All posts by David Todd

Conference Assimilation: Rusty Wright on Reaching Non-Christian Audiences

The Write-To-Publish Conference schedule included, as have all major Christian writers conferences I’ve been to, a continuing class—that is, a class that is taught over several days. The WTP ones covered all four days of the conference, amounting to five hours of class time.

The one I chose to attend was “Effectively Communicating Christ to non-Christian Audiences”, taught by Rusty Wright. I hadn’t heard of Rusty before, which speaks more about my lack of knowledge than his notoriety. He’s been on the lecture circuit, speaking at conferences, and writing articles for a long time. I just haven’t happened to cross paths with him. A big concern of his is that Christian writers need to branch out from writing only for people who are already Christian to people who are not. It takes a different approach.

The first day he talked about figuring out about who your audience is. What motivates them? How do they want to be entertained? What are their goals, hopes, fears, desires? This really isn’t much different from what we should be doing for any audience, but we don’t often do it. Or, when deciding to write something to reach non-Christians, we don’t adjust our writing style to really reach them.

An example of an adjustment we have to make to change our vocabulary. When writing for a Christian audience we use what he calls “Christianese”, the vocabulary of the church. Just how much we use this can be hidden from us. When writing pieces in which we want to reach those who want nothing to do with the church or their Jesus, we need to carefully consider every word used, and strip away all language that will even not be easily understood or will be off-putting.

On the third day Rusty told us about using humor. It’s a universal technique. Almost everyone likes to laugh, regardless of their spiritual beliefs. Why not use humor in writing and speaking, and sprinkle in the Christian message through that humor. He gave many examples he has accumulated over the years. As I am not a naturally humorous person, this will likely be difficult for me. Still, it’s a good technique and I need to expand my writing abilities to include it.

Rusty gave examples from his writings of pieces he wrote that went into secular magazines, yet included a small pro-Christian message of some type. usually these were subtle and short, though at times longer and more overt. He gave us links to his website where he had examples shown. In some cases, an article he wrote for some newspaper was picked up and republished, with or without permission, in a dozen other publications. His message went out.

I found this class to be useful, and a good use of my time at the conference. I’ve passed up these type of classes before, not because I didn’t want to take them, but because I had many things I needed to know and lots of choices. Finally the right time and mix of classes came along. I have some good notes and handouts to review. Hopefully I will be able to put some of this into practice soon.

Conference Assimilation: Doc Hensley Speaks

The keynote speaker at the Write To Publish Conference was Dr. Dennis Hensley, director of the professional writing program at Taylor University, Ft. Wayne IN. This is not a well-known university, and I suspect Doc Hensley is not a household word in the USA, but he is well-known in Christian writing circles, and his program is highly thought off.

This is the third time I’ve heard him as keynote speaker at a Christian writers conference, including at this very conference in 2004. So I was a little worried that he would speak one of the same keynote addressed I’d heard before. Not that I remembered all of them so well that I couldn’t stand to hear them again, but it was a concern.

However, Doc Hensley gave a different speech than at any of the other times I’d heard him speak. He talked about being a writer, rather than writing what you want to write. He told of a time a couple of decades ago when he learned that romance novels were selling well, and gaining more and more market share. He did not feel particularly called to write romances, but he said, “I am a writer,” and began writing romances under a pseudonym. Not sure how many he wrote, but all sold fairly well.

Then he told about another time, when someone needed a certain type of article—or maybe it was about a subject he didn’t normally write on. But he said, “I am a writer,” and wrote the article and received payment.

His point was to diversify. Find out what type of writing is needed, and fill the void with your writing. This somewhat flys in the face of the conventional wisdom one hears at these conferences, that finding a good niche/genre and staying in it is the best thing. Your fans will want to have more of the same type of writing. So if you are writing thrillers, the conventional wisdom goes, don’t shift to cozy mysteries and expect your audience to embrace your new book. If you write romances don’t add horror to your portfolio.

In this conventional wisdom, diversification using pseudonyms can help, but can also distract you from writing the next book in your primary genre that your fans are clamoring for. Instead of two books in genre a year, you might only produce one, leaving fans disappointed.

Of course, you actually have to have fans for this to be a concern. I’m a ways from that at this point. I think Doc Hensley’s advice is good. Since I happen to have been doing that already, of course I’d think it good. I guess I’ll continue to write engineering articles and environmental articles and the occasional poetry article, even while trying to finish In Front of Fifty Thousand Screaming People and e-self-publish Documenting America and add the next volume to that genre and perhaps add the occasional poem to my portfolio.

