook, and filing family financial papers. I’m not saying DLA is done, for I’m always open to improvement, but I will not re-read it or do any more edits except in response to comments from others, be they beta readers, editors, agents, whoever.

For the next few days, I will have about four writing-related tasks. First, file the mark-ups for DLA. I have a bunch of them, not just from this round, but from the previous as well. Second, print a copy for file and beta readers. Third, critique two different bits of writing from two authors I’ve met either on-line or at conferences. One of these I have already made extensive mark-ups for, and just need to type them in a Word file and mail them. I have found that critiquing the work of others is one of the best ways of improving my craft. Fourth, begin (again) marketing research for Documenting America. That will be the subject of my next post.

At last, Doctor Luke’s Assistant is…

…finished!

That is, tonight I finished reading the last to chapters and marking tweak-like edits, typing the edits in the last four chapters, and merging all the files into one file, and formatting that. Thus my fourth round of edits is over, and the manuscript is ready to submit in full, should anyone be interested. I still have a few formatting issues, such as adjusting some paragraph indents, but it is presentable as it is now.

Of course, I don’t rule out another round of edits, should I feel led to do so or should it be needed to make it acceptable for publication, but now I can put this aside, and concentrate on other things while the agent is considering it. I don’t think I’ll do any research into other agents right now.