Somewhere, sometime, something is going to click.

Writers Conference Aftermath: Accumulation

Last week, from Tuesday evening through Friday evening, I attended the Write To Publish Writers Conference, held on the campus of Wheaton College in Wheaton, Illinois, a western suburb of Chicago. This is the second time I’ve been to this particular conference, the previous time in 2004. I would not have been able to attend except for receiving a Cec Murphey scholarship, one of eight members of The Writers View 2 e-mail group to receive one. We stayed in a college dorm, ate at the college cafeteria, and had our meetings in the Billy Graham Center, also part of the college.

On Tuesday evening the scholarship recipients met in the dorm lobby, then ate supper together. One of the eight was due to come in late and we didn’t expect her; another arrived in time but didn’t find us. Some combination of us then ate together most meals together, though also took time to network with other people.

Years ago I read a health book Fit For Life by Harvey Diamond. In it he talked about our bodies going through three phases in the typical diurnal cycle: accumulation, assimilation, and elimination. All three processes are at work simultaneously, but each of the three also has its dominant part of the diurnal cycle, overpowering the other two during that time.

This conference was the assimilation phase for this writer, and I suspect for others as well. For three days the hours were full of editorial panels, keynote addresses, continuing classes, electives, critique groups, fellowship, meetings with editors and agents, impromptu meetings with all parts of the writing business, and commiserating at the difficulty of becoming published by a traditional publisher—at least as far as books are concerned. And each day included a time of worship, for this was a Christian writers conference.

I took the continuing class on sharing Christ with non-Christian audiences. This was somewhat by process of elimination, as I’d taken some of the other continuing classes before. However, since I intend for most of my writing to be for the general market, not the Christian market, I also felt this class would be important to me. The instructor was Rusty Wright, whom I had not met before. An excellent teacher, he suggested several things I hadn’t thought of before. On Friday he covered how to use humor. About half of that day was concerning writing, half speaking. It was all good.

The accumulation phase of this conference is over. I brought back a ton of stuff (an exaggeration; at most 15 pound) which I have to go through, find out what’s good for me, what’s not, and begin implementing it. Meanwhile, I am working up a post-conference to-do list. That’s all part of the assimilation phase.

Over the next couple of weeks I’ll blog about the assimilation phase of this particular conference, mentioning what I picked up during the accumulation phase, and maybe even something about what I’m eliminating. Stay tuned.

The Incestuous Poetry Relationship

I had a one-year subscription to Poet & Writer magazine, six issues at a deep discount of $10. I’ve always enjoyed this magazine, since it pulls together a broader variety of writers and writing topics than do many other magazines for writers. Often on my travels I will enter a Barnes & Noble, take one from the rack, buy a vente house blend and sit and read it. Usually I find such good things it it that I’ll buy the issue and read it in the hotel. So eventually I took the subscription. P&W is heavy on features: the writing life, debut novelists; debut poets. It is short on the writing craft, moderate on industry news, and what news it presents is usually done through features. A little short on regular columns, too, compared to other writing mags.

I read these issues slowly, only on Sunday afternoon, in our sun room, falling asleep and reading in several sequences. I’m currently working through the January/February 2011 issue, the last one of my subscription (which I did not renew). The covers says it is “The Inspiration Issue.” Under the heading of “The Literary Life” are many interviews of writers, but a series of short interviews of debut poets especially caught my eye. These are poets who had their first collection published in 2010. What I found instructive was the university attended/degree earned and employment of these poets. Let’s see how the columens will format, as I know the spaces will look right on my screen but probably not once published.

Age         University        Degree        Employment
41           Iowa                 MFA         theatre writer/critic
30           Warren Wilson  MFA         creative writing teacher
39           Columbia          MFA         mother
27           Wisconsin         MA           library worker
34           Iowa                 MFA         PhD candidate
29           New Mexico     MFA        teacher
30           Oregon             MFA        job hunting teacher
32           George Mason  MFA        PhD candidate
39            New York U    MFA       assistant professor
39           Utah                  MFA       associate professor
35           New School (NYC) MFA PhD candidate

All degrees save one are masters of fine arts, and almost all now work at teaching others. Is this the way poetry publishing is going? If so, it’s incestuous. Others have said this before me, that the MFA-based system results in inbreeding of poetic technique, begetting the same poetic technique, as those who are taught by MFA profs become MFA profs.

C.S. Lewis had a word to say about this, as I discussed a couple of months ago:

Great authors are innovators, pioneers, explorers; bad authors bunch in schools and follow models. Or again, great authors are always ‘breaking fetters’ and ‘bursting bonds’. They have personality, they ‘are themselves’.

We certainly have poetry “schools”, in the broadest sense of the word. And we’ve had ’em in the past, too.

Of course, I admit it’s quite possible that this magazine is not all that representative of the full range of modern poetry. It might be only a small part of it. Still, I wonder if this isn’t at least in part explanatory of why poetry is so unpopular these days. P&W is a magazine filled with adds for MFA schools and workshops. Every university and college in the country that has a creative writing program has an ad in each issue of the magazine. The ads almost always feature a rustic cottage surrounded by trees and meadows. A photo of some poet who’s supposed to be famous but who most likely I never heard of is inset, and the ad includes a list of faculty and visiting professors, almost all of whom I never heard of. Low residency requirements are typically trumpeted.

The ads that are not for MFA programs are for writing retreats or workshops. The ads that aren’t for any of those are for contests. The ads are so similar from issue to issue that I pretty much stopped reading them.

So P&W is of some limited use, but I really like it. I’m keeping these issues, and may refer back to them from time to time. But watch out for the problem of the incestuous poetry community I will.

Book Review: The Templar Revelation

It was at my nearest thrift store, I think, that I paid 50 cents for The Templar Revelation: Secret Guardians of the True Identity of Christ, by Lynn Picknett and Clive Prince [1997, Touchstone, ISBN 0-684-84891-0]. On the cover of this paperback it says “As featured in The DaVinci Code“. I figured it was worth the modest investment to see how The DaVinci Code was related to it.

As far as is possible, I feel I wasted my 50 cents. The book is awful. It is divided into two part: 1) The Threads of Heresy, and 2) The Web of Truth. I read about half of part 1 and spot read 20 to 30 pages of part 2 (150 out of 373 total pages). The most common phrase used in the book is “as will be short later,” or various derivatives of that. John the Baptist was more prominent than Jesus, as will be shown later. Mary Magdalene was Jesus’ wife or concubine, as will be shown later. The Knights Templar were adherents to the cult of Mary Magdalene, as will be shown later. The Cathars understood the true importance of the Baptist and the Magdalene, as will be shown later. How tiring, with never a forward reference included, such as “as will be discussed in Chapter 17.” How much later? What chapter should I go to? Why don’t you just explain it now.

The second most common phrase is “according to modern scholarship.” The authors seemed enamored with any study/publication in the last hundred years that in any way contradicts the traditional Christian message and belief. Nineteen hundred years of scholarship is tossed aside simply because it isn’t the latest. This, too, was tiring.

The book does indeed follow The DaVince Code. Or, rather, based on publication dates, The DaVinci Code follows The Templar Revelation, and is its fictional counterpart. DaVinci’s Last Supper, the true purpose of the Knights Templar, the mysterious old or new Priory of Sion with its train of grand masters—all are here. Even some names of Dan Brown’s fictional characters came from historical figures mentioned by Picknett and Prince. Dan Brown must have read this 1997 book before writing his and publishing it in 2003. Although, that blurb on the cover references TDC whereas the latest date on the title page if TTR is 1998. What gives? I thought publishers put the date of the latest printing on the copyright page. Apparently not any more.

The Templar Revelation is poorly written, not from the standpoint of writing craft, but from its lousy scholarship. Despite many footnotes it is poorly referenced, I came away with a sense of the authors wanting to believe anything that would poke holes in Christian orthodoxy. Every hack professor is believed; hundreds of theologians are not. Clearly the authors were trying to strike a balance between a popular book and a scholarly work, and achieved neither. At one point it reads, “As we have seen, most modern Christians are surprisingly badly informed about developments in biblical scholarship.” [page 362]

Hey, Picknett and Prince, that’s because we have settled the question. We have no need to delve into the questionable works you cite to see what Satan has inspired. We believe the gospel message about Jesus’ life and teaching as told by Matthew, Mark, Luke, and John. We believe Christian doctrine as first outlined by Paul and later confirmed by thousand of works by a hundred early Christian authors. We believe that other gospels you seem enthralled with disappeared not because the church tried to destroy them but because they carried no authority, being obviously contradictory and bogus, thus rejected by scholars of a formative age. We don’t need to revisit the question. We are not badly informed; we know whom we have believed in, and why.

If you see The Templar Revelation in a used book sale, leave it there and use your pocket change to buy a sno cone or some other nutritionally void stomach killer. The stomach will recover faster than the mind, should it be infected with this garbage. I’m not going to finish this. I’ll put it in the garage sale pile, and hope to recover half my investment.

The Candy Store Generation

To have a successful self-published e-book (“successful” meaning good sales), what you need, according to Joe Konrath, are:

  • a great book,
  • a catchy title
  • a dynamite cover,
  • good promotion, and
  • a body of work that builds on itself.

Even while I cling to the dream of having something published through a traditional publisher, and do some things to go down that road, I’m looking for the next thing to self-publish. What that next thing should be finally came to me on Memorial Day.

Why not write The Candy Store Generation? I first thought of this during the 2000 election, watching the first presidential debate between Bush and Gore. They argued about how to spend a budget surplus expected to be 1 trillion dollars over the next ten years, a result of five years of Republican-led Congresses. It struck me that they sounded like children in a candy store who were given an unexpected windfall from daddy.

But it also struck me that these political animals, children of political families and of privilege, were simply reflecting what America had become. By 2000 the majority of Congress had flipped from what Brokaw called The Greatest Generation to the Baby Boomers. The Boomers were now calling the shots. The Boomers made up a huge voting block. I’m one of them, and I see things in the majority of my generation that bode poorly for our nation.

I let the idea gestate for some time, and in 2009 I wrote four blogs on friend Chuck’s blog, “The Senescent Man’. I won’t say I wrote them to rave reviews, because they generated no comments. I also rushed them a bit, and didn’t develop them for the blog as much as I should have.

Last Monday I decided that I should try to expand them into what I wanted to do. I don’t have a complete vision for the book yet, but I don’t see it as a long book. Maybe 10,000 to 20,000 words. It will mainly explain what I see are the bad results of Boomer leadership in virtually all areas of American life. I’ll also discuss some of the why—from my perspective—the Boomers became what we became. It will be a book mainly of my opinions, with some research, but not a whole lot.

On Tuesday night I went to the old blog posts and dumped them into a MS Word document. It begins as a little over 2,000 words. So I’m already 1/8 to 1/4 done. The smaller word count isn’t much of a book, so I’ll probably go for the longer one. I have to get the full vision first, and an outline, and maybe couple of chapters done before I decide.

The good news is that I don’t start with a blank sheet of paper. I start with a concept that has been fermenting in my gray cells for a decade, and which saw the light of Internet day in small part. The blank sheet of paper is the hardest part of writing anything, it seems. Once that is overcome, it’s all downhill. I remember the comic strip “Shoe”. The editor asked the writer, “Is the article done yet?” to which the writer replied, “90 percent.” He then trudged back to his littered desk, rolled a blank sheet of paper into his typewriter, and said, “The white part.” I’m past that. May The Candy Store Generation come to fruition.

Truncating the Library

File this under “sad things that are sometimes necessary”. CEI is growing; we have taken on some new rental space. When we moved into this building in November 2009, renting out our much larger corporate headquarters, we occupied six modules of the seven in this building. The seventh module, near the center of the building, was occupied. That company had had the parking lot to themselves for years, and were not happy when we inundated the lot with our corporate pick-ups and engineers and surveyors. So they moved to new quarters across the street.

We got first dibs on their vacated space, but haven’t needed it till now. Next week we do whatever modifications are needed to make this space work. The best solution the space layout people came up with was to move the library to the new space and install cubicles where the library is. It’s a more efficient use of space.

But, the library must shrink. Since I took responsibility for the library during the last move, I was tasked with it now. First thing to go are old State and City standards. Most of our copies are out of date, and most states and cities have them on-line now, so out they go. If it’s a 3-ring binder I open it, salvage any clean divider sheets or tabs, put the paper in an OOP recycling bin, discard glossies and the like, and put the empty notebook in a pile for our off-site supplies storage. For comb binding, about the same thing, including salvaging the comb. My old college buddies would expect no less from the HEEDonist.

Next will be the manufacturers catalogues, most of which are for materials we don’t use, are out of date, and are on-line. So out they go. Next will be the Federal standards. Same out of date/on-line situation. Then will be a few shelves of old CEI project notebooks. I won’t discard these, since I can’t be sure they are duplicates. So I’ll box them for off-site archiving. We have 132 shelf segments, and I anticipate I’ll reduce the remnant to a little less than sixty shelves. I’ll report back when done.

This is sad to me. Perhaps these are not real books, but they are books nonetheless. I hate to discard them. The world won’t be a worse place for their being gone. In fact, it might be a better place. We will not have to purchase 3-ring binders for a few years probably (reduce). Less building space will be needed for the same size business (reduce). What can be re-used will be re-used (reuse). And the old office paper will become new paper products (recycle). Maybe the folks who many years ago formed Humans to End Environmental Deterioration would be proud. I won’t shed a tear, but neither will I rejoice.

Well, I’d better get back at it.

Gleanings from John 14:15-21

This was my week to teach our adult Life Group (a.k.a. Sunday school). We were at week twelve in our fourteen week all-church/denomination-wide “Ashes to Fire” study, combining the Lent and Easter seasons and ending on Pentecost, June 12. Marion and I have been trading off. I teach the weeks he is on call for his veterinarian practice and he teaches the other.

The scripture lesson was John 14:15-21

“If you love me, you will obey what I command. And I will ask the Father, and he will give you another Counselor to be with you forever—the Spirit of truth. The world cannot accept him, because it neither sees him nor knows him. But you know him, for he lives with you and will be in you. I will not leave you as orphans; I will come to you. Before long, the world will not see me anymore, but you will see me. Because I live, you also will live. On that day you will realize that I am in my Father, and you are in me, and I am in you. Whoever has my commands and obeys them, he is the one who loves me. He who loves me will be loved by my Father, and I too will love him and show myself to him.”

I told the class this was “dense scripture”, by which I meant chock full of things to study. Jesus has just told the apostles He is leaving them (13:33, 14:7), they can’t follow (13:33) but that they knew the way to the place He was going (14:4). He has told them to love each other (13:34-35) as a new command, and that this will be how people will know they are Jesus’ disciples. He has told them he is the way, the truth, and the life, and the only way to the Father. Now he says:

  • If you love me you will obey what I command
  • He [Jesus] will ask the Father to send the Spirit
  • The Spirit [Counselor, Advocate] will be with them forever
  • The world cannot accept the Spirit
  • The Spirit already lives with the apostles
  • Jesus will come to them, in such a way that the world does not see
  • They will live because Jesus lives
  • “On that day” the apostles will come to a new realization
  • Whoever obeys Jesus’ commands loves Him
  • That person will be loved by God and by Jesus and Jesus will reveal Himself to that person.

Wow—how packed can scripture be? Stuffed with meaning. I could have chose to take the lesson in any of several directions, but chose to study the Holy Spirit and His work. This is something most evangelical Christians study early in their walk and need to review from time to time, so this was, in my mind, somewhat of a refresher lesson. I tied it to John 14:26, 15:26, and 16:7-15. Class discussion went well. We kept on leaving the work of the Holy Spirit to try and grasp again the Trinity. All three Persons of the Godhead are present in these verses.

We came to see the meaning of Jesus’ words in John 16:12—”I have much more to say to you, more than you can now bear.” No kidding. We felt that we understood how the apostles felt. They were in the early stages of separation anxiety. We have the hindsight of 1,980 years (give or take a decade) of theological development, with witness and scholarship. That may or may not be a help to us.

I want to explore these words some more. They are familiar from years of reading the gospel of Jesus according to the apostle John, but I still have much more to digest from this. Children’s pastor Jessica Springer, in her sermon on Sunday, took this same scripture in a very different direction. Using the idea behind the Klondike bar commercials, she asked “What would you do for Jesus?” An excellent sermon it was, showing how dense this scripture is.

On Royalties, Accounts Receivable, and Holiday Weekends

This morning I decided to finally create a spreadsheet that will track my e-book sales royalties. Now, one of the benefits of e-self publishing (eSP), at least the Kindle variety, is that you know exact sales figures in real time. Payout is only when you accumulate $10.00 in royalties, and there’s about a 30 day wait after that.

Compare that with traditional publishing, however. There, I’m told, the sales figures are more or less hidden, the royalty statements are advanced math, and the delay in payment is six to nine months. So the e-book royalty situation is much, much better than for traditional publication.

So far I’ve sold 3 e-copies of Documenting America and 4 of “Mom’s Letter.” My accumulated royalties are $2.70, rounded off and including any fractional cents for each sale. I guess I don’t know what Kindle does with those fractional cents, but I assume they accumulate. So I’m way far away from reaching payout. Obviously too I haven’t generated any buzz yet through limited promotional efforts.

At Suite101.com, I have accumulated $5.47 of ad-share royalties. We are experiencing hard times at Suite, due primarily to changes in the Google search algorithm that has de-rated the site, resulting in drastically lower page views with resulting drops in ad revenue. Except for two big days this month, I typically earn less than 10 cents per day. Of course, I haven’t added any articles there since February. I expect that to change this weekend, as I have a couple planned.

A positive thing is my accounts receivable. Buildipedia.com published my latest article yesterday: Asphalt Pavement solar Collectors: The Future is Now. That earns me $250. Also yesterday I submitted my next article for Buildipedia, a feature article on erosion control from construction sites. Once that is accepted and published, I’ll have another $250 earned. It’s possible they won’t accept the article (unlikely; they haven’t rejected any yet), in which case I’ll earn just a kill fee. So all together my accounts receivable for writing work stands at $508.17. Not bad.

Which leads me to Memorial Day weekend. I’m looking forward to the three days. We have nothing planned. Our children are together in Oklahoma City right now, son having driven there from Chicago to see his newest nephew for the first time. We’ll be in Bella Vista, chilling, maybe grilling, doing yard work, reading, writing—at least I’ll be writing, cleaning, de-cluttering. Normally my writing desires always exceed my productivity for these weekends, but it’s good to dream and plan big. This weekend I hope to:

– Upload corrections to Documenting America, and upload the professional cover my son created for me.

– Get started with SmashWords and upload both Documenting America and “Mom’s Letter” there.

– Get started with CreateSpace and upload Documenting America there.

– At least look into Pubbit, and maybe upload both e-books there.

– Possibly register a writer’s web site and begin work on it.

– Work some on the passage notes to A Harmony of the Gospels

– Type edits to In Front of Fifty Thousand Screaming People, including one chapter written in manuscript, and maybe add one more chapter.

– Write/submit two articles to Suite101.com.

As I say, that might be more ambitious than practical. I’ll report back after the weekend on what I actually accomplished. Oh, and maybe I’ll be able to write a few blog posts and schedule them to post at future dates.

What One E-book Sale Can Do

Actually, it was an e-short story sale. Yes, yesterday I sold another copy of “Mom’s Letter” on Amazon Kindle. That puts it up to 4 sales since I published it in mid-February. I did a little promotion on it today, both on Absolute Write and at the Suite101 forums. I don’t know where the sale came from, and no new review has yet shown up. I’m happy for it, and for the 34.65 cent royalty I’ll earn–if I ever make payout, that is. I’ll make payout, I have no doubt about that. It’s mainly a question of whether it will be on this side or the other side of the next New Year’s Day.

What are the impacts of this sale? The book ranking of “Mom’s Letter” skyrocketed from something below 300,000 (hadn’t checked for a while) to 45,632. At least a 260,000 place jump from one sale! That tells me that 260,000 other e-books haven’t had a sale recently. I don’t know how the Kindle rankings work. Are they cumulative since publication? Are they based on the last 30 days? Last 7 days? I haven’t figured that out yet, though I haven’t tried very hard to figure it out. I suspect it’s based on sales in a recent time period. That means 45,632 e-books have had at least 1 sale during that time period. Since the Kindle Store has some million or millions of books available, that means many, many, many had no sales in that period. Welcome to the world of self-publishing.

Another impact is promotion. This demonstrates how important promotion is. A simple link posted to a forum can generate a sale. It might be a sympathy sale, given that I mentioned how sales were lagging, but a sale is a sale. Actually, I don’t know if the sale came from my post. One gal responded to my post saying she would tweet it for me. But since that tweet (if she did it; I don’t tweet to check on it) came as a result of my forum post, that forum post should at least earn an assist. So I guess I should bet busy and promote some more.

What about the impact on my psyche? It’s not as great as the third sale was, nor the first two way back in February. Self-sustaining sales, not directly attributed to promotional efforts, might give me a bigger morale boost. But if I have to make two Internet posts to generate one sale…well, seems like a lot of effort for 35 cents.

But I am a little more encouraged to go ahead and complete the editing round currently in progress on Documenting America. I have four more chapters to read, and then fifteen chapters of edits to type. I’m not really finding much. I had a few embarrassing typos, a few not so embarrassing, and a couple of places where my wording could have been clearer. Nothing much, really. I hope to have the improved, artistically-designed cover available in a day or two, and it would be nice to have the text edits available at the same time, do the re-up-load in one shot instead of two.

Any encouragement is good. May the sales continue.